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ブラックフライデーセールがスタート!さらに BF10クーポンで在庫品が10%オフ(一部対象外)
15,000円以上国内送料無料 | FREE DHL SHIPPING WORLDWIDE FOR ORDERS 50K+ yen : Details

Make Noise Maths

¥53,900 (税抜 ¥49,000)
絶妙の機能コンビネーションで定番中の定番となったCV生成/変調モンスター!

Format: Eurorack
Width: 20HP
Depth: 24mm
Current: 60mA@ +12V, 50mA @ -12V

Manual PDF (English)

Color: Black

MUSICAL FEATURES

MATHS is a CV generation/modulation module that can be compared to swiss army knives because of its versatility. Two envelopes and LFO (CH1 & CH4) combine them with plus alpha to create complex and musical envelopes. In addition, patching can be used to fulfill a variety of functions, including trigger delays, envelope followers, and comparators.

Two channels that play a central role in MATHS, CH1 and CH4,
  • - SLEW (through)(Enter signal in SIGNAL In and turn off cycle button)
  • - AD Envelope (Enter the trigger in Trig In and turn off the CYCLE button)
  • - Repeat the AD envelope.Lfo(Without entering signal IN or TRIG IN in particular, cycle button ON)
act as one of the SLEW, by entering the gate signalASR EnvelopeCan also be used as.

The most important parameters of CH1 and CH41,Rise Time/Fall Timethe speed of the signal's rise/fall as follows:
  • - When used as SLEW, the degree of change in the input voltage is adjusted separately when the input voltage is increased and down.
  • - Individual attack time decay time is adjusted as an AD envelope
  • - LFO adjusts the time when the voltage rises and down individually
RISE/FALL can be controlled by CV.

The remaining CH2 and CH3 are simple ± both-facing attenuators/offsets.
MATHS uses these CH1-CH4SUM or ORit is also possible to create complex signals. It is also mounted on CH1 and CH4EOR (END OF RISE)/EOC (END OF CYCLE)Gate signals to inform the timing of such, can also be used for a variety of purposes. ManualThere are also a lot of patch descriptions and TIPS in the second half of the, so please try a variety of patches once.
 
Mouse over to see a description of each part  

Tips

Signal In/Trigger In

When you enter a trigger signal into MATHS, signal In and Trigger In have the following differences:
  • Signal In Signal In, the fall begins as soon as the trigger is turned off.
  • Trigger In begins the fall after the specified rise time.
So, when the rise time is set for a long time, if you enter a trigger in Signal In, the envelope starts the release with little standing up, but in the case of Trigger In, it does as the time you set rise → fall.

In addition, trigger InRetriggerBe aware of the presence or absence of Even if trigger In has input when the envelope is rise, the envelope isIt will not be retriggered.This property is very useful when creating a loose envelope from a busy trigger pattern or as a trigger delay as follows: This property also allows the EOC/EOR output to beClock Dividercan be as functional as.
 

LOG/LIN/EXP

In MATHS, ch1 and CH4 envelopesCurve Characteristicscan be adjusted in a very wide range. Log is a pressurized envelope, and EXP is a super snapper and percussive envelope. The adjustment power of this curve is also a big feature of MATHS.
Log Curve

When the knob is close to the Log. The envelope becomes an inflated curve.

Exp Curve

When the knob is close to Exp. The envelope becomes an inflated curve below.

You can also self-patch the envelope to your Rise/Fall time CV input.Rise and FALL can also create curves with different characteristics.

If you log the curve characteristics and modulat fall with your own envelope, you will have an envelope that looks like the one above. In order to adjust the amount of modulation with the atte inverter, it is modulated using a variable output, and the atte inverter is made negative. Patch the unity output to the desired modulation destination.
See also the 50-second patch in the MATHS Advanced Envelope Techniques video below.

Audio Rate

By extremely shorting RISE and FALL in CYCLE mode, CH1 and CH41kHzcan also be an instant oscillator. All channels can be processed to audio rates, so they can be used as mixers, or can be used as envelope followers if you enter audio signals into CH1 or CH4 and set RISE and FALL appropriately. In addition, if rise and FALL are increased, the cycle is25 min.Can be longer than that. For this reason, it is also possible to design envelopes as a large flow in one song.
 

Trigger Delay/VC Gate

From End of Rise, the input trigger signal is output by the rise time, followed by the gate ON for the fall time. The ability to delay the trigger in this way and output it as a controllable gateTrigger Delay/VC GateIt is a function that comes in handy very much, such as making a rhythm in a modular. Combined with the nature of the above retrigger, it is possible to use it more organically.

DEMO









The oscilloscope shows a complex envelope in one MATHS. Maths is showing the real value as the second half goes.


 
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