The output of output 1 is processed by a combination based on the sound of the oscillator (by digitally performing wave shaping such as an analog logic circuit), and becomes a signal that has passed through the delay.The following options are available for the combination processing (Select with Combo Mode Button). Some combination processing may be effective when performed with INT.Sync.
- cmb: osc1 The sound of oscillator 1 is output as is.
- cmb: ring Outputs a signal obtained by ring-modulating oscillators 1 and 2.
- cmb: min Of the signals of oscillators 1 and 2, the signal with the lower voltage is always output.
- cmb: pong Oscillator 1 and 2 signals. When Oscillator 1 has a positive voltage, the signal of Oscillator 1 is output. When Oscillator 2 has a negative voltage, the signal of Oscillator 2 is output. The output becomes 0 during the time when neither holds.
- Since cmb: inlv is digital, both signals of oscillators 1 and 2 can be specified by bits, but these bit representations are alternately extracted and combined to generate a signal.
- cmb: and Outputs by performing an AND operation using the bit information representing the signals of the two oscillators.
- cmb: xor Similarly, XOR operation (exclusive OR) is performed on the bit information of two signals and output.
- cmb: gLcH Generates and outputs noisy and glitchy signals from oscillators 1 and 2 through complex calculations.
This is the waveform when trying each combination by setting oscillator 2 to 16 times the frequency of oscillator 1 with the Quant button ON. Both oscillator waveforms are sine waves.
Sync occurs when the Sync input signal exceeds 0.2V. If nothing is patched to the Sync input, it will be INT.Sync, which occurs when the signal of oscillator 1 crosses zero.
- HardSync: This is the most common oscillator sync, where the phase is returned to 0 by the sync.
- SoftSync: The phase that is returned to 0 by sync is the same as HardSync, but only when the oscillator phase is the first quarter (0-90 degrees).
- RevSync: An oscillator sync in which the waveform direction is reversed at the sync timing. It is smoother than normal HardSync, etc., and is especially suitable for bass etc. in case of INT.Sync.
- HoldSync: When a sync occurs, the signal keeps its value and the waveform starts running again at the next sync.
- BumpSync: When sync occurs, oscillator 1 advances the phase by 90 degrees, and oscillator 2 advances the phase by 45 degrees.
- 2 = 1 Sync: This is the same sync as HardSync, but in addition to this, only the oscillator 2 is synced once again when the values of the two signals become the same.
- 1 = 2 Sync: 2 = 1 Sync mode where oscillators 1 and 2 of Sync are exchanged.
- Sync Of: Do not sync. This has the effect of preventing glitches from appearing when stepping through the presets using the Sync input. Select this when you do not want to align the phases of the eight waveforms in code mode.
The state of each sink is as shown in the figure below. Oscillator 1/2 is a sine wave, and the yellow arrow indicates the point where sync occurs.
The PULSE output always outputs either 0V or 5V. The type of signal is determined by oscillators 1 and 2, with the following options:
- + o1: In this mode, if the signal of oscillator 1 is greater than 0V, a value of 5V is output from the Pulse output, otherwise it is 0V.
- EOC: In this mode, the signal goes to 5V at the end of the oscillator cycle. Since the oscillator cycle is usually continuous, it is always 5 V, but in percussion mode, it changes from 0 V to 5 V at the moment the percussion sound ends, so the timing of the percussion sound and other sounds is related. Help.
- + o2: This mode is the oscillator 2 version of + o1.
- -o2: In this mode, the value of 5V is output from the Pulse output when the signal of Oscillator 2 is less than 0V, otherwise it is 0V.
- OR: In this mode, 5V is output when the voltage of either oscillator 1 or 2 is greater than 0V, and 0V otherwise.
- AND: In this mode, 5V is output when the voltage of both oscillators 1 and 2 is greater than 0V, and 0V otherwise.
- XOR: In this mode, the Pulse output outputs 0V when the output of oscillators 1 and 2 are both less than 0 or both are greater than 0, and outputs 5V when the output voltages of oscillators 1 and 2 have different signs. .
- gLcH: In this mode, 5V / 0V switching that reflects the sign of the output mode combination mode gLcH signal is performed. This can be selected even when gLcH is not selected for the combination mode. It's also handy for making noisy, glitchy triggers.
The MOD A input is converted to a 98KHz digital signal and used for modulation. The MOD A input is AC coupled and does not respond to slowly changing CV (DC signal). Press the MOD A / MORPH button and use the rotary encoder to specify where to modulate the MOD A signal. The modulation destination options are as follows.
- Phase2-Modulates the phase of oscillator 2.
- Combo 2-In this mode, the signal of MOD A will take the place of oscillator 2 in the combination processing. Select this mode if you want to perform modulation (such as ring modulation) that is performed in combination processing, and select the combination processing option with the COMBO button.
- Shape 2-This mode modulates the oscillator 2 wavetable with the MOD A signal. Since the progress of the phase is also controlled by the MOD A signal, the PITCH 2 and RATIO signals are no longer effective, the pitch is controlled by the MOD A signal, and when the sawtooth wave is applied to MOD A, the original waveform will be reproduced. By adding a waveform other than a sawtooth wave, it can be used like wave shaping or distortion.
- Voc MOD-In this mode, the MOD A signal64-band vocoderUsed as a modulation signal for The output signal of the combination processing is used as the vocoder carrier signal. Vocoder processing allows you to map the spectrum of the modulation source (MOD A input signal) to the carrier signal, creating vocoder-specific robotic vocal sounds and singing chords. The vocoder is effective when the carrier signal has many overtones like a sawtooth wave or a pulse wave.
- Phase1-Modulates the phase of oscillator 1.
- Combo 1-In this mode, the MOD A signal takes the place of oscillator 1 in the combination processing. Select this mode if you want to perform modulation (such as ring modulation) that is performed in combination processing, and select the combination processing option with the COMBO button.
- Shape 1-Oscillator 1 version of Shape 2. When oscillator 1 is in chord mode, modulation is applied only to the root note.
- Voc CARR-MOD A signal is used as a vocoder carrier.
When Chord mode is activated by pressing the Chord mode button, Oscillator 1 becomes eight separate oscillators, and all oscillators can output the same waveform at different frequencies. This allows you to play chords and untune the unison.
The amount of detune can be set by pressing the DETUNE / DECAY button and turning the rotary encoder. When the detune amount is the same value, the detune may be smaller at high frequencies in terms of hearing. The detune amount can also be modulated from the MOD B input. Press the DETUNE / DECAY button twice to set. Also, tuning the codeSelectable between just intonation and equal temperamentis. Press Chord Type / Multi / Load button in chord mode and set using the rotary encoder.
When code mode is activated, the top line of the LCD display will show the currently selected code type. The chord type can be set by turning the encoder. 64 code types are selectable. The table below shows the pitch of the oscillator when displaying each chord type in semitone units. 0 corresponds to the scale of the root.
CH: uniso 0 0 0 0 0 0 0 0 (unison)
CH: m2nd 0 0 0 0 1 1 1 1 (minor 2nd interval)
CH: M2nd 0 0 0 0 2 2 2 2 (major 2nd interval)
CH: m3rd 0 0 0 0 3 3 3 3 (minor 3rd interval)
CH: M3rd 0 0 0 0 4 4 4 4 (major 3rd interval)
CH: 4th 0 0 0 0 5 5 5 5 (4th interval)
CH: trito 0 0 0 0 6 6 6 6 (tritone interval)
CH: 5th 0 0 0 0 7 7 7 7 (5th interval)
CH: aug5 0 0 0 0 8 8 8 8 (augmented 5th interval)
CH: 6th 0 0 0 0 9 9 9 9 (6th interval)
CH: m7th 0 0 0 0 10 10 10 10 (minor 7th interval)
CH: M7th 0 0 0 0 11 11 11 11 (major 7th interval)
CH: octav 0 0 0 0 12 12 12 12 (octave interval)
CH: suboc 0 0 0 0 -12 -12 12 12 (suboctave + octave)
CH: 2oct 0 12 24 0 12 24 12 24 (octave + 2octave)
CH: min 0 3 7 0 3 7 0 3 (minor triad)
CH: minI1 12 3 7 12 3 7 12 3 (minor triad 1st inversion)
CH: minI2 12 15 7 12 15 7 12 15 (minor triad 2nd inversion)
CH: maj 0 4 7 0 4 7 0 4 (major triad)
CH: majI1 12 4 7 12 4 7 12 4 (major triad 1st inversion)
CH: majI2 12 16 7 12 16 7 12 16 (major triad 2nd inversion)
CH: sus 0 5 7 0 5 7 5 7 (suspended triad)
CH: aug 0 4 8 0 4 8 0 8 (augmented triad)
CH: dim 0 3 6 0 3 6 0 6 (diminished triad)
CH: maj6 0 4 7 9 0 4 7 9 (major 6th)
CH: maj7 0 4 7 11 0 4 7 11 (major 7th)
CH:7M1st 12 4 7 11 12 4 7 11 (major 7th 1st inversion)
CH:7M2nd 12 16 7 11 12 16 7 11 (major 7th 2nd inversion)
CH:7M3rd 12 16 19 11 12 16 19 11 (major 7th 3rd inversion)
CH: dom 0 4 7 10 0 4 7 10 (dominant 7th)
CH:7D1st 12 4 7 10 12 4 7 10 (dominant 7th 1st inversion)
CH:7D2nd 12 16 7 10 12 16 7 10 (dominant 7th 2nd inversion)
CH:7D3rd 12 16 19 10 12 16 19 10 (dominant 7th 3rd inversion)
CH: min7 0 3 7 10 0 3 7 10 (minor 7th)
CH:7m1st 12 3 7 10 12 3 7 10 (minor 7th 1st inversion)
CH:7m2nd 12 15 7 10 12 15 7 10 (minor 7th 2nd inversion)
CH:7m3rd 12 15 19 10 12 15 19 10 (minor 7th 3rd inversion)
CH:hdim7 0 3 6 10 0 3 6 10 (half diminished 7th)
CH:7h1st 12 3 6 10 12 3 6 10 (half diminished 7th 1st inversion)
CH:7h2nd 12 15 6 10 12 15 6 10 (half diminished 7th 2nd inversion)
CH:7h3rd 12 15 18 10 12 15 18 10 (half diminished 7th 3rd inversion)
CH: dim7 0 3 6 9 0 3 6 9 (diminished 7th)
CH:7d1st 12 3 6 9 12 3 6 9 (diminished 7th 1st inversion)
CH:7d2nd 12 15 6 9 12 15 6 9 (diminished 7th 2nd inversion)
CH:7d3rd 12 15 18 9 12 15 18 9 (diminished 7th 3rd inversion)
CH: 7sus 0 5 7 10 0 5 7 10 (suspended 7th)
CH:7s1st 12 5 7 10 12 5 7 10 (suspended 7th 1st inversion)
CH:7s2nd 12 17 7 10 12 17 7 10 (suspended 7th 2nd inversion)
CH:7s3rd 12 17 19 10 12 17 19 10 (suspended 7th 3rd inversion)
CH:D9th 0 4 7 10 14 14 7 10 (dominant 9th)
CH:9D2nd 12 16 7 10 14 14 7 10 (dominant 9th 2nd inversion)
CH:Dm9th 0 4 7 10 13 13 7 10 (dominant minor 9th)
CH:Dm9-2 12 16 7 10 13 13 7 10 (dominant minor 9th 2nd inversion)
CH: maj9 0 4 7 11 14 14 7 11 (major 9th)
CH:9M2nd 12 16 7 11 14 14 7 11 (major 9th 2nd inversion)
CH: min9 0 3 7 10 14 14 7 10 (minor 9th)
CH:9m2nd 12 15 7 10 14 14 7 10 (minor 9th 2nd inversion)
CH: M6/9 0 4 7 9 14 4 7 9 (major 6/9)
CH: m6/9 0 4 7 9 14 4 7 9 (minor 6/9)
CH: 9b5 0 4 6 10 14 14 6 10 (9th flat 5th)
CH: 9#5 0 4 8 10 14 14 8 10 (9th sharp 5th)
CH:D11th 0 0 7 10 14 18 7 18 (dominant 11th)
CH:m11th 0 3 7 10 14 17 14 17 (minor 11th)
CH: wide 0 12 14 17 7 24 -12 7 (octave, 9th, 11th, fifth, 2octave, suboctave, fifth)
MULTI設定によって、ウェーブテーブルの読み込み方が変わります。MULTIモードではウェーブルテーブル上で並んでいる512のサンプル波形を複数個繋げて、より複雑な波形を作り出すことができます。モードは1波形(デフォルトの512サンプル)オペレーション、2波形を繋げて計1024サンプルでウェーブテーブルオペレーションをする2波形オペレーション、同様に4波形オペレーション(2048サンプル)、8波形オペレーション(4096サンプル)から選択可能です。
MULTI設定ごとのサンプル波形。もともとの512サンプルのうち、左側縦に表示されている8つを繋げてサンプルを作る場合です。
オシレーター1/2のマルチ設定はCHORD TYPE/MULTI/LOADボタンを押してロータリーエンコーダーを回すことで個別に設定できます。
Tilt機能は、オシレーター1の位相をオシレーター1自身でモジュレーションすることです。これによって 波形を傾けるようなフィードバック効果が生まれますが、効果が強いと歪んだりカオス的な音になったりもします。Tiltの度合いはTiltボタンを押してからエンコーダーとMOD Bノブで決定します。
Drive機能はコードモードの時にのみアクティブです。ゲインを1-3の間で設定でき、その後に大きい音をクリッピングさせるプロセスを通します。コードモードの時は波形の重なり方によってボリュームが下がることがあるので、このDrive機能で調整します。ゲインを大きくすると音にサチュレーションの温かみも加わります。調整やモジュレーションの設定はコードモードでTilt/Driveボタンを押し、エンコーダーとMOD Bノブで決定します。
コンビネーション処理されたシグナルはシンプルなコムレゾネーター/ディレイに通されます。短いディレイタイムでは発振するレゾネーター、長いディレイタイムではエコーとして働きます。 DELAYパラメーターはディレイのフィードバック量を設定し、ウェット/ドライも同時にコントロールします。DELAYパラメーターが最大のときエコーはフリーズ状態になるので、オーバーダブやループエフェクトのようにも使えます。調整やモジュレーションの設定はDELAYボタンを押し、エンコーダーとMOD Bノブで決定します。
ディレイタイムはDELAYノブではなく、オシレーター2の周期になります。QUANTボタンを押しオシレーター2をオシレーター1と周波数比を保った状態でエコーをすればピッチのシンクロしたレゾネーターにもなり、またエコータイムのシンクにもオシレーター2のシンクが利用できます。
パーカッションモードはPERC. MODE ボタンを押して切り替えます。 パーカッションモードのとき、コンビネーション処理を通過したシグナルはスナッピーな指数型エンベロープつきのVCAを通過します。トリガーはSYNCインプットにパルスシグナルを入力することで行います。アタックタイムは1ms以下と非常に早く、ディケイはDECAY TIMEパラメーターで設定した値で減衰していきます。パーカッションモード時DETUNE/DECAYボタンを押すとディケイタイムを調整できます。MOD Bによるコントロールの設定をするにはもう1度DETUNE/DECAYボタンを押してください。
PERC.MODEボタンが2回押されると
ゲートモードThen, in this mode, when the gate signal entered in the SYNC input is ON, the sound is kept up to the maximum, and when the gate is turned off, the dikei begins.
SHAPESHIFTER has a completely analogous wave folder built into it.This wave folder
uFold IIis based on the wave folder circuit.An output of one jack is routed internally when none of the input jack into the wave folder has been stabbed.This mechanism also allows you to use the wave folder only for processes that are external to the sound.
The function of the wave folder is to wrap the input waveform and to increase the double.The amount of wrapping is determined by the FOLD knob and FOLD CV.When the amount of FOLD is small, it acts like a simple amp, but increases the FOLD, and wrapping occurs when the signal level is over there.
The appearance of the waveform when the Fold control was raised.
The Shapeshifter has 64 memory slots that store the parameter setting (preset).64 presets are available to be saved by the user, but only 12 preset slots are powered on off and not fading.It is good for 52 temporary memory to be used for preset sketches and preset steps.
Users have access to the preset mode to perform preset memory operations with the left encoder push.Indicates that the LEDs on the rotary encoder are in preset mode when the LEDs are red and glowing.When you push the encoder again, you are returned to normal mode.
and when you enter the preset mode, the buttons on the left side of the coder change the role, and the preset
SAVE, STEP, MORPH, LOADand function as a means of setting up the function.
First, when you enter the preset mode, the LCD display shows the currently selected preset.If this is 1 through 12, it will be a preset that is still saved with the power off.The preset that you select can be changed by turning the encoder around (you can save or load it with the Save button or the Load button).
SAVE:
When you are in preset mode, the current parameter settings can be saved in the preset memory lease you are selecting.To do this, first cause the current preset number to be displayed on the LCD display (when in STEP/MORPH mode, press the WAVE BANK button or the CHORDE TYPE button).Then click the encoder to select the memory that you want to save, and then press the save button.So, "Save" on the LCD display? NO "causes the display to be" YES "to the right of the encoder and" YES " to save the encoder, and save it.If you don't want to save, press the encoder again.-
LOAD:
Pressing the LOAD button while the LCD display shows the preset number loads the settings for the currently selected preset.Right after the preset was loaded, the control state of the knob
Soft PickupIt is in the state and does not change until the knob passes through the value of the preset's settings.Designed in this way, there is a merit that when a preset is loaded, the exact same state will be loaded, regardless of the position of the knob, regardless of the knob position (the pitch knob is a soft pickup response). Then, when you leave the preset mode, the soft pickup state will be removed, and all parameters will reflect the current knob position (hard pick up).
MORPH:
In the Shapeshifter, you can progressively gradually shift between the current panel settings and the settings of the preset currently selected.To do this, press the MOD A/MORPH button in preset mode.In the LCD display, "Morph NN" (NN is the preset number currently selected) and "PnL - > Pst" (or "Pnl < -PsT").the characters are displayed. The preset currently being selected can be modified by turning the rotary encoder.The actual sound will be blended and printed with the current panel setting and the preset setting.The blend balance is controlled by the MOD B controller on the right side of the display and the MOD B input.When MOD B is left-to-left, the panel setting only sounds like a p-reset setting at the right, and the right is the only sound.
There are two exceptions to this blend.The tone of the panel setting is always printed in INT.Sync mode and Perc mode, and the preset tone is not effective.
STEP:
Shapeshifter also has a STEP mode in which the presets are progresses at the time the SYNC input is triggered on the trigger.To do this, press the SYNC/PULSE/STEP button in Preset mode.A step can be stepping within the range of the first and last presets specified by the user.There are seven different settings for step progress in step mode.
- Fwd: NN
If you press the SYNC/PULSE/STEP button again, the step is actually progressing.After each trigger on a SYNC input, move on to the next highest number preset.The LCD display shows the display of "Fwd *NN", and * indicates that the stapping is currently in progress.To stop stapping, press the SYNC/PULSE/STEP button again.
- Rev: NN
The same is the same as Fwd except that the preset number steps in the direction in which it is reduced.
- Fw/Rv: NN
In this mode, the preset number is on the Rev after the preset number has been increased by Fwd, and the preset number desps to repeat the preset number and then repeat it.
- Rand: Randomly staping the NN preset.
- MOD B: NN
In this mode, the presets chosen by the trigger are specified in the MOD B knob and MOD B controls.It is useful for fine-grained sequences of presets, for example.
- Begin: NN
When selected, when the SYNC/PULSE/STEP button is pressed, the LCD display is switched to "Begin?" NN ",You can then turn the encoder to specify the first preset number of the stepping, and then press the SYNC/PULSE/STEP button again when the desired number is desired.
- End: NN
You can specify a preset number at the end of a step in a manner similar to the Begin setting.
- Div: N
Specifies the number of pulses (1 to 8) that repeat the same preset in the same manner as the Begin setting.
