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15,000円以上国内送料無料 | FREE DHL SHIPPING WORLDWIDE FOR ORDERS 50K+ yen : Details
15,000円以上国内送料無料 | FREE DHL SHIPPING WORLDWIDE FOR ORDERS 50K+ yen : Details

Make Noise QPAS

¥69,900 (税抜 ¥63,545)
ステレオイメージの構築も得意なステレオ入出力のマルチモードフィルター

Format: Eurorack
Width: 18HP
Depth: 30mm
Current: 166mA@+12V, 190mA@-12V

Manual PDF (English)

MUSICAL FEATURES

QPAS is a stereo input / output multimode filter that has been specially elaborated. The left and right channels each consist of two multi-mode filters, and by simply controlling their frequencies separately on the left and right, it is easy to build beautiful resonance peak movements in stereo. Output is low pass, band pass, high pass plus uniqueSmile passIt has an output, and this output enables a beautiful frequency sweep while keeping the volume constant.

 QPAS is a stereo-in / stereo-out module with a VCA on the input. The main cutoff control that is common to the left and right can be CV controlled by FREQ1 with Attenuverter and FREQ2 jack without Attenuverter. Resonance can also be controlled with a CV input with Athenuvata.

 QPAS features are separate for L and RRADIATE controlis. This control allows you to modulate the frequency spacing between the two filters on each of the left and right channels. Unless patched to the R-RADIATE input, the L-RADIATE input is internally connected, so the same modulation signal can be used with different Attenuator settings for the LR. !! ¡ ¡ The input can receive a gate signal, affecting various parameters.

 Different modulations for L / R using CVs and gates can be used to achieve beautiful resonance peaks in stereo.

 Other QPAS features include:
  • Stereo analog filter using four filter cores
  • Generate multiple peaks with clean resonance
  • Fast cut-off response for deep FM
  • Radiate allows you to expand the stereo image and add movement
  • When high Q (resonance) is set, you can input a trigger and use it as a percussion ping, and it is easy to incorporate a stereo effect into the pitch by Radiate
  • Two !! ¡ Input makes the patch more experimental
  • Place stereo VCA before filter
  • The input and output channels are internally connected to one channel, so you can automatically switch between stereo to stereo, mono to stereo, and mono to mono depending on the patch status.
  • QPAS with unique smile output
  • Low-pass, band-pass, high-pass, and smile-pass can be taken out at the same time, so processing and mixing in the subsequent stage is also possible.

EXTERNAL LINKS


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