It is the re-barbe which used an effect that Afterneath puts much short D leis and is provided. A lei is an effect to overturn a concept of the conventional re-barbe to mysterious re-barbe in Riz Mick studded with in re-barbe letting you do the illusion that there seems to be in a cave and short D! Originally it was an article released as a compact pedal by us, but added the function that was new to be able to incorporate it as some modular synthesizers.
The Nice module is equipped with the control of Input of the input and output system, Output, Send and Return for feedback of Reflect and nine in after. I can control four of those from the outside via CV. Each CV control gains the knob which can coordinate the input CV voltage. Nice is an analog circuit in after, but the effect sound is digital.
DEMOS
Control
1. Input:It is the gain setting of an input signal. I cope from the signal (please turn it to the right side) of the musical instrument level to the signal (please turn it to the left side) of the modular level.
2. Dampen:The setting of the tone of the effect signal. It becomes the dark tone when I turn it to the right, and it is in a bright tone when I turn it to the left.
3. Reflect: Setting of the quantity of the feedback of the re-barbe. When a feeling of echo that the wave seems to flock turns it to an increase, the left, it is turning it in a sound such as the normal re-barbe to the right. In addition, re-barbe oscillates it when I raise setting. When a patch of Reflect Return is used, and a signal is input, I play a role as the attenuator.
4. Mix: Of the effect sound join, and set the degree. The ratio of the fundamental tone lowers by turning it to the right. I cannot completely cut a fundamental tone, but can output only an effect sound by using Dry Kill.
5. Dry Kill: I completely remove a fundamental tone from the output signal, and only an effect sound is output.
6. Drag: The maximum point to characterize Nice in after is this Drag. Nice can control a lei part in the re-barbe which repeated a lot of short D leis independently on a day in after. I can regulate rebounding condition of the re-barbe in Drag, and the mass of the D lei increases when I turn it to the left, and a rebounding feeling of the re-barbe decreases when I turn it to the right, but a feeling of unique re-barbe is got by the re-barbe which is Riz Mick. I play the single sound, the cord once, and, please turn Drag slowly. Including an oscillation of the re-barbe, the re-barbe effect that the pace of the effect sound changes, and the reverberations seem to warp is provided.
7. Mode: The setting of the mode of the effect effect of Drag. And I determine how you react to CV. The kind of the mode is nine (the details of each mode refer to explanation of Mode).
8. Diffuse:Setting of the expanse of the re-barbe. It is in the feel of a material that is アンビエント where a wave seems to flock calmly when it is sharp and turns it to the right in feel of a material with a feeling of attack when I turn it to the left.
9. Length: Setting of the length of the re-barbe.
10. Mode LED: I can confirm which mode you choose in Drag in the difference in color.
11. Drag CV Inverting Attenuator: I set strength of the voltage input into CV input to control Drag. I can reverse a signal. It is inversion in the state that I have finished turning to the + direction of the signal street input in the state that I have finished completely giving to the right side, the left in the - direction. CV becomes 0 when I set it in the direction of 12:00.
12. Mode CV Inverting Attenuator: I set strength of the voltage input into CV input to control Mode. I can reverse a signal. It is inversion in the state that I have finished turning to the + direction of the signal street input in the state that I have finished completely giving to the right side, the left in the - direction. CV becomes 0 when I set it in the direction of 12:00.
13. Diffuse CV Inverting Attenuator: I set strength of the voltage input into CV input to control Diffuse. I can reverse a signal. It is inversion in the state that I have finished turning to the + direction of the signal street input in the state that I have finished completely giving to the right side, the left in the - direction. CV becomes 0 when I set it in the direction of 12:00.
14. Length CV Inverting Attenuator: I set strength of the voltage input into CV input to control Length. I can reverse a signal. It is inversion in the state that I have finished turning to the + direction of the signal street input in the state that I have finished completely giving to the right side, the left in the - direction. CV becomes 0 when I set it in the direction of 12:00.
15. Drag CV Input: I use outside CV をを and can control Drag.
16. Mode CV Input: I use outside CV をを and can control Mode.
17. Diffuse CV Input: I use outside CV をを and can control Diffuse.
18. Length CV Input: I use outside CV をを and can control Length.
19. Audio Input: It supports the input signal of the module level from a musical instrument level and sets the gain of the input signal with Input knob.
20. Reflect Send: I make it possible to add an outside apparatus to the feedback course of Reflect. I do not affect the internal feedback signal path even if I patch the output from here.
21. Reflect Return: I connect the output from external equipment connected through Send of Reflect here. In addition, there is nothing needing feedback of Reflect, and the case can treat this as an input terminal of the signals. The Reflect knob plays a role as the attenuator of a patched input signal on this occasion. ＊Attention: When you treat Reflect in distortion and レゾナントフィルター, please be careful because an input signal may easily feed back. I can coordinate this feedback with Reflect knob, and the course of the internal feedback signal is cut off when I insert a patch cable here, but Reflect Send follows it and becomes effective.
22. Audio Output
MODE
1. Unquantized: I do a smooth change without being done クオンタイズ in the whole area.
2. Unquantized with Slew: I do a smooth change without being done クオンタイズ. But, like time when I turned the Bali speed knob of the tape echo, I change so that some delays catch up with it from movement of knob and CV immediately.
3. Unquantized Volt/Octave: I do a smooth change without being done クオンタイズ. It is made scaling along a curve of 1V/Oct, and the modulation that is Melo Dick is added and can touch an interval for the self-dial tone like VCO
4. Chromatic Scale: It is done クオンタイズ in a chromatic scale scale in 1V/Oct.
5. Major Scale: It is done クオンタイズ in 1V/Oct by a major scale.
6. Minor Scale: It is done クオンタイズ in 1V/Oct by minor scale.
7. Pentatonic Scale: It is done クオンタイズ in a pentatonic scale in 1V/Oct.
8. Octaves & Fifths: It is omitted in 1V/Oct by an octave and five times.
9. Octaves: It is omitted to an octave in 1V/Oct.
Feedback
It is said that I set Length and Reflect at the position that is higher than a direction of 12:00, and an oscillation is generated in a circuit. When I let you oscillate Nice module in after and operate a parameter of Drag in CV, I can use it like the oscillator which I can operate in CV. I can let a scale of Volt/Octave track by the feedback that I oscillated with 9 from 3 of Modes. When I use outside CV, the Drag knob becomes the offset setting from an input signal. The parameter of Drag supports only the voltage from 1.6V to 4.1V in the property of the function of this part. I can change a range in response to CV by turning Drag knob to the right, and setting the voltage from 0V to 1.6V in the case of use rather high.
＊Attention:There is the case that it is necessary to nominate it for the voltage with outside machine parts when I connect the CV output of the by polar, and to input it into Nice module in after.
The after-nice module has not been developed to make an oscillation sound with accuracy originally. The pitch of the oscillation sound basically follows the pitch of the input signal. When the signal is feedback, the original sound changes to a sound with various harmonics depending on the length, reflect, and dampen settings. By adjusting Length and Reflect well, you can get long sustain feedback just before it becomes uncontrollable feedback.
