MUSICAL FEATURES
Verbos Multi-Delay Processor is to use the D lei of 8 taps and various input and output, a pace shift and a re-barbe function and is the high-end effect that I can perform from a simple echo to the making of space of the different dimension. The circuit is implemented digitally, but I realize a D lei by tying memory to the cereal and boast of the discerning sound quality that is different from the effect using the general-purpose tip at all (I use FV-1 for re-barbe and pace shift effect). In addition, I realized splendid sound quality even at the D lei time of the subaudio system rate by using an analog clock to a clock part. I use a digital circuit, but there is not the memory and, about the interface, keeps the intuitive operability like the analog module 1 1 knob function.
Each D lei time ratio is double 1 time, and, to this module, 8 times and eight set D lei taps are equipped with. The D lei time Delay Time knob (and CV) can control D lei time all at once each by Delay Time knob and CV at the time of x1 in 75,150,225,300,375,450,525,600 milliseconds.) Lei time arrives at the subaudio system rate for 7.5 milliseconds in the shortest on the day of the first tap to change from 0.1 times to double at D lei time. There are 2 systems in the Delay Time CV input, and アッテヌバータ runs out. The pace changes into D during a change of the lei time and, like classic analog BBD D lei, has a unique sound character.
There is three audio system input to a D lei, and there is all gain control. In using the mixer of this input department of the D leiFeedbackI perform を. Internal the signal which put the eighth tap through the re-barbe for the most right input the signal which octave pitch shifted the eighth tap to for the input of the middle among three input; is connected. That those signals feed back when I give a gain to support each and repeat a lei on a day,A pace shift echo and re-barbe, cymar re-barbeI can add the effect that is a mark. Because it is overwritten by a patch, the internal connection of these input patches the audio system output of the fifth tap for input of the second and the third when, for example, I want to feed back the fifth tap. An interesting effect is provided through outside pace shifter and ring modulator, the effect including the filter on the course feeding back. The quantity of feedback comes by modulation if I maintain VCA. I oscillate it without input by oneself when I achieve feedback and bring about unique sound.
Volume was controlled with a slider every tapManual MixIn 以外, I take out an odd number joint, the tap of the even number jointEven/Odd TapsThe output, tap volume got a slant decided beforehandPreset MixesThe output is equipped with; easilyStereo effectI can create を. I can use it for smaller control by mixing the output of the individual tap with VCA mixers as well as above-mentioned feedback, and panning. Of an again dry signal and the individual tapエンベロープフォロアーD can pick up the rhythmical modulation signal in conjunction with the lei by using the output.
DEMO
