{"title":"Sound Source","description":"","products":[{"product_id":"2hp-freez-silver","title":"2hp Freez (Silver)","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eFreez is a voltage controllable beatrooper.The audio is buffered and loops.If a button or gate signal freezes it, it does not update the sound of the buffer.Changing the size will change the pitch or the tone color.It is also possible to skewed the sound through the sanpurrate control.\u003cbr\u003e \u003cbr\u003e You can get the so-called Beatlipito and Bit-Crash effects. \u003c\/div\u003e\n\u003cbr\u003e\n\u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"360\" mozallowfullscreen=\"\" src=\"https:\/\/player.vimeo.com\/video\/219545076\" webkitallowfullscreen=\"\" width=\"640\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/vimeo.com\/219545076\"\u003e2hp Freez\u003c\/a\u003e from \u003ca href=\"https:\/\/vimeo.com\/twohp\"\u003e2hp\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003cscript src=\"js\/jquery.min.js\"\u003e\u003c\/script\u003e\n\u003cscript src=\"js\/image-map-pro.min.js\"\u003e\u003c\/script\u003e\n\u003cscript type=\"text\/javascript\"\u003e\/\/ \u003c![CDATA[\n;(function ($, window, document, undefined) {\n            $(document).ready(function() {\n\n$('#image-map-pro-container').imageMapPro({\"id\":2068,\"editor\":{\"selected_shape\":\"rect-4216\",\"tool\":\"select\"},\"general\":{\"name\":\"2HP-Freez\",\"width\":39,\"height\":500,\"naturalWidth\":39,\"naturalHeight\":500},\"image\":{\"url\":\"https:\/\/www.dropbox.com\/s\/zp7b9h274jyiidr\/2hp_Freez_Cropped.jpg?dl=1\"},\"tooltips\":{\"sticky_tooltips\":1,\"fullscreen_tooltips\":\"none\"},\"layers\":{\"layers_list\":[{\"id\":0,\"title\":\"Main Floor\",\"image_url\":\"https:\/\/webcraftplugins.com\/uploads\/image-map-pro\/demo.jpg\",\"image_width\":1280,\"image_height\":776}]},\"spots\":[{\"id\":\"rect-4216\",\"title\":\"Output\",\"type\":\"rect\",\"x\":0,\"y\":81.984,\"width\":87.46,\"height\":11.536,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eOutput\u003c\/b\u003e\u003cbr\u003e\\nシグナル出力\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-896\",\"title\":\"Input\",\"type\":\"rect\",\"x\":4.239,\"y\":6.584,\"width\":87.46,\"height\":9.736,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eInput\u003c\/b\u003e\u003cbr\u003e\\nシグナル入力\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-8775\",\"title\":\"Size\",\"type\":\"rect\",\"x\":5.128,\"y\":17.584,\"width\":87.46,\"height\":17.536,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eSize Control\u003c\/b\u003e\u003cbr\u003e\\nバッファサイズのコントロールノブ\u0026CV入力。バッファサイズはミリ秒～3秒程度で変更可能です\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-8500\",\"title\":\"Freez\",\"type\":\"rect\",\"x\":7.412,\"y\":36.184,\"width\":87.46,\"height\":24.736,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eFreez Control\u003c\/b\u003e\u003cbr\u003e\\n入力されているオーディオを固定し、バッファを更新しないようにするフリーズコントロールです。スイッチの位置によって、ボタンを押している間のみフリーズするか、ボタンの押下でフリーズする\/しないを切り替えます。ゲート入力によるコントロールも可能です\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-5833\",\"title\":\"S Rate\",\"type\":\"rect\",\"x\":4.848,\"y\":61.584,\"width\":87.46,\"height\":17.936,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eSample Rate Control\u003c\/b\u003e\u003cbr\u003e\\nサンプルレートを調整するノブとCV入力です\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}}]});\n\n });\n        })(jQuery, window, document);\n\/\/ ]]\u003e\u003c\/script\u003e","brand":"2HP","offers":[{"title":"Default Title","offer_id":31356611264569,"sku":"2HPFRESIL0019","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/2hp_Freez_Cropped.jpg?v=1535361010"},{"product_id":"2hp-hat-silver","title":"2hp Hat (Silver)","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e This is a 2hp high hat module.There are three types of sound sources: one with six orators, noises, and a lot of filters, and a cross-fade between them under the BLEND control.Sizzle is a parameter that affects the tone color of all three sources of sound.\u003cbr\u003e \u003cbr\u003e It can be triggered separately with respect to the open and closed controls.\u003cbr\u003e   \u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e \u003c!--\n\n\u003ca href=\"https:\/\/static1.squarespace.com\/static\/573b5370b09f9524489340f2\/t\/57979247893fc0b381f9adb3\/1469551176669\/2hp_Filt_Manual.pdf\" target=\"main\"\u003eManual pdf (English) \u003c\/a\u003e--\u003e\n\u003c\/div\u003e","brand":"2HP","offers":[{"title":"Silver","offer_id":44251036778721,"sku":"2HPHATSIL0020","price":23900.0,"currency_code":"JPY","in_stock":true},{"title":"Black","offer_id":44251036811489,"sku":"2HPHATBLA0631","price":23900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/2hp_Hat_Cropped.jpg?v=1535361012"},{"product_id":"2hp-pluck-silver","title":"2hp Pluck (Silver)","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePluck is a 2HP synth voice module with a physical modeling algorithm, specializing in strings-like sounds. In addition, it is a four-tone polyphony, and can play up to four notes simultaneously.\u003cbr\u003e \u003cbr\u003e  Damp controls the size of the strings and allows for dynamic tone shifting. There is also a decay control, both can be controlled by CV. 1V \/ Oct can be tracked in 5 octaves.\u003cbr\u003e  \u003c\/div\u003e","brand":"2HP","offers":[{"title":"Silver","offer_id":44251046838497,"sku":"2HPPLUSIL0028","price":25900.0,"currency_code":"JPY","in_stock":true},{"title":"Black","offer_id":44251046871265,"sku":"2HPPLUBLA0641","price":25900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/2hp_Pluck_Cropped.jpg?v=1535361025"},{"product_id":"2hp-snare-silver","title":"2hp Snare (Silver)","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e  2HP snare module. Decay, pitch and snap can be controlled with knob and voltage. The pitch tracks at 1V \/ Oct.\u003cbr\u003e   \u003cdiv style=\"text-align: left;\"\u003e\n\u003cbr\u003e \u003c!--\n\n\u003ca href=\"https:\/\/static1.squarespace.com\/static\/573b5370b09f9524489340f2\/t\/57979247893fc0b381f9adb3\/1469551176669\/2hp_Filt_Manual.pdf\" target=\"main\"\u003eManual pdf (English) \u003c\/a\u003e--\u003e\n\u003c\/div\u003e","brand":"2HP","offers":[{"title":"Silver","offer_id":44251052245217,"sku":"2HPSNASIL0033","price":23900.0,"currency_code":"JPY","in_stock":true},{"title":"Black","offer_id":44251052277985,"sku":"2HPSNABLA0645","price":23900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/2hp_Snare_Cropped.jpg?v=1535361033"},{"product_id":"2hp-vco-silver","title":"2hp VCO (Silver)","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eVCO is a 2HP analog oscillator that is the successor to its analog oscillator module OSC. The VCO uses a reissued CEM3340 chip and can track at 1V \/ Oct over 10 octaves.\u003cbr\u003e \u003cbr\u003e  The output is a triangular wave, sawtooth wave, and square wave. In addition to 1V \/ Oct and FM modulation, there are sync input and pulse width CV input.\u003cbr\u003e  \u003c\/div\u003e","brand":"2HP","offers":[{"title":"Silver","offer_id":44251079311585,"sku":"2HPVCOSIL0039","price":22900.0,"currency_code":"JPY","in_stock":true},{"title":"Black","offer_id":44251079344353,"sku":"2HPVCOBLA0653","price":22900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/2hp_VCO_Cropped.jpg?v=1535361044"},{"product_id":"4ms-spectral-multiband-resonator-smr","title":"4ms Spectral Multiband Resonator (SMR)","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e* The current latest firmware is v5. Please update the following modules before March 2017. The following description is for v4. Many v5 additional functions such as 1V \/ Oct signal output, fine tuning, note prohibition, 2-pass filter, transpose, etc. are supported.\u003ca href=\"https:\/\/www.dropbox.com\/s\/yn4cwnr22g6s17g\/SMR-manual-1.1.1-jp.pdf?dl=0\" target=\"main\"\u003eJapanese manual\u003c\/a\u003ePlease refer to.\u003cbr\u003e \u003cbr\u003e  Spectral Multiband Resonator (SMR) generates fantastic sounds from white noise,\u003cem\u003eDynamic filter bank\u003c\/em\u003eInnovative resonant filter that can process incoming audio as\u003cbr\u003e \u003cbr\u003e  Active for SMR\u003cem\u003e6 bandpass filters\u003c\/em\u003eExists, and each digital bandpass filter processes the input signal and outputs it. Both input and output are odd-numbered (odds) and even-numbered (evens) and can be used separately. These band frequencies vary\u003cem\u003escale\u003c\/em\u003eCan be set to configure\u003cem\u003eLED Ring\u003c\/em\u003eIndicates which scale of the scale the frequency of each channel corresponds to. The scale is not only Western scale,\u003cem\u003eIndian scale, differential scale\u003c\/em\u003eEtc. can also be selected. By modulating with various controls, you can perform a lot of harmonic operations.\u003cbr\u003e \u003cbr\u003e  As an example of use other than the normal filter bank, input a trigger at the maximum resonance to produce a marimba-like sound,\u003cem\u003eTrack remixing, harmonizing, spectral data processing and vocoder, quantizing input audio to scale, etc.\u003c\/em\u003eIt is diverse.\u003cbr\u003e \u003cbr\u003e  The frequency band of each channel is\u003cem\u003escale\u003c\/em\u003eBecause the scale is inside, when six are combined\u003cem\u003ecode\u003c\/em\u003eI can.\u003cem\u003eRotate\u003c\/em\u003eTurning the knob moves the selected pitch through the scale, and returns to the lowest pitch again after making a full turn.\u003cem\u003eSpread\u003c\/em\u003eAdjusting will open the interval between the filters. To enable flexible control with external modules, rotation can be performed with triggers and CVs, and sequence and scale selection can be performed with CVs.\u003cem\u003eMorph\u003c\/em\u003eCan crossfade transitions to adjacent frequencies, so it is possible to drive the SMR as a resonant filter that fluctuates by mixing rhythmic clocks with Slew.\u003cbr\u003e \u003cbr\u003e \u003cem\u003eResonance \/ Q\u003c\/em\u003eWhen the trigger is sent to the SMR with maximizing, a sound like a gong or marimba can be produced. The frequency bands of each channel are quantized to scale, making it very easy to synthesize complex and emotional musical sounds. Conversely, by lowering the resonance \/ Q, it is possible to extract only specific frequency bands and sweep over the spectrum. Also, the frequency and resonance of each channel\u003cem\u003eLock button\u003c\/em\u003eCan also be fixed by\u003cbr\u003e \u003cbr\u003e  Two jacks for frequency adjustment are attached to each even \/ odd channel,\u003cem\u003eV \/ Oct\u003c\/em\u003eIt is also useful for building melodies that move on chords and generating complex percussion sounds. Other main features are as follows. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e6 filter channels that can be assigned from the 20 active filters shown on the LED ring\u003c\/li\u003e\n\u003cli\u003eResonance \/ Q adjustable from a variable range, covering from classic bandpass to intense oscillation\u003c\/li\u003e\n\u003cli\u003eBy using the input and output of odd and even channels properly\u003cem\u003estereo\u003c\/em\u003eAlso supports sound\u003c\/li\u003e\n\u003cli\u003eOf each channel\u003cem\u003eSpectrum Out (Env Out)\u003c\/em\u003eAllows for vocoding or spectral transfer\u003c\/li\u003e\n\u003cli\u003eSelect from three envelope modes (fast, slow, trigger)\u003cem\u003eEnvelope follower per channel\u003c\/em\u003eCan be synchronized to the beat\u003c\/li\u003e\n\u003cli\u003eThe level of each channel can be controlled by slider and CV\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eSlew\u003c\/em\u003eBy adjusting the level, clicks can be removed when the level is controlled by discontinuous signals such as clocks and triggers.\u003c\/li\u003e\n\u003cli\u003e20 full-color LED rings indicate the scale on the filter scale\u003c\/li\u003e\n\u003cli\u003eFilter frequency moves on scale by controlling Rotation and Spread\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eFreq Nudge\u003c\/em\u003eCan be adjusted in fine frequency units by controlling. Voltage control at 1V \/ Oct is also possible.\u003c\/li\u003e\n\u003cli\u003e11 different scales in each bank, each with 20 preset frequencies and pitches\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWestern scale, Indian scale, differentiated sound, etc.\u003c\/em\u003ePreset scale bank\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eWhite noise\u003c\/em\u003eIs internally connected to the input, so the SMR can be used without external signals\u003c\/li\u003e\n\u003cli\u003eCV and trigger input for almost all parameters\u003c\/li\u003e\n\u003cli\u003e96kHz \/ 24bit audio\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eProgrammable scale on your own\u003c\/em\u003e. Set the frequency of each of the 20 scales using octaves, semitones, and Coarse \/ Fine tunes. Up to 11 scales can be stored in the user bank.\u003c\/li\u003e\n\u003cli\u003eYou can adjust the LED color settings. You can choose a setting as a skin or adjust R \/ G \/ B with a slider to build your own color settings. This color setting can also be saved.\u003c\/li\u003e\n\u003cli\u003eSettings can be stored in one of six banks. Active scale, scale \/ bank selection, Q value, lock status, color settings, etc. can be saved and recalled. At startup, the contents of the last saved bank are loaded.\u003c\/li\u003e\n\u003cli\u003eTo get a more snappy decay when pinging with a trigger\u003cem\u003eAnother filter type\u003c\/em\u003eIs selectable. In this case, the Freq input does not operate at 1V \/ Oct.\u003c\/li\u003e\n\u003cli\u003eThe slider LED can be used to display the level or clipping status of each channel.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eCONTROL\u003c\/h3\u003e\n\u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFIRMWARE UPDATE\u003c\/h3\u003e  The SMR allows you to update the firmware yourself by inputting the playback sound of the specified audio file to odd IN. Firmware 4ms \u003ca href=\"http:\/\/www.4mscompany.com\/p.php?p=707\" target=\"main\"\u003e  page\u003c\/a\u003eIt can be downloaded from. The latest version for February 2017 is v5. Press the Rotate button 10 times and check the color of the LED of CH1 ENV OUT. V5 for pink and v4 for blue.\u003cbr\u003e \u003cbr\u003e  Turn on the module while holding down the ROTATE encoder to enter firmware update mode. Release your finger from the encoder. Input the cable that plays the audio file of the firmware into odd IN, and play the file. Please sound at 100% volume on PC etc. When playing from Ableton, please turn off the WARP function of the clip. When the update is successful, the slider LEDs on the SMR will move sequentially. If that doesn't work, try lowering or increasing the playback volume. When the file is played to the end, the update is completed.\u003cbr\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/p-2OU4Jb17M\" width=\"560\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\n\u003cscript type=\"text\/javascript\"\u003e\/\/ \u003c![CDATA[\n        ;(function ($, window, document, undefined) {\n            $(document).ready(function() {\n$('#image-map-pro-container').imageMapPro({\"id\":7528,\"editor\":{\"tool\":\"rect\",\"shapeCounter\":{\"rects\":2,\"ovals\":1}},\"general\":{\"name\":\"Morphagene\",\"shortcode\":\"Odessa\",\"width\":500,\"height\":500,\"naturalWidth\":500,\"naturalHeight\":500},\"image\":{\"url\":\"https:\/\/www.dropbox.com\/s\/s6gbrpkusrvvk7b\/4ms_SMR_web.jpg?raw=1\"},\"tooltips\":{\"sticky_tooltips\":1,\"fullscreen_tooltips\":\"none\"},\"spots\":[{\"id\":\"rect-4579\",\"title\":\"Rect 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Copy\",\"type\":\"rect\",\"x\":92.05,\"y\":46.906,\"width\":6.315,\"height\":6.792,\"x_image_background\":92.05,\"y_image_background\":46.906,\"width_image_background\":6.315,\"height_image_background\":6.792,\"default_style\":{\"opacity\":0.88,\"border_radius\":10,\"background_color\":\"#696969\",\"border_color\":\"#46FF33\"},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#A0F90F\",\"background_opacity\":0.44,\"border_width\":4,\"border_color\":\"#95E610\"},\"tooltip_style\":{\"border_radius\":5,\"padding\":5,\"background_opacity\":0.8236979166666667,\"position\":\"left\",\"width\":300,\"auto_width\":0,\"offset_x\":-0.2694798268328995,\"offset_y\":6.1933400250941},\"tooltip_content\":{\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-707591\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Heading\",\"iconClass\":\"fa fa-header\"},\"options\":{\"heading\":{\"text\":\"Post\/Pre Switch\"},\"layout\":{\"box_model\":{\"padding\":{\"top\":5,\"bottom\":0,\"left\":5,\"right\":5}}},\"font\":{\"font_size\":\"18\",\"font_weight\":\"bold\",\"line_height\":\"20\"}}}]}},{\"id\":\"sq-container-396241\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"},\"options\":{\"text\":{\"text\":\"Env Outからのシグナルにスライダーによるレベル設定を反映させるかどうかのスイッチです。Preの時はスライダーを通過する前のエンベロープが出力されるので、スライダーの状態は反映されません。\"},\"layout\":{\"box_model\":{\"padding\":{\"top\":5,\"bottom\":5,\"left\":5,\"right\":5}}}}}]}}]}}},{\"id\":\"rect-4874\",\"title\":\"Rect 0 Copy Copy Copy Copy Copy\",\"type\":\"rect\",\"x\":65.05,\"y\":62.506,\"width\":7.915,\"height\":8.792,\"x_image_background\":65.05,\"y_image_background\":62.506,\"width_image_background\":7.915,\"height_image_background\":8.792,\"default_style\":{\"opacity\":0.88,\"border_radius\":10,\"background_color\":\"#696969\",\"border_color\":\"#46FF33\"},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#A0F90F\",\"background_opacity\":0.44,\"border_width\":4,\"border_color\":\"#95E610\"},\"tooltip_style\":{\"border_radius\":5,\"padding\":5,\"background_opacity\":0.8236979166666667,\"position\":\"left\",\"width\":300,\"auto_width\":0,\"offset_x\":-0.2694798268328995,\"offset_y\":6.1933400250941},\"tooltip_content\":{\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-252611\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Heading\",\"iconClass\":\"fa fa-header\"},\"options\":{\"heading\":{\"text\":\"Rotate Trigger Input (CW)\"},\"layout\":{\"box_model\":{\"padding\":{\"top\":5,\"bottom\":0,\"left\":5,\"right\":5}}},\"font\":{\"font_size\":\"18\",\"font_weight\":\"bold\",\"line_height\":\"20\"}}}]}},{\"id\":\"sq-container-18711\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"},\"options\":{\"text\":{\"text\":\"Rotateを時計回りに進めるインプットで、トリガーが入力されるたびにRotateします。\"},\"layout\":{\"box_model\":{\"padding\":{\"top\":5,\"bottom\":5,\"left\":5,\"right\":5}}}}}]}}]}}}]});\n  });\n        })(jQuery, window, document);\n    \n\/\/ ]]\u003e\u003c\/script\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":13198805991493,"sku":"4MSSPEMULRESO0056","price":79900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/4ms_SMR_web.jpg?v=1535421684"},{"product_id":"4ms-stereo-triggered-sampler-sts","title":"4ms Stereo Triggered Sampler (STS)","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e 4ms Stereo Triggered Sampler (STS) is sample recorder \/ playback module of the high-quality sound. A different stereo file can record it independently while playing two stereo files in STS. From microSD card\u003cem class=\"inExp\"\u003eUp to 600\u003c\/em\u003eCan load までの sample; 1 file\u003cem class=\"inExp\"\u003e4GB\u003c\/em\u003eIf it is stereo wav of まで (16bit\/44.1kHz) considerably supports for six hours 40 minutes. The sample file can use the stereo wav file of various formats to 96kHz\/32 bit. microSD card is enclosed, and the sample by Richard Devine, Robert Aiki Aubrey Lowe, Joseph Pailo, Paul Barker, Baseck and others is collected, too.\u003cbr\u003e \u003cbr\u003e Again\u003cem class=\"inExp\"\u003eSample mode to edit\u003c\/em\u003eThen, as for the assignment of filing it, the copy, a change and preservation are possible on the reproduction condition every sample slot a gain, a trim start endpoint, reproduction. If it uses this function, I begin to talk about an individual drum hit as slice from one file (e.g., a drum loop), and it is enabled in the main body I increase gains and make the sample with the accent particularly, and to increase variations. I perform these operation without changing Wav file.\u003cbr\u003e \u003cbr\u003e Voltage control is possible, and all sample parameters of 1V\/Oct, sample choice, length, the start position can realize the following thing immediately. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eOne-shot \/ looping sampler\u003c\/li\u003e\n\u003cli\u003eBasic グラニュラーシンセシス and thyme stretch\u003c\/li\u003e\n\u003cli\u003eThe table tennis loop which triggers each other's channels in End Out\u003c\/li\u003e\n\u003cli\u003eThe beat chop that it was controlled the voltage using the slice\u003c\/li\u003e\n\u003cli\u003eAutomation sampling using trigger input of the recording\u003c\/li\u003e\n\u003cli\u003eLong-time performance recording\u003c\/li\u003e\n\u003c\/ul\u003e I may do a more progressive patch in combination of 2 channels and utilizing voltage control.\u003cbr\u003e \u003cbr\u003e Other characteristics are as follows. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eI can load it to 600 samples (in 1 bank 10 samples, 60 banks). The bank is distinguished from ten colors in a blinking state and is recognizable intuitively\u003c\/li\u003e\n\u003cli\u003eIt is with the microSD card which samples more than 200 were recorded in. The sample which various artists made including Richard Devine and Robert AA Lowe, Baseck is attached.\u003c\/li\u003e\n\u003cli\u003eThe wav file in the microSD card cannot be deleted by a module. When a file assigned a sample slot by recording and a copy is changed, other than the editing with the mode to edit, Wav file in itself is left to the same microSD card.\u003c\/li\u003e\n\u003cli\u003eVery design with a few noise and jitter\u003c\/li\u003e\n\u003cli\u003eIt is recorded, and the audio system which I recorded can access microSD card immediately.\u003c\/li\u003e\n\u003cli\u003eI work with a stereo or a monomode. I push and hold two Bank buttons for a few seconds, and, please change it:\u003cbr\u003e 　・A stereo mode: I mix the audio system of the stereo from two channels and output it from Ls and Rs as a stereo\u003cbr\u003e 　・A monomode: I output an audio system output as a thing by each channel from Ls and Rs each.\u003c\/li\u003e\n\u003cli\u003eThe firmware update to stop by to pour it of the audio system is possible\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eThe explanation of all parts is displayed in mouse over\u003cbr\u003eThe function indication with the mode to edit is possible. The work of the strange point of the color changes \u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDETAILS\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eChoice of the bank\u003c\/h4\u003e I can choose a sample slot reproducing every channel in STS. The sample is put in one bank by 10 samples and can control the sample in the same bank other than a knob in CV. 60 banks are distinguished from the color of the bank button using blinking. \u003cdiv\u003e\u003cimg position=\"center\" src=\"https:\/\/www.dropbox.com\/s\/787iipr443yl16s\/STSbankcolor.png?raw=1\" width=\"400px\" style=\"display: block; margin-left: auto; margin-right: auto;\"\u003e\u003c\/div\u003e The bank which is chosen when I push the Bank button changes with this turn. In addition, a button turns on first, but moves to White flashing on and off once when I push the Bank button at the time of Pearl turning on. I push the Bank button while pushing the Reverse button when I return a bank to the opposite direction. By this bank choice method,\u003cb\u003eThe empty bank without the sample skips\u003c\/b\u003eLeave and is not chosen. When the empty bank wants to select, please push the Bank button while pushing the Edit button.\u003cbr\u003e \u003cbr\u003e In addition, to perform the movement between far-off banks quickly; of the bank\u003cb\u003eQuick choice function\u003c\/b\u003eBut, there is it. I adjust the Sample knob of right and left while pushing the Bank button of the channel which I want to change. I change the color (ten colors) of the reproducing sample bank of the channel of the Bank button when I turn Sample knob of the L side. The blinking state of the bank does not change it. I change a blinking state of the reproducing sample bank of the channel of the Bank button when I turn Sample knob of the R side. The color of the bank does not change it.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMode to edit\u003c\/h4\u003e The mode to edit is a nondestructiveness editing feature every sample slot to perform while pushing the Edit Sample button of the upper module center.\u003cb\u003eL channel\u003c\/b\u003eA sample loaded に becomes targeted for editing. I show the function of each knob and button in the mode which a caption of the panel gold of high purity back edites. The information that is edited unlike control of Start Position and the channel volume here\u003cb\u003eInformation to be set to every sample slot\u003c\/b\u003eThe neighbor, microSD card can save it.\u003cbr\u003e \u003cbr\u003e The following operation is possible. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eGain adjustment: \u003c\/b\u003eI coordinate the reproduction gain of the sample when I turn the Sample knob of the R channel while pushing the Edit Sample button. When the original gain adjustment to 10% - 500% raises a gain too high by possibility, clipping happens. This is different from the channel volume adjustment in quantity of gain assigned each sample.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCan reproduce; the adjustment (trimming) of the range: \u003c\/b\u003eIn Wav file, I can coordinate reproduction start position (Scrub Start) in Start Position=0 when I turn the Start Pos knob of the R channel while pushing the Edit Sample button. In addition, I can coordinate reproduction end position (Scrub End) in Length=100% when I turn the Length knob of the R channel while pushing the Edit Sample button. I change distance at longer time when I turn the knob like a brick. I can perform assignment (slice) of a different reproduction point every sample slot from the same wav file when I put a copy function below together. In addition, I can use it for the cuts such as a too much long silence part, the noise.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eI change the assignment of the reproduction file of it: \u003c\/b\u003eI can change a file assigned a current sample slot by the combination of Edit Sample button and Reverse button of the L channel. I change assignment file in order of next when I push the Reverse button while pushing the Edit Sample button. \u003cul\u003e\n\u003cli\u003eI choose the current folder with alphabetical order\u003c\/li\u003e\n\u003cli\u003eI choose the Wav file which is not used among all sample slots in turn\u003c\/li\u003e\n\u003cli\u003eI choose all samples (used wav file) in all banks among the first bank sequentially\u003c\/li\u003e\n\u003c\/ul\u003e I choose the first sample file of the bank when I push the Reverse button for two seconds while pushing the Edit Sample button. When I have already chosen the beginning of a certain bank, I choose the first file of the bank before one. In addition, I play it from the first sample file of the first bank sequentially when I keep on pushing the Reverse button while pushing the Edit Sample button.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eIt is copied the sample file (virtual): \u003c\/b\u003eIt becomes the movement with the mode to edit when I continue pushing the R channel Play button for 0.5 seconds while pushing the Edit Sample button and pastes virtual copy \u0026amp; of the sample. The copy does not really copy a file and renews sample assignment information to access one file from plural sample slots (even if a trim point or the gain point at the same file, it is changeable to every sample slot).\u003cbr\u003e \u003cbr\u003e I assign the sample slot of the L channel an origin of copy file, and the R channel, please choose a bank sample slot of the copying beforehand. Copying is completed when I push this button for 0.5 seconds while pushing the Edit Sample button here, and the slot of the R channel comes to refer to the same file.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eThe preservation of the result that I edited: \u003c\/b\u003eThe result to edit mentioned above, the assignment information of a file recorded again at that point\u003cb\u003eTemporary\u003c\/b\u003eIt is lost once the power is turned off. By holding down the Edit Sample button and pressing the L channel Play button for 0.5 seconds, these sample edit results are saved on the microSD card, and the results will be reflected the next time the power is turned on.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDiscard edited result (Revert): \u003c\/b\u003eIt is possible to discard the temporary edits made with the sample edit function, or to return to the state at the time of the previous save (only before saving). \u003cul\u003e\n\u003cli\u003eHold down the Edit Sample button and press the right Reverse button for 0.5 seconds to edit the sample\u003cb\u003eundo\u003c\/b\u003ecan.\u003c\/li\u003e\n\u003cli\u003ePress the L channel Bank button for 2 seconds while holding down the Edit Sample button and the R channel Reverse button, and the current L channel\u003cb\u003eSelected bank\u003c\/b\u003eDiscards any temporary edits made to the samples in and reverts to the last saved state.\u003c\/li\u003e\n\u003cli\u003eHold down the Edit Sample button and the Right Reverse button and press both Bank buttons for 4 seconds.\u003cb\u003eAll banks\u003c\/b\u003eDiscards any temporary edits made to the samples in and reverts to the last saved state.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eSD card folder structure and file bank assignment rules\u003c\/h4\u003e  A microSD card is included with the module. STS requires a microSD card with a fast access speed.\u003cb\u003eUHS Class 3 Card\u003c\/b\u003ePlease use (the one with 3 mark in U). ExFAT is the best card format, but it works with FAT32. Also, do not remove the microSD card from the STS when the Busy LED is on or flashing. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eEach folder directly under the microSD card becomes one bank\u003c\/li\u003e\n\u003cli\u003ePut the Wav files you want to put in each bank directly under each folder (sub folders are ignored)\u003c\/li\u003e\n\u003cli\u003eDo not use Japanese (double-byte) characters for file and folder names. In addition, if the folder name and file name match exceeds 80 characters, it will not be recognized by STS\u003c\/li\u003e\n\u003cli\u003eBanks and files are assigned in alphabetical order by folder name and file name. Even if there are more than 10 files in the folder, the assignment is determined in alphabetical order\u003c\/li\u003e\n\u003cli\u003eBy prefixing the folder name with the name of the bank color and the number of flashes, the folder is assigned to that bank with priority. \"Orange ~\" is assigned to the bank that always lights Orange, and \"Orange-1 ~\" is assigned to the bank where Orange blinks once.\u003c\/li\u003e\n\u003cli\u003eWav files can be 32-bit floating point, 16\/24 \/ 32-bit signed, 8-bit unsigned bit rates, and sample rates from 8kHz to 96kHz\u003c\/li\u003e\n\u003cli\u003eA file named __Sample List __. html is created in the top folder of the microSD card, and the file name and length of the assigned sample are displayed. It can also be used for copying and browsing on mobile etc.\u003c\/li\u003e\n\u003cli\u003eThe _STS.system folder contains the results of editing. Make a backup of this folder to save previous edits such as sample assignments, gains, loop range information, etc.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eRecording procedure\u003c\/h4\u003e  To start recording, first press and hold the REC button to enter the recording standby state (arm). Patch the audio you want to record to the RECORD input. For things, patch to Left only. Then press the REC button to actually start recording. Press this button again to stop recording. Recording can be started and stopped using the trigger input.\u003cbr\u003e \u003cbr\u003e  The recorded wav file is automatically assigned to the sample slot set by the recording Bank button in the center and the recording Sample knob. Recording Bank is turned on when the power is turned on.\u003cb\u003eFirst bank with no samples assigned\u003c\/b\u003eIs automatically assigned, but you can change the bank by pressing the Bank button as usual. If another file is originally assigned to the slot to which the recorded file is assigned, that assignment will be canceled at the time of recording, but the file will not be deleted. It is also possible to re-assign by changing the assignment in the edit mode described above. Also, the assignment result is temporary at that point and will be lost once the power is turned off. By using the sample edit save function, the assignment information is saved on the microSD card.\u003cbr\u003e \u003cbr\u003e  To quickly move the bank of the L or R channel to the recorded bank, hold down the Record Bank button and press the Bank button of the channel you want to move for 0.5 seconds.\u003cb\u003eWarp to recording bank\u003c\/b\u003eI can do it.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eExample of slice creation using copy function\u003c\/h4\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e1. Load the slice source sample file (drum loop, etc.) to the L channel\u003c\/li\u003e\n\u003cli\u003e2. Load the bank where you want to create a slice on the R channel. If you hold down the Edit button and press the Bank button, you can select a bank that has no samples at all.\u003c\/li\u003e\n\u003cli\u003e3. Set the R channel's sample knob to the slot where you want the first slice\u003c\/li\u003e\n\u003cli\u003e4. Hold down the Edit button and press the right channel Play button for 0.5 seconds to assign the same file as the left channel to the right sample slot\u003c\/li\u003e\n\u003cli\u003e5. Copy from L to R as many slices as you want while changing the sample slot of the copy destination\u003c\/li\u003e\n\u003cli\u003e6. In order to process the sample that will be the basis of the newly created slice, make the L channel the same bank as the R channel\u003c\/li\u003e\n\u003cli\u003e7. Select the sample copied earlier on the L channel, cut out part of the sample file (one drum hit) using the sample edit function, adjust the gain etc., and do this for all the copied samples\u003c\/li\u003e\n\u003cli\u003e8. If you like these slice edits, hold down the Edit button and press the L channel Play button for 0.5 seconds to save the result\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eSystem mode\u003c\/h4\u003e  Press and hold the 4 buttons, 2 PLAY buttons, 2 Reverse buttons, REC and REC Bank buttons for 4 seconds to enter system mode. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eRec button: Press\u003cb\u003eRecording bit number\u003c\/b\u003eSwitch. The button color is 24 bits when blue and 16 bits when red.\u003c\/li\u003e\n\u003cli\u003eL channel PLAY button: When pressed,\u003cb\u003eRole of PLAY button when LENGHT = 100%\u003c\/b\u003eChange Blue indicates that the sample will be triggered \/ retrigged in the same way as when LENGTH is not 100%, but red indicates that the sample will be played or stopped. (Trigger input always works with trigger \/ retrigger\u003c\/li\u003e\n\u003cli\u003eR channel PLAY button: when you change the sample to play\u003cb\u003eContinue playing the original sample\u003c\/b\u003eSwitch. When green, switching to a new sample stops playing the current sample. When red, sample playback does not stop\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFirmware Update\u003c\/h3\u003e  Firmware update is performed by pouring the downloaded audio file from the STS REC jack. 4ms\u003ca href=\"https:\/\/4mscompany.com\/sts.php\" target=\"main\"\u003eSTS product page\u003c\/a\u003eDownload the latest firmware wav file from the \"Manual \/ Firmware\" tab and update it according to the following procedure. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e1. Unplug all cables from STS and power on\u003c\/li\u003e\n\u003cli\u003e2. Press 2 PLAY button, 2 Reverse button, REC button, REC Bank button for 4 seconds to enter system mode\u003c\/li\u003e\n\u003cli\u003e3. Press the two bank buttons, REC, REC Bank button for 4 seconds. Press and hold until light changes, then release\u003c\/li\u003e\n\u003cli\u003e4. The left Play button should be green. If the left Reverse button is green, press it once to restart the boot loader. If you accidentally enter the bootloader, you can press and exit when the Play button is green The Monitor and Busy lights will alternately light\u003c\/li\u003e\n\u003cli\u003e5. Connect the audio output of your computer or smartphone to the Record jack on the left. You can use either stereo or mono cables.\u003c\/li\u003e\n\u003cli\u003e6. You can also hear the sound from the left Out jack (note that the sound is loud)\u003c\/li\u003e\n\u003cli\u003e7. Set the computer's software and hardware volume settings to 100%. Please turn off all notification sounds\u003c\/li\u003e\n\u003cli\u003e8. Start playing the file. Some LEDs start moving.\u003c\/li\u003e\n\u003cli\u003e9. If the sound stops before the end of file playback, it is an error. Reverse lights green and the four LEDs light. Please respond as follows\u003cbr\u003e \u003cbr\u003e  a. Stop the file and return to the beginning\u003cbr\u003e  b. Make sure the cable is connected properly\u003cbr\u003e  c. When you press the Reverse button, the LED goes out and PLAY lights up green.\u003cbr\u003e  d. Start playing the file again\u003c\/li\u003e\n\u003cli\u003e10. If the firmware file loads properly, STS will beep and restart\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eEXTERNAL LINKS\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dyRWCZqDQvY\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZfBHhzfYgys\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"4ms","offers":[{"title":"Default Title","offer_id":13198806843461,"sku":"4MSSTETRISAMP0057","price":74900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/4ms_STS_web.jpg?v=1535421686"},{"product_id":"alm-busy-akemies-castle","title":"ALM Busy Akemie's Castle","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e※please note\u003cbr\u003e \u003cem\u003eDue to the nature of the original chip, clicking sounds may be mixed when moving the operator's level knob. Even if the level is small, it may not be completely zero.\u003cbr\u003e  Also, due to the nature of the chip, extreme settings can cause significant aliasing noise and distortion. \u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e  Akemie's Castle is a dual oscillator that creates sounds using a digital FM algorithm with four operators. The FM chip that is the core that determines the sound\u003cem\u003eYAMAHA vintage (NOS) chips\u003c\/em\u003eBy using, it is possible to completely control the voltage of the authentic FM sound.\u003cbr\u003e \u003cbr\u003e  In digital FM synthesis, the oscillator that modulates the frequency of the main oscillator (carrier) is called the operator. By making the frequency of the operator an integer multiple of the carrier, it is possible to modulate while maintaining the pitch (similar to so-called phase modulation). The frequency ratio with the operator's oscillator is called Multiplier.\u003cbr\u003e \u003cbr\u003e  Combine operators\u003cem\u003e6 algorithms\u003c\/em\u003eYou can choose from. Each operator is individually\u003cem\u003eWaveform, frequency ratio (Multiplier), modulation level\u003c\/em\u003eCan be controlled with the knob and CV. With a variety of algorithms and oscillator feedback control, it is possible to create a very wide range of sounds.\u003cbr\u003e \u003cbr\u003e  In oscillator A\u003cem\u003eChords up to 5 sounds\u003c\/em\u003eCan be issued, and the turning code can be specified by voltage. It has the following features. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eEurorack's first authentic 4-operator FM synthesis with voltage control\u003c\/li\u003e\n\u003cli\u003eTwo outputs that can be used independently or in combination\u003c\/li\u003e\n\u003cli\u003e4 operators \/ 6 algorithms \/ 8 waveforms \/ FM synthesis sound with feedback FM using YAMAHA NOS IC chip\u003c\/li\u003e\n\u003cli\u003eTurnable rich chord mode that can output up to 5 sounds\u003c\/li\u003e\n\u003cli\u003ePower supply reverse connection prevention function\u003c\/li\u003e\n\u003cli\u003eDesigned and Made in the UK.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eExplanation of each part is displayed by mouse over\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"https:\/\/player.vimeo.com\/video\/133580021\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e","brand":"ALM Busy","offers":[{"title":"Default Title","offer_id":13222349930565,"sku":"ALMBUSAKECAST0068","price":114900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/almbusycircuits_akemiescastle_01_1.jpg?v=1535447343"},{"product_id":"alm-busy-akemies-taiko","title":"ALM Busy Akemie's Taiko","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e  Akemie's Taiko\u003ca href=\"\/en\/products\/10070\" target=\"main\"\u003eAkemie's Castle\u003c\/a\u003eSimilarly, this module uses the original Yamaha IC chip. This is a drum synth voice module. It has 1V \/ Oct input and can play melody. It has a great deal of control, including FM-related parameters such as Ratio and Waves, which is useful for creating dynamic drum sounds with modulation. The rough sound quality unique to the Yamaha IC chip also matches. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eDrum voice module with 4 operators, 6 algorithms, 8 waveforms and authentic FM with feedback\u003c\/li\u003e\n\u003cli\u003eVoltage control of all parameters, including algorithm selection\u003c\/li\u003e\n\u003cli\u003eBuilt-in envelope with independent release control for FM carrier and modulator\u003c\/li\u003e\n\u003cli\u003eWith 1V \/ Oct input, you can create melodies with musical scale\u003c\/li\u003e\n\u003cli\u003eFreq Start and Freq End can control the upper and lower frequencies convenient for FM.\u003c\/li\u003e\n\u003cli\u003eIn addition to triggers, there are also accent and chalk inputs\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e\u003cbr\u003e\n","brand":"ALM Busy","offers":[{"title":"Default Title","offer_id":13222366085189,"sku":"ALMBUSAKETAIK0069","price":64900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/akemiestaiko.jpg?v=1535447345"},{"product_id":"alm-busy-dinkys-taiko","title":"ALM Busy Dinky's Taiko","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDinky's Taiko is a 12-bit digital drum voice module with fully voltage controlled analog EQ. The module consists of three sections. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eControllable frequency and release time\u003cem\u003eDigital Noise Section\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eIndependent control over the frequency and release time of the beginning and end\u003cem\u003eWave Table Oscillator\u003c\/em\u003e\n\u003c\/li\u003e\n\u003cli\u003eMix \u0026amp; Tone Control\u003cem\u003eOutput section\u003c\/em\u003eIs.\u003c\/li\u003e\n\u003c\/ul\u003e All controls except Tone can be controlled by knobs and CVs. In addition to trigger input, it also has accents and choke inputs, enabling expressive rhythm control. All controls do not reflect changes while the drum sound is playing.\u003cem\u003eWhen the next drum sound is triggered, the change in the control is reflected.\u003c\/em\u003eIs. As a result, the sound does not swell even if the knob is turned while the single sound is playing.\u003cbr\u003e  \u003c\/div\u003e\n\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e It is a demonstration that one feature is introduced.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"https:\/\/player.vimeo.com\/video\/123129336\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e","brand":"ALM Busy","offers":[{"title":"Default Title","offer_id":13222375948357,"sku":"ALMBUSDINTAIK0073","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/almbusycircuits_dinkytaiko_01_1.jpg?v=1535447350"},{"product_id":"alm-busy-sid-guts-deluxe-with-swin-sid-chip","title":"ALM Busy SID GUTS DELUXE (with Swin SID chip)","description":"\n\u003c!-- interface-description --\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIn our shop, SwinSID chip, the original SID chip is greatly expanded and power saving chip is attached and sold, so you can use it as a Euro rack module immediately after purchase.\u003cem\u003eYou can replace it with a vintage tip (6581\/8580) yourself, but it will not be guaranteed because it consumes more current and may overheat the tip. The attached SwinSID chip itself is not covered by the warranty except for initial failure. Please note that the external input function of the filter cannot be used for SwinSID.\u003c\/em\u003eFor tips on replacing tips\u003ca href=\"http:\/\/busycircuits.com\/docs\/alm012-manual.pdf\" target=\"main\"\u003emanual\u003c\/a\u003ePlease refer to.\u003cbr\u003e \u003cbr\u003e  SID GUTS DELUXE, the successor to SID GUTS, a module that makes the sound generator chip \"SID\" used in the legendary home computer \"Commodore 64\" usable in Eurorack. In addition to the original functions of SID GUTS, the following has been added. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eThe oscillator has a wider frequency range up to 8 octaves and a pitch (Course \/ Fine) knob has been added\u003c\/li\u003e\n\u003cli\u003e1V \/ Oct pitch stability improvement\u003c\/li\u003e\n\u003cli\u003eChord mode with voltage control of up to three tones, including turned chords\u003c\/li\u003e\n\u003cli\u003eVoltage control for filter cutoff and resonance\u003c\/li\u003e\n\u003cli\u003eFilter type voltage control\u003c\/li\u003e\n\u003cli\u003eAttenuator that can be inverted to pulse width modulation and cutoff frequency CV\u003c\/li\u003e\n\u003cli\u003eMade with a single-layer surface mount circuit for a smaller depth\u003c\/li\u003e\n\u003c\/ul\u003e  Use 6851\/8580 \/ SwinSID for SID chip.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"https:\/\/player.vimeo.com\/video\/142129371\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"ALM Busy","offers":[{"title":"Default Title","offer_id":13222391054405,"sku":"ALMBUSSIDGUTS0088","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/files\/Untitled-1.png?v=1700527445"},{"product_id":"erica-synths-black-wavetable-vco","title":"Erica Synths Black Wavetable VCO","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBlack Wavetable VCO is a compact and fat sounding wavetable VCO. There are 16 waveforms in each of the 16 banks, and it is possible to smoothly switch between waveforms. It stores standard oscillator waveforms, FM sounds, and vowel-like sounds, and creates a variety of sounds in combination with voltage control.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eFeatures and usage:\u003c\/b\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003eWaveform bank containing 16 waveforms can be selected from 16 banks with buttons\u003c\/li\u003e\n\u003cli\u003eWave CV allows smooth morphing of waveforms in banks\u003c\/li\u003e\n\u003cli\u003eThe bit rate can be controlled with the knob. Produces fat sound unique to lo-fi digital\u003c\/li\u003e\n\u003cli\u003eThe parameters that can be controlled with the \"CV IN\" jack are selectable. Press and hold the BANK button for 2 seconds until the LED flashes. After that, pressing the BANK button changes the state of the LED, and you can switch and select the parameter controlled by CV IN. It returns to the original state after 5 seconds without pressing the button.\u003cbr\u003e  The controllable parameters are FM (LED1 flashes) \/ Bank (LED2 flashes, bank selection is disabled at this time) \/ Bit Crash (LED3 flashes) \/ Volume (LED4 flashes)\u003c\/li\u003e\n\u003cli\u003eSub-oscillator output can be changed octave by switch\u003c\/li\u003e\n\u003cli\u003eThe frequency knob can be switched with a switch. \"FINE\" sets the frequency within ± 2 semitones\u003c\/li\u003e\n\u003cli\u003eFrequency range is 30Hz-5kHz\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/en\/products\/10124\" target=\"main\"\u003eExpansion ROM 3\u003c\/a\u003eYou can expand the bank by installing.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c!-- ツールチップ表示のため、商品メイン画像上にマップを作成。--\u003e\u003cmap id=\"interface\" name=\"interface\"\u003e \n\u003carea coords=\"\" id=\"\" shape=\"rect\"\u003e\n \u003c\/map\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/o2NITTPfNoc\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":13344914767941,"sku":"ERISYNBLAWAVE0093","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Black_Wavetable_VCO_1.jpg?v=1535603037"},{"product_id":"erica-synths-pico-drums","title":"Erica Synths Pico Drums","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003e\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/pico_drums1_manual_jp.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eThere is.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e  Pico DRUMS is a 12-bit drum module that can play two samples. 64 samples are stored,\u003ca href=\"\/en\/products\/10130\" target=\"main\"\u003eDrum Programmer\u003c\/a\u003eIf you use, you can replace the sample inside.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eFeatures and usage:\u003c\/b\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003ePlay two independent drum sounds\u003c\/li\u003e\n\u003cli\u003eThe drum sound can be selected from 64 samples. Use the switch to select the channel for which you want to change the sample, push the encoder to turn off the light, and then turn it to switch the sample. Selected sample is indicated by LED combination\u003c\/li\u003e\n\u003cli\u003ePitch, decay and volume can be set for each channel. Use the switch to select the channel you want to set, and push the encoder to change the color. Green can set the pitch, red can set the decay, and yellow (orange) can set the volume.\u003c\/li\u003e\n\u003cli\u003e\n\u003ca href=\"\/en\/products\/10130\" target=\"main\"\u003eDrum Programmer\u003c\/a\u003eYou can upload your own sample at\u003c\/li\u003e\n\u003cli\u003eEach channel can be triggered individually\u003c\/li\u003e\n\u003cli\u003eDrum sounds of two channels are mixed and output\u003c\/li\u003e\n\u003cli\u003eBy setting the \"EXCL\" switch, the mode is set so that the drums of the two channels do not sound simultaneously (this is a common choke setting for hi-hats, etc.)\u003c\/li\u003e\n\u003cli\u003ePlayback is performed at 12 bits \/ 44.1kHz, producing a fat drum sound\u003c\/li\u003e\n\u003cli\u003eFor CV input, CH1 sample\u003cem class=\"inExp\"\u003ePitch, decay, volume, sample selection\u003c\/em\u003eCV control is possible for any of\u003cbr\u003e  Set the switch to CH1 and hold down the encoder for 2 seconds. After that, turn the encoder to change the color, so select the parameter you want to control with CV. Green is pitch, red is decay, and yellow (orange) is volume. When the color is off and six LEDs are lit, the sample is selected. After selecting the parameter you want to control, push the encoder to confirm.\u003cbr\u003e  When using CV control for sample selection, the sample changes in semitone steps at a CV of 1 V \/ Oct, so using a CV through a quantizer, etc., allows for accurate sample selection.\u003c\/li\u003e\n\u003cli\u003eUp to six selected samples and parameter settings\u003cem class=\"inExp\"\u003eSave and load\u003c\/em\u003eIs possible.\u003cbr\u003e  Set the switch to CH2 and press and hold the encoder for 2 seconds. When the encoder turns green and turns, the position of the glowing LED changes, so select the setting you want to load and push it to recall that setting. If you do not select a load and turn the encoder further, it will light red. At this time, you need to select the save destination. Select the save destination indicated by the position of the LED from six, and push the encoder to confirm the save.\u003c\/li\u003e\n\u003c\/ul\u003e  \u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":13344927645765,"sku":"ERISYNPICDRUM0097","price":25900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Pico_DRUMS_1.jpg?v=1535603047"},{"product_id":"erica-synths-pico-rnd","title":"Erica Synths Pico Rnd","description":"\u003c!-- interface-description --\u003e\n\u003cdiv class=\"interface-description\"\u003e\n\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003e\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/pico_rnd_manual_jp.pdf\" target=\"main\"\u003eJapanese Manual\u003c\/a\u003eIt is.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003eThis module outputs LFO and random voltage synchronized to internal and external clocks. Pulse LFO has a random pulse width. In addition to the normal sample and hold random voltage, which varies randomly from clock to clock, it also has a random gate and white noise output.\u003cbr\u003e \u003cbr\u003e The internal clock frequency range is 0.1Hz to 20Hz.\u003cbr\u003e  \u003c\/div\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":13344954286149,"sku":"ERISYNPICRND0103","price":17900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Pico_RND_1.jpg?v=1535603062"},{"product_id":"erica-synths-pico-vco","title":"Erica Synths Pico VCO","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003e\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/pico_vco_manual_jp.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eThere is.\u003c\/em\u003e\n\u003cbr\u003e \u003cbr\u003e  Pico VCO is an oscillator that can select 32 types of waveforms. Two waveform banks can be selected with a switch. One bank contains 16 waveforms. The waveform can also be controlled by CV. You can also use it as an LFO by switching the switch. The frequency range of the VCO is 30Hz-5kHz, and the frequency range of the LFO is 0.1Hz-20Hz.\u003c\/div\u003e\n\u003c!-- ツールチップ表示のため、商品メイン画像上にマップを作成。--\u003e\u003cmap id=\"interface\" name=\"interface\"\u003e \n\u003carea coords=\"\" id=\"\" shape=\"rect\"\u003e\n \u003c\/map\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eCALIBRATION\u003c\/h3\u003e  The 1V \/ Oct tracking of the Pico VCO is done using the following process, rather than using a trimmer like an analog oscillator. This adjustment is usually done at the factory and is unnecessary, but if necessary, proceed as follows: (You need a tool that can accurately output 1V and 5V. Use a quantizer or keyboard CV output.)\u003cbr\u003e   \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePower down the modular system to which the Pico VCO is connected\u003c\/li\u003e\n\u003cli\u003eOutputs 1.000V voltage. If it is a keyboard, the pitch CV output when C1 is pressed will be 1V.\u003c\/li\u003e\n\u003cli\u003eTurn both the Pico VCO's WAVE and TUNE knobs all the way to the right and set both switches to the top.\u003c\/li\u003e\n\u003cli\u003ePower on Pico VCO\u003c\/li\u003e\n\u003cli\u003ePatch the 1V voltage created above to the 1V \/ Oct input of the Pico VCO\u003c\/li\u003e\n\u003cli\u003eFlip the VCO \/ LFO switch down.\u003c\/li\u003e\n\u003cli\u003eChange the voltage output from 1V to 5V (increase keyboard octave, increase quantizer input voltage)\u003c\/li\u003e\n\u003cli\u003eMove the VCO \/ LFO switch up. This completes the calibration\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/jeuHASq6xpY\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":44526279622881,"sku":"ERISYNPICVCO0110","price":20900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Pico_VCO_1.jpg?v=1535603075"},{"product_id":"erica-synths-pico-voice","title":"Erica Synths Pico Voice","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cem\u003e\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/pico_voice_manual_jp.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eThere is.\u003c\/em\u003e\n\u003cbr\u003e \u003cbr\u003e  Erica Synths Pico Voice is a synthesizer voice oscillator module with 8 synthesis algorithms in a 3HP body. The algorithm is as follows, switch by pressing the button. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\u003cb\u003eLED Yellow-Car Plus Strong Algorithm\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED red-code algorithm algorithm\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED orange-wavetable algorithm \u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED Green-Baseline Algorithm\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED light blue-pulse width modulation algorithm \u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED Blue-Super Saw Algorithm \u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED purple-wave fold algorithm \u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eLED pink color: Harmonic algorithm\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e  The sounds generated by these algorithms are pronounced as having a certain attack release time by inputting a gate to TRIGG. To get a continuous sound like an oscillator, turn PAR2 all the way to the right.\u003cbr\u003e \u003cbr\u003e  There are two parameters that can be adjusted for each algorithm, which are assigned to PAR1 and PAR2, respectively. As mentioned above, PAR2 controls the release time except for Car Plus Strong.\u003cbr\u003e \u003cbr\u003e  The control target selection (PAR1 \/ PAR2 \/ pitch) by CV, waveform selection by chord algorithm, etc. can be set from Config mode by pressing and holding the button. For more information\u003ca href=\"https:\/\/www.ericasynths.lv\/media\/pico_voice_manual_jp.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eSee also\u003cbr\u003e \u003cbr\u003e  Pico Voice can track normally up to around C6, and at higher frequencies the tracking performance decreases. To maximize the effective tracking range, when controlling at 1V \/ Oct, send the 1V \/ Oct signal with the TUNE knob fully left.\u003c!-- ツールチップ表示のため、商品メイン画像上にマップを作成。--\u003e\u003cmap id=\"interface\" name=\"interface\"\u003e \n\u003carea coords=\"\" id=\"\" shape=\"rect\"\u003e\n \u003c\/map\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" gesture=\"media\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/88sRvL_OEa8\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Erica Synths","offers":[{"title":"Default Title","offer_id":13344968572997,"sku":"ERISYNPICVOIC0111","price":25900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Pico-Voice.jpg?v=1535603076"},{"product_id":"expert-sleepers-disting-mk4","title":"Expert Sleepers Disting mk4","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Disting Mk4 is a high-precision digital utility module packed with multiple functions(algorithms)in a 4HP.The following functions have been added From Mk3 to Mk4 \u003cul class=\"inExp\"\u003e\n\u003cli\u003eAdding a dot matrix display: added a display that can display characters, such as algorithm names\u003c\/li\u003e\n\u003cli\u003eMicro SD card slot is now accessible from the front\u003c\/li\u003e\n\u003cli\u003eSeveral algorithms have been added that require a display function, such as a tuner.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e It is similar to Mk3 in terms of algorithms and basic operations that do not require a display.The Mk3 will also be updated whenever new algorithms are added in the future.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Z7krXrbSsfo\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003cdiv class=\"detailExtTxt\"\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eHow to Use\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eChoosing an algorithm\u003c\/h4\u003e In the Disting, we use various algorithms to switch.\u003cbr\u003e \u003cbr\u003e The algorithm can be easily selected by pressing and turning the S encoder.Or click the S encoder 1 time to enter the menu Mode, Click 1 degree as it is, the algorithm can be switched by the S encoder.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMenu\u003c\/h4\u003e As mentioned above, in the Disting, you can click the S encoder to\u003cem\u003eMenu\u003c\/em\u003eIt is possible to get into theThe menu is up to 1 to 4 as follows and can be selected by the rotation of the encoder.Click the S encoder again to determine the selected menu. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\u003cb\u003eMenu 1-switching algorithm\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMenu 2-blank (bank selection until Firmware 4.0)\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMenu 3-help\u003c\/b\u003e: For the Disting display\u003ca href=\"http:\/\/www.expert-sleepers.co.uk\/downloads\/firmware\/disting_help_4.0.zip\" target=\"main\"\u003eHelp file\u003c\/a\u003ewhen you copy the \"help\" folder in the (zip) to the micro SD card, the display displays the help for each algorithm written there\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMenu 4-settings\u003c\/b\u003e: Set the brightness (Briteness), Auto-Store, enable\/disable the recall function\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eMenu 5-calibration(if you select this menu by mistake, click the Z knob to return to the original)\u003c\/b\u003e\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eKnobs\/Jacks\u003c\/h4\u003e Then, \"X\"and\"Y\"inputs are 2 signal inputs, and\"A\"and\" B \" are 2 signal outputs.The X,Y,A, and B DA \/ AD converters are 24-bit and highly accurate.\u003cbr\u003e \u003cbr\u003e The Z-knob is a knob for performing a specific control(Z-control) for each function. The\"Z\"CV input below it is a jack for performing Z control at a voltage.Also, some algorithms can control a parameter other than the Z control with up to 4 S encoders.If there is more than one controllable parameter, the parameter to be controlled by the S-encoder is switched after each click of the Z-knob(the accuracy of the parameter to be controlled by the encoder is less than that of the other parameters).\u003cbr\u003e \u003cbr\u003e The Z-knob movement, except for the algorithm that requires the click of the Z-knob for the above reason.\u003cem\u003eRecord\u003c\/em\u003eIt is possible to use the following functions:When you hold down the Z knob, the movement is recorded up to nearly 14 seconds, and when you release it, the recorded movement is looped.\u003cbr\u003e \u003cbr\u003e In some algorithms, the clock input is changed by clicking the Z knob multiple times.\u003cem\u003eTap tempo\u003c\/em\u003eYou can also use it as a reference for your business.However, if you have a clock divide setting of 1\/4, please tap 5 times(example).\u003cbr\u003e \u003cbr\u003e The selected algorithm and its parameters are also remembered when the power is turned ON\/OFF.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFavorites\u003c\/h4\u003e Up to 16 favorite algorithms can be collected in the algorithm of O1〜P8. In the top folder of the micro SD card, select \" favourites.place the text file with the name \" txt \" and list your favorite algorithm in the following format.\u003cbr\u003e   \u003cblockquote\u003edisting favourites v2\u003cbr\u003e B8 VCO\u003cbr\u003e a1\u003cbr\u003e C5 resonator\u003cbr\u003e I4 SD z speed\u003cbr\u003e b5 LFO\u003cbr\u003e e6 dual AR w\/ push\u003c\/blockquote\u003e\n\u003cbr\u003e   Please write\"rating favourites v2\"in line 1 as it is.The following lines will be your favorite algorithm, and the algorithm will be separated by a space for each line.You do not have to write a text such as\"VCO\"following the algorithm number.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFirmware Update\u003c\/h4\u003e Firmware update is available using a micro SD card.\u003cbr\u003e About the procedure\u003ca href=\"https:\/\/youtube.com\/watch?v=vIgFNEN4aDQ\" target=\"main\"\u003eVideo of Expert Sleepers\u003c\/a\u003ePlease see also. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eThe power of the Disting is turned off\u003c\/li\u003e\n\u003cli\u003eExpert Sleepers\u003ca href=\"http:\/\/expert-sleepers.co.uk\/distingfirmwareupdates.html\" target=\"main\"\u003eSite\u003c\/a\u003eDownload the latest firmware from (at the bottom of the linked page).\u003c\/li\u003e\n\u003cli\u003eUnzip the Zip file\u003c\/li\u003e\n\u003cli\u003eImage of the unzipped folder.copy the hex file to the folder at the top of the micro SD card.The file name is image.please fix it when it is not hex\u003c\/li\u003e\n\u003cli\u003ePlug the micro SD card into the slot.\u003c\/li\u003e\n\u003cli\u003eTurn on the charging while holding the S knob\u003c\/li\u003e\n\u003cli\u003e\"Confirm...Please press the S knob until the letter \" s \" appears\u003c\/li\u003e\n\u003cli\u003eRelease the S knob to start the update.\u003c\/li\u003e\n\u003cli\u003eWhen the update is finished,\"SUCCESS\" is displayed, so please wait without turning off the power until then\u003c\/li\u003e\n\u003cli\u003eAfter the update, turn off the power supply and turn on the power supply again, and the new firmware will be available normally.\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eList of Algorithms\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe algorithm that is currently installed(2017 8 months, firmware version 4.3)is as follows.No more bank concept than firmware 4.1, the algorithm will be listed as A1, A2,---A8, B1, B2 ...\u003cbr\u003e \u003cbr\u003e For the latest list of features, see the Expert Sleepers\u003ca href=\"http:\/\/expert-sleepers.co.uk\/disting.html\" target=\"main\"\u003eProduct page\u003c\/a\u003eSee \u003curl\u003e.\u003cbr\u003e   \u003ctable class=\"tabley\"\u003e\n\u003ctbody\u003e\n\u003ctr class=\"tabley\" style=\"text-align: center;\"\u003e\n\u003cth class=\"tabley\" width=\"4%\"\u003e\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e1\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e2\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e3\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e4\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e5\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e6\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e7\u003c\/th\u003e\n\u003cth class=\"tabley\" style=\"text-align: center;\" width=\"12%\"\u003e8\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003ea\u003c\/td\u003e\n\u003ctd\u003e\u003cb\u003ePrecision, Asda.\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eRing modulator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eFull-wave Rectifier\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMax \/ min\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eLin \/ Exp conversion\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eQuantum Tizer\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eComparator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual-wave shaper\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eb\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eSample \u0026 amp;hold\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eThrough-the-limiter\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003ePitch envelope detection\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock-sinking delay\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eLFO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock-sinking LFO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eLinear FM VCO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eVCO with wave shave\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003ec\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003ePrecision adder(offset difference)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eVoltage controlled delay line\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock syncable ping-pong delay (Z: feedback)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock syncable PingPong delay (Z: pan)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eResonator.\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eVoscorder\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003ePhaser\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eBit crusher\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003ed\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eTape delay\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eWave form animator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eState variable filter\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eLP \/ HP filter\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eLP \/ BP filter\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eBP \/ HP filter\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eBP \/ Notch filter\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003ee\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAR envelope\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAR envelope (with push)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAR ENV \u0026amp; VCA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAR ENV \u0026amp; VCA (with push)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual AR envelope\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual AR envelope (push)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eEurorac→bookla conversion\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eBookla→eurolac conversion\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003ef\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock-assisted AD envelope(mute)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock-assisted AD envelope(gate)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eClock-assisted AD envelope(trigger)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eWith clock AD ENV \u0026 amp; VCA\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eShift register random CV\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eShift register random CV(quantize)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eShift register random trigger\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eShift register random dual trigger\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eg\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eES-1 emulation\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eES-2 emulation\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003ePitch reference\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eFrequency reference\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eThe tuner\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMIDI clock\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMIDI\/CV\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eCV\/MIDI\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eh\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eCrossfade \/ bread\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual sample \u0026 amp;hold\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual quantum Tizer (Z: scale)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual quantum Tizer\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual Euclidean sequencer\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual delay pulse generator\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eNoise\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eI\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAudio playback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\n\u003cb\u003eAudio playback\u003c\/b\u003e(With clock)\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAudio playback(1V \/ Oct)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAudio playback (Z: playback speed)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eJ\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMIDI file playback (with clock)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMIDI file playback\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAudio playback(end CV)\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eAudio recording\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eK\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eWeb table VCO\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr class=\"tabley\"\u003e\n\u003ctd class=\"tabley\" style=\"text-align: center;\"\u003eL\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eStereo reverb\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMono In stereo reverb\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eDual reverb\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eStereo chorus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eMono chorus\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003ctd class=\"tabley\"\u003e\u003cb\u003eUh ...\u003c\/b\u003e\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\n\u003c\/table\u003e\n\u003cbr\u003e   The description of each algorithm is given below.(Some algorithmic comments will be forthcoming) \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cem\u003eA-1:Precision adders\u003c\/em\u003e\u003cbr\u003e A outputs a voltage signal of X+Y and b outputs a voltage signal of X-Y.The Z control also increases the output of A and B in 1V increments.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/mCFaTt6vNpk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-2: Ring Modulator\u003c\/em\u003e\u003cbr\u003e It is also VCA which becomes a ring modulator.Since the input signals of X and Y are multiplied, X can be used as VCA if the audio and Y envelopes are included,and Y can be used as a ring modulator if the audio signal is also input.Output b outputs a signal that inverts A vertically.\u003cbr\u003e \u003cbr\u003e Also, the Z control is a control that increases the output signal size to an integer multiple or divides it by an integer multiple(1 \/ 10x to 10x).\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/nRBbdbQZi5Q\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-3 Full-wave Rectifier\u003c\/em\u003e\u003cbr\u003e Take the lower half of the waveform(0 or more)and wrap it up.Works like a wave folder.The Z knob switches between 2 modes, and the\"independent\" mode wraps around 2 inputs, each outputting from 2 outputs.in \"combined\" Mode, a signal Plus X and Y and a signal minus Y from X is processed and output from a\/B.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/DA1rK1S6wuo\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-4:Max \/ Min\u003c\/em\u003e\u003cbr\u003e From the output of A and B, We output the larger and smaller of the 2 input signals, respectively.\u003cbr\u003e (In the majority of the video below, 1 input has a constant voltage)\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/GpkaOchvVSE\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-5: Lin \/ Exp conversion\u003c\/em\u003e\u003cbr\u003e This converter can convert 1V \/ Oct pitch to Hz \/ V pitch signal.You will be able to control the analog pitch of Korg and Yamaha with the eurolac sequencer.\"Hz\/V\" is a common term, and among the synths of this type, Yamaha'S CS-15 is 1100Hz\/V, with frequencies that rise at 1V depending on the model.Adjust the scale with the Z-knob.(1100Hz \/ V is roughly around the middle of the Z-knob)\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/jpnlxEnd1Lw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-6: quantum Tizer\u003c\/em\u003e\u003cbr\u003e This is a quantizer that outputs the X input from A along the voltage signal of the scale.B outputs a trigger signal only when the output signal of A changes.The Y input can be selected 2 ways by the Z knob, and the Y input is transposed when Z is+, and the signal with the quantized quantile of input voltage is added is output from A.When Z is -, it becomes the trigger mode, and the signal from A changes to the voltage quantized at that time, only at the moment when Y input receives the trigger.The time when the trigger is not received will keep that signal.Features like sample \u0026 amp;hold.\u003cbr\u003e \u003cbr\u003e You can change the scale by the Z-knob.The scale is displayed in the way of lighting of the LED a ~ D.\u003cbr\u003e \u003cimg src=\"https:\/\/www.dropbox.com\/s\/t897zmnhuiq3mmp\/disting-scale.PNG?raw=1\"\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/5THsGKn3Pwk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-7 comparators:\u003c\/em\u003e\u003cbr\u003e When the signal to X is greater than the signal to Y, A 5V gate signal is output from A.B is the opposite of A, and the gate signal is output when Y is greater.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Ttp7RCtofg0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eA-8 : dual wave shapers:\u003c\/em\u003e\u003cbr\u003e 2 Wave shapers.Input X passes through the so-called Wave folder, and the overtone is added to output from A.The way of folding also changes depending on the gain.Input Y is a special wave shaper called Triangle→sine wave, which can be used to add subtle warmth to the sound or to create a pure sine wave from a triangle wave.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/-B1VzxQ2qOo\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-1 : sample \u0026 amp;hold\u003c\/em\u003e\u003cbr\u003e From A, it outputs the signal of the X Input sampled at the moment the Y input is triggered and keeps it until the next trigger enters the Y input.Since white noise is output from B, if you want to output random sample\u0026amp;Hold, please self-patch from B to X.The Z controls the sample \u0026 amp;held signal as a slew limiter.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/x8yDMQqE-yA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-2 :slew limiter\u003c\/em\u003e\u003cbr\u003e A and B output signals that add X and Y through a slew limiter.B is better for the characteristics of the change is smooth.Z determines the speed of the thru.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/irKcEJCB0FQ\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-3: Pitch \u0026 amp; envelope detection\u003c\/em\u003e\u003cbr\u003e Detects the pitch and envelope of the signal to X input, and outputs it from a\/B.If the pitch detection fails, the envelope is not output from B.Y input is the input to add voltage to the output pitch CV.Z changes the accuracy of the pitch detection as well as the accuracy of the envelope detection as a trade-off.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/YAlBBzNbbdg\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-4 :clock syncable delay \/ echo\u003c\/em\u003e\u003cbr\u003e The clock interval input to the Y input is set to the delay time, and the audio signal to The X input is set to the delay output from A\/B.Only dry \/ wet mixed signals are output from A and wet signals from B.The Z-knob \/ Jack also controls the feedback and the mix balance of signals from A.If the delay time is more than about 750ms, the delay time will be 1\/2 so that it is less.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/Gj69fn-liYs\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-5 :LFO\u003c\/em\u003e\u003cbr\u003e It outputs SAW\/SINE\/TRIANGLE from A, and pulse wave from B. Both the X and Z inputs control the speed of the LFO.Y input changes the waveform or pulse width of the output LFO.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/iBtg8CJtC1E\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-6 :clock-synchronized LFO\u003c\/em\u003e\u003cbr\u003e Outputs an LFO from A\/B that is synchronized to the clock input to the X Input.The output waveform and the point at which the waveform is controlled by Y are the same as the LFO in 4-A.The big difference is the Z control, which allows you to control how many times the LFO is clocked and how many times it is clocked.(Clock divider \/ multiplier)\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/_ZqZtVd8eLI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-7: FM VCO\u003c\/em\u003e\u003cbr\u003e Linear FM (TZFMMM)can work as VCO.The pitch CV input, where X is 1V \/ Oct,and Y is FM input.The Z control allows you to adjust the tuning with a width of 1 octave.Each output produces a sine wave and a sawtooth wave.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/5JPUuaPaxxo\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eB-8 :VCO with waveshapes\u003c\/em\u003e\u003cbr\u003e A VCO that outputs signals of different waveforms from A and B.The waveform and Y input controls are the same as the LFO.The X input is the pitch CV input of 1V\/Oct.The Z controls tuning at 1 octave.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/8JDX9bjcG3o\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-1: Precision adders (offset difference)\u003c\/em\u003e\u003cbr\u003e It is the same precision as the preset 1\/a in bank 1, but the offset is a constant voltage of 1 \/ 12V(equivalent to semitone\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-2: voltage controllable delay line\u003c\/em\u003e\u003cbr\u003e The maximum delay time is 200 milliseconds.Y becomes the CV input for the delay time, and Z controls feedback.A output is the output of only the delay sound, B output is the output of 50\/50 mixed with the original sound.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xirCtbaCRUA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-3: clock ping pong delay(Z = feedback)\u003c\/em\u003e\u003cbr\u003e It will be a clock syncable ping-pong delay.Y is the clock input, Z is the feedback, and a\/B is the left・right output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3pHSGoLNGuQ\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-4: clock delay (Z = input pan)\u003c\/em\u003e\u003cbr\u003e This is a clock-synchronous ping-pong delay that allows you to pan the input.Y is the clock input, Z is the input pan, and A\/B is the left・right output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/WdUGXBpLFt4\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-5: resonator\u003c\/em\u003e\u003cbr\u003e The resonator is a strong kind of resonance filter.It can also be used to generate drum sounds using oscillation.In that case, input the trigger instead of the sound to The X Input.Y is 1V\/Oct at the resonator's pitch input.0V is mostly C3 (about 130.81 Hz).The Z is the gain and, in the case of drum sound generation, the decay time is controlled.A outputs the resonator, and B outputs the sound envelope.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/uqnreY1yVd8\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-6: vocoder\u003c\/em\u003e\u003cbr\u003e This is the vocoder where X is the modulator input and Y is the carrier input.Z sets the decay time of the envelope follower in the vocoder.A is the audio output and B is the envelope output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/bYlP8Q03Xl4\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-7: phaser\u003c\/em\u003e\u003cbr\u003e X is the audio input,Y is the sweep.Z controls feedback.When Z is negative, the feedback also becomes negative feedback, producing a different sound.A is the mix of phaser sound and original sound, and B is the output of phaser sound only.Parameter 1, controlled by the S knob, sets the number of stages of the Phase Shift.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XLxi45ONXVA\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eC-8: Bit Crusher\u003c\/em\u003e\u003cbr\u003e X sets signal input, Y is sample rate input, Z sets bit reduction. A is the signal output and B is the comparator output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Tv5c8gPYwFs\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-2: Tape Delay\u003c\/em\u003e\u003cbr\u003e This is a delay that simulates a tape echo. X is the audio input, And Y is the tape speed. Control feedback with Z. A is the mix of the delay sound and the original sound, and B becomes the output only of the delay sound.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/yvoYk0w1Loo\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\u003cem\u003eD-3: Wave Form Animator\u003c\/em\u003e\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-4: State Barrier Filter\u003c\/em\u003e\u003cbr\u003e A state barrier filter that changes with low pass, band pass, and high pass by Z. Controls the cutoff with Y.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7sIsahePBHA\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-5: LP\/HP Filter\u003c\/em\u003e\u003cbr\u003e Each output is an LP\/HP filter. X is the audio input, Y is the cutoff control (1V\/Oct), and Z is the resonance control.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/RwRScmH7atc\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-6: LP\/BP filter\u003c\/em\u003e\u003cbr\u003e Each output is an LP\/BP filter. X is the audio input, Y is the cutoff control (1V\/Oct), and Z is the resonance control.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SjmzSA3bYgc\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-7: BP\/HP Filter\u003c\/em\u003e\u003cbr\u003e Each output is a BP\/HP filter. X is the audio input, Y is the cutoff control (1V\/Oct), and Z is the resonance control.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/I9FoVhLcMPs\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eD-8: BP\/Notch Filter\u003c\/em\u003e\u003cbr\u003e Each output is a BP\/notch filter. X is the audio input, Y is the cutoff control (1V\/Oct), and Z is the resonance control.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Lv6r94IeERA\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-1: AR envelope\u003c\/em\u003e\u003cbr\u003e X, Y is the trigger input, and Z is the control of the envelope time. The mode of the envelope is switched by changing the setting by clicking the Z knob.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/CCae5gjnfrc\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-2: AR envelope with push\u003c\/em\u003e\u003cbr\u003e X, Y is the trigger input, and Z is the control of the envelope time. Also Z triggers the envelope when pressed\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-3: AR Envelope \u0026amp; VCA\u003c\/em\u003e\u003cbr\u003e X is the trigger input and Y is the signal input to the VCA. A is the envelope output and B is the VCA output. The mode of the envelope is switched by changing the setting by clicking the Z knob.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/mC7AxLqseVc\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-4: AR Envelope with Push \u0026amp; VCA\u003c\/em\u003e\u003cbr\u003e X is the trigger input and Y is the signal input to the VCA. A is the envelope output and B is the VCA output. Press z knob to trigger the envelope\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-5: Dual AR Envelope\u003c\/em\u003e\u003cbr\u003e Output two envelopes that share the time parameter. X and Y are the trigger inputs for each envelope, Z is the envelope time control, and A and B are the output of each envelope. The mode of the envelope is switched by changing the setting by clicking the Z knob.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xnTesaYXU7Y\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-6: Dual AR envelope with push\u003c\/em\u003e\u003cbr\u003e Output two envelopes that share the time parameter. X and Y are the trigger inputs for each envelope, Z is the envelope time control, and A and B are the output of each envelope. PressZ to trigger the envelope at the same time\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-7: Eurorack→Buchla Converter\u003c\/em\u003e\u003cbr\u003e Enter the Eurorack pitch and gate signal to X and Y, respectively, and retrieve the Buchla pitch (1.2V\/Oct) and trigger signal (signal followed by a gate after a 4ms trigger at 10V) from A and B. Z is a fine tune control  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eE-8: Buchla→Eurorack Converter\u003c\/em\u003e\u003cbr\u003e Enter Buchla's pitch (1.2V\/Oct) and trigger signals (signals followed by a gate after a 4ms trigger at 10V) to X and Y, respectively, and take the eurorack pitch and gate signals from A and B. Z is a fine tune control\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-1: Clock AD Envelope\u003c\/em\u003e\u003cbr\u003e An envelope that can be clocked in sync. The clock-synchronized envelope cycles unless X is clock input, Y is the mute input, and not muted. Z controls the shape of the envelope.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/LlM3GRI10Hk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-2: Clock AD Envelope (Gate)\u003c\/em\u003e\u003cbr\u003e An envelope that can be clocked in sync. As long as X is clock input, Y is the gate input, and the gate is high, the clock-synchronized envelope cycles. Z controls the shape of the envelope.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7H4rT9ClRFI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-3: Clock AD Envelope (Trigger)\u003c\/em\u003e\u003cbr\u003e An envelope that can be clocked in sync. X is the clock input, and Y is the trigger input. Z controls the shape of the envelope.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/xQ4dGCsA1eo\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-4: Clock AD Envelope \u0026amp; VCA\u003c\/em\u003e\u003cbr\u003e Clock-synchronizable envelopes and VCAs. X is the clock input and Y is the signal input to the VCA. Z controls the shape of the envelope.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/rl5xEyjxXvk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-5: Shift Register Random CV\u003c\/em\u003e\u003cbr\u003e In the way of the shift register, it loops and outputs a random voltage that changes gradually. X clock input, Y to change the sequence manually (bit flip) modifier input, Z is randomness. A is the unipolar output and B is the bipolar output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/3sSr0X3vaDI\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-6: Quantized Shift Register Random CV\u003c\/em\u003e\u003cbr\u003e In the way of the shift register, it loops and outputs a random voltage that changes gradually. X clock input, Y to change the sequence manually (bit flip) modifier input, Z is randomness. The A output is quantized. B is the trigger output.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/hDI8juYrebw\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-7: Shift Register Random Trigger\u003c\/em\u003e\u003cbr\u003e In the way of the shift register, it loops and outputs a random gate that changes gradually.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4HqIG_Brzxg\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003cli\u003e\n\u003cem\u003eF-8: Shift Register Random Dual Trigger\u003c\/em\u003e\u003cbr\u003e In the way of the shift register, it loops and outputs a random gate that changes gradually.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/b3gnEJikp9M\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  \u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Expert Sleepers","offers":[{"title":"Default Title","offer_id":13358227488837,"sku":"EXPSLEDISMK40112","price":34900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/distingmk4.jpg?v=1535622659"},{"product_id":"epoch-modular-benjolin","title":"Epoch Modular Benjolin","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBenjolin is a kaotic synthesizer module designed by Rob Hordijk, which also uses a circuit similar to the Blippoo Box by Rob Hordijk. Benjolin consists of two VCO, one state barrier filter, and a unique \"Rungler\" circuit. By combining these with each other, it is possible to create the movement of the sound which feels chaos from the change of the moment to the pattern of the sound which changes slowly.\u003cbr\u003e \u003cbr\u003e Rungler is an 8-step shift register that uses oscillator A as signal input and oscillator-B as the clock. The output of the shift register is fed back to the pitch of oscillators A and B at varying speeds and range steppes (RUN-A and RUN-B become feedback attenuators).\u003cbr\u003e \u003cbr\u003e The filter is equipped with a distortion similar to a unique vacuum tube, increases resonance, and the most prominent features are when the A and B oscillators are moving in the audio range. The filter is populated with a rectangular wave made through oscillators A and B to the comparator, and the Rungler output signal itself. As with oscillators A and B, filters can be easily modulated with rungler signals, and run F knobs become attenuators. Oscillator and filter frequency CV inputs make patching easier because the triangular waves of either oscillator are internally connected.\u003cbr\u003e \u003cbr\u003e ※ Since this module is not the primary purpose to produce a sound tailored to the scale, the trackable range of 1V\/ Oct of the oscillator is about 1 octave\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/SyBA6Mz0xRA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KCjREVFc6iA\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Epoch Modular","offers":[{"title":"Default Title","offer_id":13402446987333,"sku":"EPOMODBEN0126","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/benjolin.jpg?v=1535695596"},{"product_id":"centrevillage-c-quencer-dlx","title":"centrevillage C Quencer DLX","description":"\n\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eC Quencer DLX is CV gate sequencer of 16 steps with the operability that is the real time when is good to a modular synthesizer.\u003cbr\u003e \u003cbr\u003e The pattern can set a pattern to become the template with knobs such as FILL, ROT, SCALE, PAT, SHIFT, RANGE. I can perform the setting of the smaller sequence parameter and CV\/Gate level every step with the touch key (and the combination of MODE knobs) of the middle.\u003cbr\u003e \u003cbr\u003e The operation using REC button\u003cem class=\"inExp\"\u003eRecord\u003c\/em\u003eI can do it. Again of 12 bits\u003cem class=\"inExp\"\u003eTwo oscillators\u003c\/em\u003eIt has it built-in. Oscillator 2 appoints relative pace from oscillator 1, and the pace of oscillator 1 can set (MOD TouchKey5) according to the pace that I set in C Quencer. Two oscillators sound is mixed, and it is output by OSC Jack. I can set mixture balance and the wave pattern of two oscillators, the phase relations, too. In addition, not a sound of oscillator 2, it is possible by setting to output supporting pace CV from OSC Jack.\u003cbr\u003e \u003cbr\u003e A pattern and the record contents\u003cem class=\"inExp\"\u003eOf 16 preservation, a summons are possible to pre-seting it\u003c\/em\u003eです.\u003cbr\u003e   \u003cbr\u003e ※In a process of the production, there are a thread and a wound on the panel. Please buy it in understanding it. \u003c\/div\u003e","brand":"centrevillage","offers":[{"title":"Default Title","offer_id":13403062894661,"sku":"CENCQUEDLX0128","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/photo-new.jpg?v=1535696463"},{"product_id":"cg-products-delay-1022","title":"CG-Products Delay 1022","description":" ※ CG-Products has a lot of handmade process, there is a variation in the color and shape of the panel, print. Thank you for your understanding. \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDelay1022 is an analog BBD delay focused on functioning as a sound source. It takes advantage of audio rate delay time and feedback to function as a synth voice with noise bursts and triggers as input, as well as a com filter.\u003cbr\u003e \u003cbr\u003e Delay1022 uses two or one 512-stage BBD elements that produce very short delays, and achieves a delay time of 20Hz to 760Hz (1.3 ms to 50 ms). When you are delaying at such an audio rate, if you put a very short signal of a few milliseconds or less, you will create a waveform repeated by the delay, which results in a pitched sound. Delay1022 provides this synthesis method with analog BBD elements to create sounds similar to warm strings and percussion. The 1V\/Oct input allows pitch control over 3-4 octaves and pitch control at 1V\/Oct.\u003cbr\u003e \u003cbr\u003e Feedback has a significant impact on the tone and decay. To provide feedback outside 1022, make the FB Loop switch \"Open\" and patch Delay Out→In2. During this time, it is possible to experiment variously by sandwiching other modules.\u003cbr\u003e \u003cbr\u003e *Please note that some noise from the output is included because the analog BBD element is used. You can also see the noise in the demo below. Balance tone and noise with the built-in filter.\u003cbr\u003e \u003cbr\u003e ※When an audio signal is put in TCVin etc. for FM, the signal is output mixed, but it is a restriction by the chip and the circuit used. TCVin should use A CV that is not an audio rate.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cAdZp-hlpUE\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe frameborder=\"no\" height=\"450\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/145080435\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e","brand":"CG-Products","offers":[{"title":"Default Title","offer_id":13403064008773,"sku":"CG-DEL1020129","price":52900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Delay1022May2022.png?v=1652861357"},{"product_id":"cg-products-xr22-vco-ft","title":"CG-Products XR22 VCO FT","description":"  * CG-Products has many handmade processes, and the color, shape and print of the panels vary. Please note. \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eXR22 VCO FT\u003cem class=\"inExp\"\u003eAM (and ring modulation)\u003c\/em\u003eAnd\u003cem class=\"inExp\"\u003eFSK (Frequency Shift Keying)\u003c\/em\u003eThis is a unique analog oscillator that can change the tone in such a way. It has extremely analog sound quality even when it contains dissonances and intense overtones, making it a powerful weapon for synthesizing analog percussion sounds.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eAM\u003c\/h4\u003e  AM adds metallic harmonics and dissonance by controlling the amplitude (intensity) of the sound source with a voltage (at the audio rate). You can also use your own (waveform output) as the modulation source for AM. AM here is a ring modulation, so if you increase the modulation until the AM equivalent to a negative voltage is applied, it will be an AM with inversion of the oscillator waveform.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFrequency Shift Keying\u003c\/h4\u003e  This mode (FSK mode) allows the rising and falling frequencies to be controlled separately. When the FSK mode switch is set to the down position, the frequency is set by F1 when the square wave output is high (when the sine \/ triangle wave output signal is rising) and F2 when the square wave output is low (when the sine \/ triangle wave output signal is falling). Will be determined. For this reason, the output of the triangular wave has a different waveform for the rising and falling waves, and you can change not only the pitch but also the timbre by moving F1 \/ F2.\u003cbr\u003e \u003cbr\u003e  In FSK, the pitch control is a little difficult because the waveform changes depending on F1 and F2,\u003cem class=\"inExp\"\u003eCombination switch\u003c\/em\u003eIs helpful. When the switch is down and the combination mode is enabled, F1 can control both F1 and F2, so you can also control the pitch while maintaining the waveform.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe frameborder=\"no\" height=\"450\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/145085063\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e","brand":"CG-Products","offers":[{"title":"Default Title","offer_id":13403069513797,"sku":"CG-XR2VCOFT0132","price":52900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/XR22VCO2022MAY.png?v=1652861108"},{"product_id":"10206","title":"Intellijel Designs Atlantis","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAtlantis is big in sound and structure of Roland SH-101 and is the synthesizer module of the in spy shop full-scale all-in-one type that it is done and added more ideas to. Because I include parts such as use possible) as main oscillator, suboscillator, modulator, filter, VCA, envelope, VCO of the LFO( addition, and originally they are connected inside (semi-modular),\u003cem\u003eIt is patching-free and can use it as a normal synthesizer,\u003c\/em\u003eI can give that rich base and lead sound of the character who is near to SH-101 immediately. Furthermore\u003cem\u003eMake use of a modular thing,\u003c\/em\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e-I let you make modulation from a different module\u003c\/li\u003e\n\u003cli\u003e-I process sound in a module except Atlantis and return a signal.\u003c\/li\u003e\n\u003cli\u003e-I use a filter or an envelope of Atlantis by the patching of other modules as a simple substance function.\u003c\/li\u003e\n\u003c\/ul\u003e I can perform it in といったことを euro rack freely.  \u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003ePanel Controls\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eInterface\u003c\/h4\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eThe explanation of all parts is displayed in mouse over\u003c\/span\u003e  \u003c\/div\u003e\n\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cspan class=\"little-title\"\u003eOscillator (VCO)\u0026amp; modulator (MOD)\u003c\/span\u003e\u003cbr\u003e The oscillator faces FM by the type called the triangle core of the Intellijel customer very much. There is an oscillator in addition to a main oscillator one more (modulator) and uses it as LFO or VCO. The modulator runs FM for an oscillator and can do an oscillator sink. A modulator at the time of VCO mode,\u003cem\u003eFM of the oscillator with the modulator is possible just to nominate MOD slider of VCO\u003c\/em\u003eです. I make use of the advantage of the semi-modular, and it is easy for the voltage to control size of the modulation by taking out a modulator signal outside, and returning it to the MOD input of VCO and VCF again after putting VCA modules once. Again of the oscillator\u003cem\u003eBecause pace adjustment is an octave unit, sudden octave changes are simpler than a normal oscillator module\u003c\/em\u003eなのも is helpful simply.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eLink mode\u003c\/span\u003e\u003cbr\u003e When turn on the \"LINK\" switch of the modulator section; with the pace of VCO main the pace of the modulator is relative\u003cem\u003eInterval interval\u003c\/em\u003eIt becomes a mode appointing を. For example, as for the modulator, pace designation such as seven semitone tops of the main oscillator is always enabled with the FINE knob of the MOD section, and the point that there are few dissonances is found when I make this mode if I tune up FINE knob adversely. When I perform FM which I wrote on with this mode,\u003cem\u003eI can produce a complicated harmonic overtone with keeping a feeling of pace and can control it more delicately than normal FM, besides.\u003c\/em\u003eWhen I let you do a delicate change, please make the LIN\/EXP switch of the VCO section LIN. Use of the link mode is a few recommended function in original SH-101.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eMixer (MIX)\u003c\/span\u003e\u003cbr\u003e The sound before entering the filter mixes it with the slider of the mixer section. I can mix a pulse, a saw, a suboscillator, a noise and outside input. The outside input,\u003cem\u003eWhen Jack does not stick; a signature wave\u003c\/em\u003eIt is connected the inside so that it is rearranged に. I can use it as a synthesizer of 2VCO if I classify the signal out of the modulator into EXT In.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eFilter (VCF)\u003c\/span\u003e\u003cbr\u003e Not to mention a filter\u003cem\u003eCascade filter of the Roland-style\u003c\/em\u003eWell, it is Low Pass, Band Pass, multi-mode 4Pole filter of High Pass. I can start the sound that is the solid-looking fat which the volume does not become unstable in when I turn on LP Boost switch when I make resonance. It is good, and ON and OFF, both modes are tuned up so that there is a turn according to each. The signature wave to be given in the case of a self-oscillation is very clean and copes with pace designation in 1V\/Oct. There will be four sound sources to main VCO, a modulator, a suboscillator, a filter (at the time of a self-oscillation) and this module.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eEnvelope (Envelope)\u003c\/span\u003e\u003cbr\u003e The envelope is one and is ADSR type. I can change two kinds of ranges of the time with the switch which there is. In addition, because an envelope stands up when I push the red button,\u003cem\u003eI give a sound only by main body operation\u003c\/em\u003eThere is a thing. An envelope does a loop\u003cem\u003eCycle fashion\u003c\/em\u003eIt is selectable by も switch. In addition, a sound continues appearing without an envelope hanging in the volume when I make an envelope CYCLE mode with VCA as GATE mode. There is DRIVE switch letting VCA clip a sound; by this\u003cem\u003eI can let a sound distort warmly.\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eDifference with SH\u003c\/span\u003e\u003cbr\u003e Atlantis is a triangle core the core of the oscillator. In addition, because a main oscillator has linear FM Input; including a link mode\u003cem\u003eAn FM sound came to appear considerably neatly in Atlantis.\u003c\/em\u003eA filter is the points that thing and 4\/2Pole which are a multi-mode being changed, the LP Boost switch evolved in Atlantis. Improvement is put at various points including the change of the range, a clip changeover switch of VCA and a thing modular above all at mixture of outside input performed of no Malaysia's by an other signatures wave, a loop mode and the time of the envelope.\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003eIt is the demonstration that the character of the sound is easy to understand.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"\/\/player.vimeo.com\/video\/82709942\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/vimeo.com\/82709942\"\u003eIntellijel Atlantis\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/user19157700\"\u003eDylan Brown\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612408897605,"sku":"INTDESATL0139","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Atlantis.jpg?v=1536166417"},{"product_id":"10213","title":"Intellijel Designs Cylonix Shapeshifter","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cem class=\"inExp\"\u003e* Except for the parts that have been changed, the following description is for firmware version 1s. There were many additional features in the firmware 2 series released in the spring of 2017. See \"Firmware 2.0\" below for an overview. For Shapeshifter purchased at our shop, we will update the firmware free of charge (payment by the customer). However, please note that the preset will be deleted by the update. Please email us with your order number.\u003c\/em\u003e\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eOverview\u003c\/h4\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIntellijel Shapeshifter is a sophisticated and deep dual * digital * wavetable oscillator created in collaboration with Cylonix. By using a powerful FPGA board, from code generation to percussion, vocoder, and echo\u003cspan style=\"font-size: 13px; letter-spacing: 0.10035em; line-height: 1.9;\"\u003eMany authentic synthesis options\u003c\/span\u003e\u003cspan style=\"font-size: 13px; letter-spacing: 0.10035em; line-height: 1.9;\"\u003eTo achieve. The signal is internally processed at a rate of 25Mhz and the effect of aliasing noise is very small and the sound quality is high.\u003c\/span\u003e\u003cbr\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eOscillators\u003c\/h4\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Oscillator of Shapeshifter consists of Osc1 and Osc2, and the waveform is selected from the wavetable. The frequency of Osc1 is set by the Coarse and Fine knobs near the center, and the Pitch 1 input, and the frequency of Osc2 changes accordingly, but is also controlled by the Ratio knob, CV, and Pitch 2. The ratio can be set to a beautiful integer ratio with oscillator 1 by turning on the Quant button, so it is unlikely to be a dissonant tone when used as a modulator of linear FM as well as harmony. The Shape1 \/ 2 knob on the right controls the waveforms on various wavetables. \u003cbr\u003e  ウ ェ ー ブ For the two VCOs, you can select their wavetables with the WAVE BANK button → Encoder. There are 128 wavetable banks, and each bank has 8 waveforms, and it is possible to move smoothly between them (512 samples). Once a bank is selected, the waveforms within that bank can be controlled by the Shape knob and the Shape CV to create various waveform movements. \u003cbr\u003e  There are also a variety of other synthesis options, and the settings are accessible via various buttons. Settings can be saved to presets, and presets can be sequenced in a practical way (or sequenced chords) and morphed \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFeatures\u003c\/h4\u003e\n\u003cdiv style=\"text-align: left;\"\u003eIt has the following characteristics. See \"DETAILS\" below for details of each option and detailed operation methods. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePreset sequence morphing\u003c\/li\u003e\n\u003cli\u003eThru Zero FM (About TZFM\u003ca href=\"\/en\/products\/10247\"\u003eRubicon\u003c\/a\u003e(Please see the description)\u003c\/li\u003e\n\u003cli\u003eDelay-based resonator (can be used as a looper)\u003c\/li\u003e\n\u003cli\u003e64-band vocoder\u003c\/li\u003e\n\u003cli\u003eSelectable audio rate (AC couple) modulation MOD A can also modulate phase.\u003c\/li\u003e\n\u003cli\u003eAnalog wave folder ( \u003ca href=\"\/en\/products\/10256\"\u003euFold \u003c\/a\u003e  Can also be used for external signals.\u003c\/li\u003e\n\u003cli\u003eThere are various options such as oscillator sync, pulse output, combination processing, etc., which expands the range of synth sizes.\u003c\/li\u003e\n\u003cli\u003eMOD B also offers a variety of selectable DC modulations. Press the button for the parameter you want to modulate twice.\u003cbr\u003e  -Combo modes\u003cbr\u003e  -Waveform TILT\u003cbr\u003e  -Overdrive (in code mode)\u003cbr\u003e  -Delay depth and FB\u003cbr\u003e  -Decay time (percussion mode)\u003c\/li\u003e\n\u003cli\u003eWith 8 voice chords to be detuned, you can select from 64 chords, including just intonation and equal temperament.\u003c\/li\u003e\n\u003cli\u003eIn percussion mode, the signal from the oscillator is output through a VCA with a built-in envelope. Decay modulation and AR mode operation are also possible.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eInterface\u003c\/h4\u003e  \u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eExplanation of each part is displayed by mouse over\u003c\/span\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFirmware 2.0\u003c\/h4\u003e  Changes due to a major firmware upgrade include the following:\u003cbr\u003e   \u003cul\u003e\n\u003cli\u003e-Chord type can now be controlled by MOD B (select chord with * in chord selection)\u003c\/li\u003e\n\u003cli\u003e-Oscillator 1 and 2 wavetable banks can now be controlled with MOD B.\u003c\/li\u003e\n\u003cli\u003e-Oscillator 1 and 2 can have separate SYNC mode, both can use 1 shot and hold mode\u003c\/li\u003e\n\u003cli\u003e-Pressing the INT. SYNC button twice will lower the sync by one octave.\u003c\/li\u003e\n\u003cli\u003e-Press the QUANT button twice and the PITCH2 input will become the external clock input, and oscillator-2 will synchronize to it. RATIO is clock division and double speed\u003c\/li\u003e\n\u003cli\u003e-8 more modes for PULSE output\u003c\/li\u003e\n\u003cli\u003e-A new mode has been added to the PRESET STEP menu to randomize presets for each step.\u003c\/li\u003e\n\u003cli\u003e-The number of presets has been increased to 100 and all presets will be remembered even after power off\u003c\/li\u003e\n\u003c\/ul\u003e   \u003cdiv style=\"text-align: left;\"\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/-yQO1ic6smA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003ciframe frameborder=\"no\" height=\"450\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/14620424\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe frameborder=\"no\" height=\"450\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/39442420\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cscript\u003e\/\/ \u003c![CDATA[\n$(function(){\n        $(\"h4.clockface-description-title-ac\").on(\"click\", function() {\n            $(this).next().slideToggle();\n        });\n    });\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDETAILS\u003c\/h3\u003e  Detailed functions are accessed from the buttons around the LCD. The following sections describe each button and the functions and options to set.\u003cbr\u003e \u003cbr\u003e  Click to expand each section.\u003cbr\u003e   \u003cdiv style=\"text-align: left;\"\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eCOMBO MODE Button: Waveform Combinations\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eThe output of output 1 is processed by a combination based on the sound of the oscillator (by digitally performing wave shaping such as an analog logic circuit), and becomes a signal that has passed through the delay.The following options are available for the combination processing (Select with Combo Mode Button). Some combination processing may be effective when performed with INT.Sync. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ecmb: osc1 The sound of oscillator 1 is output as is.\u003c\/li\u003e\n\u003cli\u003ecmb: ring Outputs a signal obtained by ring-modulating oscillators 1 and 2.\u003c\/li\u003e\n\u003cli\u003ecmb: min Of the signals of oscillators 1 and 2, the signal with the lower voltage is always output.\u003c\/li\u003e\n\u003cli\u003ecmb: pong Oscillator 1 and 2 signals. When Oscillator 1 has a positive voltage, the signal of Oscillator 1 is output. When Oscillator 2 has a negative voltage, the signal of Oscillator 2 is output. The output becomes 0 during the time when neither holds.\u003c\/li\u003e\n\u003cli\u003eSince cmb: ​​inlv is digital, both signals of oscillators 1 and 2 can be specified by bits, but these bit representations are alternately extracted and combined to generate a signal.\u003c\/li\u003e\n\u003cli\u003ecmb: and Outputs by performing an AND operation using the bit information representing the signals of the two oscillators.\u003c\/li\u003e\n\u003cli\u003ecmb: xor Similarly, XOR operation (exclusive OR) is performed on the bit information of two signals and output.\u003c\/li\u003e\n\u003cli\u003ecmb: gLcH Generates and outputs noisy and glitchy signals from oscillators 1 and 2 through complex calculations.\u003c\/li\u003e\n\u003c\/ul\u003e  This is the waveform when trying each combination by setting oscillator 2 to 16 times the frequency of oscillator 1 with the Quant button ON. Both oscillator waveforms are sine waves. \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/bf34s8vudhaz167\/comb.jpg?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/bf34s8vudhaz167\/comb.jpg?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/lwda1hpb6pytjto\/comb2.jpg?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/lwda1hpb6pytjto\/comb2.jpg?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eSYNC \/ PULSE \/ STEP Button: Oscillator Sync Mode\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eSync occurs when the Sync input signal exceeds 0.2V. If nothing is patched to the Sync input, it will be INT.Sync, which occurs when the signal of oscillator 1 crosses zero. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eHardSync: This is the most common oscillator sync, where the phase is returned to 0 by the sync.\u003c\/li\u003e\n\u003cli\u003eSoftSync: The phase that is returned to 0 by sync is the same as HardSync, but only when the oscillator phase is the first quarter (0-90 degrees).\u003c\/li\u003e\n\u003cli\u003eRevSync: An oscillator sync in which the waveform direction is reversed at the sync timing. It is smoother than normal HardSync, etc., and is especially suitable for bass etc. in case of INT.Sync.\u003c\/li\u003e\n\u003cli\u003eHoldSync: When a sync occurs, the signal keeps its value and the waveform starts running again at the next sync.\u003c\/li\u003e\n\u003cli\u003eBumpSync: When sync occurs, oscillator 1 advances the phase by 90 degrees, and oscillator 2 advances the phase by 45 degrees.\u003c\/li\u003e\n\u003cli\u003e2 = 1 Sync: This is the same sync as HardSync, but in addition to this, only the oscillator 2 is synced once again when the values ​​of the two signals become the same.\u003c\/li\u003e\n\u003cli\u003e1 = 2 Sync: 2 = 1 Sync mode where oscillators 1 and 2 of Sync are exchanged.\u003c\/li\u003e\n\u003cli\u003eSync Of: Do not sync. This has the effect of preventing glitches from appearing when stepping through the presets using the Sync input. Select this when you do not want to align the phases of the eight waveforms in code mode.\u003c\/li\u003e\n\u003c\/ul\u003e  The state of each sink is as shown in the figure below. Oscillator 1\/2 is a sine wave, and the yellow arrow indicates the point where sync occurs.\u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/c1pvtn5achh3rl3\/sync1.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/c1pvtn5achh3rl3\/sync1.png?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/8qd7ihklu2kv135\/sync2.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/8qd7ihklu2kv135\/sync2.png?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eSYNC \/ PULSE \/ STEP Button: Pulse Source Modes\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eThe PULSE output always outputs either 0V or 5V. The type of signal is determined by oscillators 1 and 2, with the following options: \u003cul class=\"inExp\"\u003e\n\u003cli\u003e+ o1: In this mode, if the signal of oscillator 1 is greater than 0V, a value of 5V is output from the Pulse output, otherwise it is 0V.\u003c\/li\u003e\n\u003cli\u003eEOC: In this mode, the signal goes to 5V at the end of the oscillator cycle. Since the oscillator cycle is usually continuous, it is always 5 V, but in percussion mode, it changes from 0 V to 5 V at the moment the percussion sound ends, so the timing of the percussion sound and other sounds is related. Help.\u003c\/li\u003e\n\u003cli\u003e+ o2: This mode is the oscillator 2 version of + o1.\u003c\/li\u003e\n\u003cli\u003e-o2: In this mode, the value of 5V is output from the Pulse output when the signal of Oscillator 2 is less than 0V, otherwise it is 0V.\u003c\/li\u003e\n\u003cli\u003eOR: In this mode, 5V is output when the voltage of either oscillator 1 or 2 is greater than 0V, and 0V otherwise.\u003c\/li\u003e\n\u003cli\u003eAND: In this mode, 5V is output when the voltage of both oscillators 1 and 2 is greater than 0V, and 0V otherwise.\u003c\/li\u003e\n\u003cli\u003eXOR: In this mode, the Pulse output outputs 0V when the output of oscillators 1 and 2 are both less than 0 or both are greater than 0, and outputs 5V when the output voltages of oscillators 1 and 2 have different signs. .\u003c\/li\u003e\n\u003cli\u003egLcH: In this mode, 5V \/ 0V switching that reflects the sign of the output mode combination mode gLcH signal is performed. This can be selected even when gLcH is not selected for the combination mode. It's also handy for making noisy, glitchy triggers.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eMOD A \/ MORPH Button: Mod A Destinations\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eThe MOD A input is converted to a 98KHz digital signal and used for modulation. The MOD A input is AC coupled and does not respond to slowly changing CV (DC signal). Press the MOD A \/ MORPH button and use the rotary encoder to specify where to modulate the MOD A signal. The modulation destination options are as follows. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePhase2-Modulates the phase of oscillator 2.\u003c\/li\u003e\n\u003cli\u003eCombo 2-In this mode, the signal of MOD A will take the place of oscillator 2 in the combination processing. Select this mode if you want to perform modulation (such as ring modulation) that is performed in combination processing, and select the combination processing option with the COMBO button.\u003c\/li\u003e\n\u003cli\u003eShape 2-This mode modulates the oscillator 2 wavetable with the MOD A signal. Since the progress of the phase is also controlled by the MOD A signal, the PITCH 2 and RATIO signals are no longer effective, the pitch is controlled by the MOD A signal, and when the sawtooth wave is applied to MOD A, the original waveform will be reproduced. By adding a waveform other than a sawtooth wave, it can be used like wave shaping or distortion.\u003c\/li\u003e\n\u003cli\u003eVoc MOD-In this mode, the MOD A signal\u003cem\u003e64-band vocoder\u003c\/em\u003eUsed as a modulation signal for The output signal of the combination processing is used as the vocoder carrier signal. Vocoder processing allows you to map the spectrum of the modulation source (MOD A input signal) to the carrier signal, creating vocoder-specific robotic vocal sounds and singing chords. The vocoder is effective when the carrier signal has many overtones like a sawtooth wave or a pulse wave.\u003c\/li\u003e\n\u003cli\u003ePhase1-Modulates the phase of oscillator 1.\u003c\/li\u003e\n\u003cli\u003eCombo 1-In this mode, the MOD A signal takes the place of oscillator 1 in the combination processing. Select this mode if you want to perform modulation (such as ring modulation) that is performed in combination processing, and select the combination processing option with the COMBO button.\u003c\/li\u003e\n\u003cli\u003eShape 1-Oscillator 1 version of Shape 2. When oscillator 1 is in chord mode, modulation is applied only to the root note.\u003c\/li\u003e\n\u003cli\u003eVoc CARR-MOD A signal is used as a vocoder carrier.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eCHORD TYPE \/ MULTI \/ LOAD Button: Chord Mode\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eWhen Chord mode is activated by pressing the Chord mode button, Oscillator 1 becomes eight separate oscillators, and all oscillators can output the same waveform at different frequencies. This allows you to play chords and untune the unison.\u003cbr\u003e \u003cbr\u003e  The amount of detune can be set by pressing the DETUNE \/ DECAY button and turning the rotary encoder. When the detune amount is the same value, the detune may be smaller at high frequencies in terms of hearing. The detune amount can also be modulated from the MOD B input. Press the DETUNE \/ DECAY button twice to set. Also, tuning the code\u003cem\u003eSelectable between just intonation and equal temperament\u003c\/em\u003eis. Press Chord Type \/ Multi \/ Load button in chord mode and set using the rotary encoder.\u003cbr\u003e \u003cbr\u003e  When code mode is activated, the top line of the LCD display will show the currently selected code type. The chord type can be set by turning the encoder. 64 code types are selectable. The table below shows the pitch of the oscillator when displaying each chord type in semitone units. 0 corresponds to the scale of the root.\u003cbr\u003e \u003cbr\u003e  CH: uniso 0 0 0 0 0 0 0 0 (unison)\u003cbr\u003e  CH: m2nd 0 0 0 0 1 1 1 1 (minor 2nd interval)\u003cbr\u003e  CH: M2nd 0 0 0 0 2 2 2 2 (major 2nd interval)\u003cbr\u003e  CH: m3rd 0 0 0 0 3 3 3 3 (minor 3rd interval)\u003cbr\u003e  CH: M3rd 0 0 0 0 4 4 4 4 (major 3rd interval)\u003cbr\u003e  CH: 4th 0 0 0 0 5 5 5 5 (4th interval)\u003cbr\u003e  CH: trito 0 0 0 0 6 6 6 6 (tritone interval)\u003cbr\u003e  CH: 5th 0 0 0 0 7 7 7 7 (5th interval)\u003cbr\u003e  CH: aug5 0 0 0 0 8 8 8 8 (augmented 5th interval)\u003cbr\u003e  CH: 6th 0 0 0 0 9 9 9 9 (6th interval)\u003cbr\u003e  CH: m7th 0 0 0 0 10 10 10 10 (minor 7th interval)\u003cbr\u003e  CH: M7th 0 0 0 0 11 11 11 11 (major 7th interval)\u003cbr\u003e  CH: octav 0 0 0 0 12 12 12 12 (octave interval)\u003cbr\u003e  CH: suboc 0 0 0 0 -12 -12 12 12 (suboctave + octave)\u003cbr\u003e  CH: 2oct 0 12 24 0 12 24 12 24 (octave + 2octave)\u003cbr\u003e  CH: min 0 3 7 0 3 7 0 3 (minor triad)\u003cbr\u003e  CH: minI1 12 3 7 12 3 7 12 3 (minor triad 1st inversion)\u003cbr\u003e  CH: minI2 12 15 7 12 15 7 12 15 (minor triad 2nd inversion)\u003cbr\u003e  CH: maj 0 4 7 0 4 7 0 4 (major triad)\u003cbr\u003e  CH: majI1 12 4 7 12 4 7 12 4 (major triad 1st inversion)\u003cbr\u003e  CH: majI2 12 16 7 12 16 7 12 16 (major triad 2nd inversion)\u003cbr\u003e  CH: sus 0 5 7 0 5 7 5 7 (suspended triad)\u003cbr\u003e  CH: aug 0 4 8 0 4 8 0 8 (augmented triad)\u003cbr\u003e CH: dim 0 3 6 0 3 6 0 6 (diminished triad)\u003cbr\u003e CH: maj6 0 4 7 9 0 4 7 9 (major 6th)\u003cbr\u003e CH: maj7 0 4 7 11 0 4 7 11 (major 7th)\u003cbr\u003e CH:7M1st 12 4 7 11 12 4 7 11 (major 7th 1st inversion)\u003cbr\u003e CH:7M2nd 12 16 7 11 12 16 7 11 (major 7th 2nd inversion)\u003cbr\u003e CH:7M3rd 12 16 19 11 12 16 19 11 (major 7th 3rd inversion)\u003cbr\u003e CH: dom 0 4 7 10 0 4 7 10 (dominant 7th)\u003cbr\u003e CH:7D1st 12 4 7 10 12 4 7 10 (dominant 7th 1st inversion)\u003cbr\u003e CH:7D2nd 12 16 7 10 12 16 7 10 (dominant 7th 2nd inversion)\u003cbr\u003e CH:7D3rd 12 16 19 10 12 16 19 10 (dominant 7th 3rd inversion)\u003cbr\u003e CH: min7 0 3 7 10 0 3 7 10 (minor 7th)\u003cbr\u003e CH:7m1st 12 3 7 10 12 3 7 10 (minor 7th 1st inversion)\u003cbr\u003e CH:7m2nd 12 15 7 10 12 15 7 10 (minor 7th 2nd inversion)\u003cbr\u003e CH:7m3rd 12 15 19 10 12 15 19 10 (minor 7th 3rd inversion)\u003cbr\u003e CH:hdim7 0 3 6 10 0 3 6 10 (half diminished 7th)\u003cbr\u003e CH:7h1st 12 3 6 10 12 3 6 10 (half diminished 7th 1st inversion)\u003cbr\u003e CH:7h2nd 12 15 6 10 12 15 6 10 (half diminished 7th 2nd inversion)\u003cbr\u003e CH:7h3rd 12 15 18 10 12 15 18 10 (half diminished 7th 3rd inversion)\u003cbr\u003e CH: dim7 0 3 6 9 0 3 6 9 (diminished 7th)\u003cbr\u003e CH:7d1st 12 3 6 9 12 3 6 9 (diminished 7th 1st inversion)\u003cbr\u003e CH:7d2nd 12 15 6 9 12 15 6 9 (diminished 7th 2nd inversion)\u003cbr\u003e CH:7d3rd 12 15 18 9 12 15 18 9 (diminished 7th 3rd inversion)\u003cbr\u003e CH: 7sus 0 5 7 10 0 5 7 10 (suspended 7th)\u003cbr\u003e CH:7s1st 12 5 7 10 12 5 7 10 (suspended 7th 1st inversion)\u003cbr\u003e CH:7s2nd 12 17 7 10 12 17 7 10 (suspended 7th 2nd inversion)\u003cbr\u003e CH:7s3rd 12 17 19 10 12 17 19 10 (suspended 7th 3rd inversion)\u003cbr\u003e CH:D9th 0 4 7 10 14 14 7 10 (dominant 9th)\u003cbr\u003e CH:9D2nd 12 16 7 10 14 14 7 10 (dominant 9th 2nd inversion)\u003cbr\u003e CH:Dm9th 0 4 7 10 13 13 7 10 (dominant minor 9th)\u003cbr\u003e CH:Dm9-2 12 16 7 10 13 13 7 10 (dominant minor 9th 2nd inversion)\u003cbr\u003e CH: maj9 0 4 7 11 14 14 7 11 (major 9th)\u003cbr\u003e CH:9M2nd 12 16 7 11 14 14 7 11 (major 9th 2nd inversion)\u003cbr\u003e CH: min9 0 3 7 10 14 14 7 10 (minor 9th)\u003cbr\u003e CH:9m2nd 12 15 7 10 14 14 7 10 (minor 9th 2nd inversion)\u003cbr\u003e CH: M6\/9 0 4 7 9 14 4 7 9 (major 6\/9)\u003cbr\u003e CH: m6\/9 0 4 7 9 14 4 7 9 (minor 6\/9)\u003cbr\u003e CH: 9b5 0 4 6 10 14 14 6 10 (9th flat 5th)\u003cbr\u003e CH: 9#5 0 4 8 10 14 14 8 10 (9th sharp 5th)\u003cbr\u003e CH:D11th 0 0 7 10 14 18 7 18 (dominant 11th)\u003cbr\u003e CH:m11th 0 3 7 10 14 17 14 17 (minor 11th)\u003cbr\u003e CH: wide 0 12 14 17 7 24 -12 7 (octave, 9th, 11th, fifth, 2octave, suboctave, fifth)\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eCHORD TYPE\/MULTI\/LOAD Button: Multi Setting\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eMULTI設定によって、ウェーブテーブルの読み込み方が変わります。MULTIモードではウェーブルテーブル上で並んでいる512のサンプル波形を複数個繋げて、より複雑な波形を作り出すことができます。モードは1波形(デフォルトの512サンプル)オペレーション、2波形を繋げて計1024サンプルでウェーブテーブルオペレーションをする2波形オペレーション、同様に4波形オペレーション(2048サンプル)、8波形オペレーション(4096サンプル)から選択可能です。\u003cbr\u003e \u003cbr\u003e MULTI設定ごとのサンプル波形。もともとの512サンプルのうち、左側縦に表示されている8つを繋げてサンプルを作る場合です。\u003cbr\u003e \u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/hoh10qhwzv2qon5\/multi.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/hoh10qhwzv2qon5\/multi.png?raw=1\" width=\"700px\"\u003e\u003c\/a\u003e\u003cbr\u003e \u003cbr\u003e オシレーター1\/2のマルチ設定はCHORD TYPE\/MULTI\/LOADボタンを押してロータリーエンコーダーを回すことで個別に設定できます。\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eTILT\/DRIVE Button: Tilt Function\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eTilt機能は、オシレーター1の位相をオシレーター1自身でモジュレーションすることです。これによって 波形を傾けるようなフィードバック効果が生まれますが、効果が強いと歪んだりカオス的な音になったりもします。Tiltの度合いはTiltボタンを押してからエンコーダーとMOD Bノブで決定します。\u003cbr\u003e \u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/s9bg6io9v722g34\/tilt.jpg?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/s9bg6io9v722g34\/tilt.jpg?raw=1\" width=\"700px\"\u003e\u003c\/a\u003e\u003cbr\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eTILT\/DRIVE Button: Drive Function\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eDrive機能はコードモードの時にのみアクティブです。ゲインを1-3の間で設定でき、その後に大きい音をクリッピングさせるプロセスを通します。コードモードの時は波形の重なり方によってボリュームが下がることがあるので、このDrive機能で調整します。ゲインを大きくすると音にサチュレーションの温かみも加わります。調整やモジュレーションの設定はコードモードでTilt\/Driveボタンを押し、エンコーダーとMOD Bノブで決定します。\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eDELAY Button: Delay Function\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eコンビネーション処理されたシグナルはシンプルなコムレゾネーター\/ディレイに通されます。短いディレイタイムでは発振するレゾネーター、長いディレイタイムではエコーとして働きます。 DELAYパラメーターはディレイのフィードバック量を設定し、ウェット\/ドライも同時にコントロールします。DELAYパラメーターが最大のときエコーはフリーズ状態になるので、\u003cem\u003eオーバーダブやループエフェクト\u003c\/em\u003eのようにも使えます。調整やモジュレーションの設定はDELAYボタンを押し、エンコーダーとMOD Bノブで決定します。\u003cbr\u003e \u003cbr\u003e ディレイタイムはDELAYノブではなく、\u003cem\u003eオシレーター2の周期\u003c\/em\u003eになります。QUANTボタンを押しオシレーター2をオシレーター1と周波数比を保った状態でエコーをすればピッチのシンクロしたレゾネーターにもなり、またエコータイムのシンクにもオシレーター2のシンクが利用できます。\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003ePERC MODE Button: Percussion Mode\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eパーカッションモードはPERC. MODE ボタンを押して切り替えます。 パーカッションモードのとき、コンビネーション処理を通過したシグナルはスナッピーな指数型エンベロープつきのVCAを通過します。トリガーはSYNCインプットにパルスシグナルを入力することで行います。アタックタイムは1ms以下と非常に早く、ディケイはDECAY TIMEパラメーターで設定した値で減衰していきます。パーカッションモード時DETUNE\/DECAYボタンを押すとディケイタイムを調整できます。MOD Bによるコントロールの設定をするにはもう1度DETUNE\/DECAYボタンを押してください。\u003cbr\u003e \u003cbr\u003e PERC.MODEボタンが2回押されると\u003cem\u003eゲートモード\u003c\/em\u003eThen, in this mode, when the gate signal entered in the SYNC input is ON, the sound is kept up to the maximum, and when the gate is turned off, the dikei begins.\u003cbr\u003e \u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/rpfpngybr5mho6q\/perc.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/rpfpngybr5mho6q\/perc.png?raw=1\" width=\"700px\"\u003e \u003c\/a\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003eWave Folder\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eSHAPESHIFTER has a completely analogous wave folder built into it.This wave folder\u003ca href=\"\/en\/products\/10256\" target=\"main\"\u003euFold II\u003c\/a\u003eis based on the wave folder circuit.An output of one jack is routed internally when none of the input jack into the wave folder has been stabbed.This mechanism also allows you to use the wave folder only for processes that are external to the sound.\u003cbr\u003e \u003cbr\u003e The function of the wave folder is to wrap the input waveform and to increase the double.The amount of wrapping is determined by the FOLD knob and FOLD CV.When the amount of FOLD is small, it acts like a simple amp, but increases the FOLD, and wrapping occurs when the signal level is over there.\u003cbr\u003e \u003cbr\u003e The appearance of the waveform when the Fold control was raised. \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/jsfrwpv3bnm23m9\/folder.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/jsfrwpv3bnm23m9\/folder.png?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/vd3yv1ewm1luemj\/folder2.jpg?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/vd3yv1ewm1luemj\/folder2.jpg?raw=1\" width=\"500px\"\u003e\u003c\/a\u003e\u003cbr\u003e  \u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title-ac\" style=\"text-align: left;\"\u003ePRESET MODE Encoder: Preset Mode\u003c\/h4\u003e\n\u003cdiv class=\"ac-content\"\u003eThe Shapeshifter has 64 memory slots that store the parameter setting (preset).64 presets are available to be saved by the user, but only 12 preset slots are powered on off and not fading.It is good for 52 temporary memory to be used for preset sketches and preset steps.\u003cbr\u003e \u003cbr\u003e Users have access to the preset mode to perform preset memory operations with the left encoder push.Indicates that the LEDs on the rotary encoder are in preset mode when the LEDs are red and glowing.When you push the encoder again, you are returned to normal mode.\u003cbr\u003e \u003cbr\u003e and when you enter the preset mode, the buttons on the left side of the coder change the role, and the preset\u003cem\u003eSAVE, STEP, MORPH, LOAD\u003c\/em\u003eand function as a means of setting up the function.\u003cbr\u003e \u003cbr\u003e First, when you enter the preset mode, the LCD display shows the currently selected preset.If this is 1 through 12, it will be a preset that is still saved with the power off.The preset that you select can be changed by turning the encoder around (you can save or load it with the Save button or the Load button).\u003cbr\u003e   \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eSAVE:\u003c\/h5\u003e When you are in preset mode, the current parameter settings can be saved in the preset memory lease you are selecting.To do this, first cause the current preset number to be displayed on the LCD display (when in STEP\/MORPH mode, press the WAVE BANK button or the CHORDE TYPE button).Then click the encoder to select the memory that you want to save, and then press the save button.So, \"Save\" on the LCD display? NO \"causes the display to be\" YES \"to the right of the encoder and\" YES \" to save the encoder, and save it.If you don't want to save, press the encoder again.-\u003cbr\u003e   \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eLOAD:\u003c\/h5\u003e Pressing the LOAD button while the LCD display shows the preset number loads the settings for the currently selected preset.Right after the preset was loaded, the control state of the knob\u003cem\u003eSoft Pickup\u003c\/em\u003eIt is in the state and does not change until the knob passes through the value of the preset's settings.Designed in this way, there is a merit that when a preset is loaded, the exact same state will be loaded, regardless of the position of the knob, regardless of the knob position (the pitch knob is a soft pickup response). Then, when you leave the preset mode, the soft pickup state will be removed, and all parameters will reflect the current knob position (hard pick up). \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMORPH:\u003c\/h5\u003e In the Shapeshifter, you can progressively gradually shift between the current panel settings and the settings of the preset currently selected.To do this, press the MOD A\/MORPH button in preset mode.In the LCD display, \"Morph NN\" (NN is the preset number currently selected) and \"PnL - \u0026gt; Pst\" (or \"Pnl \u0026lt; -PsT\").the characters are displayed. The preset currently being selected can be modified by turning the rotary encoder.The actual sound will be blended and printed with the current panel setting and the preset setting.The blend balance is controlled by the MOD B controller on the right side of the display and the MOD B input.When MOD B is left-to-left, the panel setting only sounds like a p-reset setting at the right, and the right is the only sound.\u003cbr\u003e \u003cbr\u003e There are two exceptions to this blend.The tone of the panel setting is always printed in INT.Sync mode and Perc mode, and the preset tone is not effective. \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eSTEP:\u003c\/h5\u003e Shapeshifter also has a STEP mode in which the presets are progresses at the time the SYNC input is triggered on the trigger.To do this, press the SYNC\/PULSE\/STEP button in Preset mode.A step can be stepping within the range of the first and last presets specified by the user.There are seven different settings for step progress in step mode. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eFwd: NN\u003cbr\u003e If you press the SYNC\/PULSE\/STEP button again, the step is actually progressing.After each trigger on a SYNC input, move on to the next highest number preset.The LCD display shows the display of \"Fwd *NN\", and * indicates that the stapping is currently in progress.To stop stapping, press the SYNC\/PULSE\/STEP button again.\u003c\/li\u003e\n\u003cli\u003eRev: NN\u003cbr\u003e The same is the same as Fwd except that the preset number steps in the direction in which it is reduced.\u003c\/li\u003e\n\u003cli\u003eFw\/Rv: NN\u003cbr\u003e In this mode, the preset number is on the Rev after the preset number has been increased by Fwd, and the preset number desps to repeat the preset number and then repeat it.\u003c\/li\u003e\n\u003cli\u003eRand: Randomly staping the NN preset.\u003c\/li\u003e\n\u003cli\u003eMOD B: NN\u003cbr\u003e In this mode, the presets chosen by the trigger are specified in the MOD B knob and MOD B controls.It is useful for fine-grained sequences of presets, for example.\u003c\/li\u003e\n\u003cli\u003eBegin: NN\u003cbr\u003e When selected, when the SYNC\/PULSE\/STEP button is pressed, the LCD display is switched to \"Begin?\" NN \",You can then turn the encoder to specify the first preset number of the stepping, and then press the SYNC\/PULSE\/STEP button again when the desired number is desired.\u003c\/li\u003e\n\u003cli\u003eEnd: NN\u003cbr\u003e You can specify a preset number at the end of a step in a manner similar to the Begin setting.\u003c\/li\u003e\n\u003cli\u003eDiv: N\u003cbr\u003e Specifies the number of pulses (1 to 8) that repeat the same preset in the same manner as the Begin setting.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cbr\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612417515589,"sku":"INTDESCYLSHAP0152","price":95900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Shapeshifter.jpg?v=1536166427"},{"product_id":"10215","title":"Intellijel Designs Dixie II","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDixie II is a module that packs the basic functions of an analog oscillator into a compact 6HP body.\u003cbr\u003e \u003cbr\u003e  Like many Intellijel analog oscillators, it uses a `` triangle core '' signal generation method, which is said to be suitable for musical FM, with a beautiful sine wave,\u003cem\u003eFM modulator\u003c\/em\u003eIt is also highly useful. Also\u003cem\u003eZigZag\u003c\/em\u003eThis unique waveform output is more useful as a bonus.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e  It is the first Dixie, but the sound is the same.\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/pt6xf6ZNOpo\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e  This is Dixie\u003ca href=\"\/en\/shopdetail\/000000000016\"\u003eRubicon\u003c\/a\u003eFM modulation. Rubicon's Thru Zero FM sound is very deep.\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/qmMu4hRbQbA\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612421972037,"sku":"INTDESDIXII0154","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/dixie2.jpg?v=1536166431"},{"product_id":"10216","title":"Intellijel Designs Dixie II+","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eDixie II+ is a different version of Dixie II that has been added a little larger and more functional. The sound is the same, but instead of the coarse knob of the pitch being abolished, the octave switch is attached, and pw control knobs and FM attenuators have been added. It's easier to use as an oscillator than the original Dixie II, which was perfect for FM modulators. Sync options have also been added. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e8-position octave switch\u003c\/li\u003e\n\u003cli\u003eThe fine tuning knob is a coarse speed knob in LFO mode.\u003c\/li\u003e\n\u003cli\u003eThere are two FM inputs other than 1V\/Oct, FM1 can switch between exponential and linear characteristics with attenuator\u003c\/li\u003e\n\u003cli\u003ePulse width can be controlled by CV with knob and attenuator\u003c\/li\u003e\n\u003cli\u003eHard sink input to reset to 0V\u003c\/li\u003e\n\u003cli\u003eFlip Sync is a sink that reverses the waveform and is a sink similar to DixieII\u003c\/li\u003e\n\u003cli\u003e6 outputs of sign, triangle, unique zigzag wave, saw, pulse, suboctave\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eInterface\u003c\/h4\u003e\n\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e  \u003c\/div\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612422889541,"sku":"INTDESDIXII+0155","price":42900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/dixie2plus.jpg?v=1536166434"},{"product_id":"10230","title":"Intellijel Designs Noise Random Tools 1U","description":"\u003cb\u003eIntellijel's 1U module is not compatible with the 1U \"TILE\" format smade by Synthrotek or Pulp Logic. Install it in intellijel 4U, 7U case, etc. For Intellijel 1U size specifications, see\u003ca href=\"https:\/\/intellijel.com\/technical-specifications\/\" target=\"main\"\u003eHere\u003c\/a\u003efor more information.\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \u003cem class=\"inExp\"\u003eThis is the next reservation page for arrival. Put the item in your cart and complete your reservation through the normal purchase process. The payment deadline is five days after receiving this item. It is scheduled to be in stock at the end of August. This page is for pre-orders. Payment is due 5 in due days from the arrival day. ETA: Late Aug \u003c\/em\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eA toolbox module with noise sample and hold-through limiter functions at 1U. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eA clock that can adjust the speed and a random pulse output linked to it\u003c\/li\u003e\n\u003cli\u003eAnalog Pink Noise White Noise Output\u003c\/li\u003e\n\u003cli\u003eAnalog Samples \u0026amp; Hold\u003c\/li\u003e\n\u003cli\u003eAnalog Through Limiter\u003c\/li\u003e\n\u003c\/ul\u003e  \u003c\/div\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612447825989,"sku":"INTDESNOIRAND0170","price":18900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Noise_20Tools_201U.jpg?v=1536166460"},{"product_id":"10236","title":"Intellijel Designs Plonk","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e Plonk is aimed for the sound generation that is パーカッシブ which even a pace signal of 1V\/Oct can control in the voice module which modeled the pronunciation mechanism of the straight musical instrument. It was developed by collaboration with Applied Acoustic Systems which released physical modeling-based plug in including Chromaphone quickly.\u003cbr\u003e \u003cbr\u003e Model in a process beating quality to lead to the pronunciation with the physical modeling synthesizers such as Plonk\u003cem class=\"inExp\"\u003eExciter\u003c\/em\u003e) and model of the process that an object vibrates afterwards and becomes the pedal point, and damps\u003cem class=\"inExp\"\u003eレゾネーター\u003c\/em\u003eI put two of) together and set a tone.\u003cbr\u003e The exciter has mallet and two kinds of types called the noise. レゾネーター has the types such as a beam, a marimba, a drumhead, a film, a board, the string. Each model of exciter and レゾネーター has a lot of parameters that I can coordinate and can non-create various percussions sounds to the existing real sound from the existing real sound. For example, it is a kick, タム, cymbals, crap, traditional straight drum sounds such as the conga, a vibraphone, a marimba, the sound with the intervals such as guitars and the electronic percussion sound which is different from it at all.\u003cbr\u003e \u003cbr\u003e Because a tone makes a dynamic sound to change with time, Plonk reacts to modulation input including the velocity dynamically. It is easy to make a totally different tone whenever triggered. Plonk\u003cem class=\"inExp\"\u003eデュオフォニック\u003c\/em\u003eBecause I can let you pronounce it until the sound of で two at the same time, even in the case of the tone that the second sound is totally different from the first sound, an original tone continues changing into the first sound regardless of the second sound.\u003cbr\u003e \u003cbr\u003e Plonk of 128 can memorize pre-seting it, and there is many it, pre-seting it is included at the time of the shipment (can overwrite in a user). A computer can store a patch by MIDI SysEx through the back Universal Serial Bus port.\u003cem class=\"inExp\"\u003eI can control pre-seting it in CV\u003c\/em\u003eです. In addition, the orchid lump is of the parameter by the trigger, the morphing by CV are possible, too. The X,Y,Mod control can assign almost all synthesizer cis parameters. \u003ch4 class=\"clockface-description-title\"\u003eInterface\u003c\/h4\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eThe explanation of all parts is displayed in mouse over\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eParameters\u003c\/h3\u003e Every exciter and レゾネーター have a setting parameter in Plonk. Exciter button, the parameter of レゾネーター choose Object button with push, an encoder, and, please set the parameter of the exciter.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eParameter of the exciter\u003c\/h4\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eMallet\/Noise Mix: \u003c\/b\u003eI control mallet in an exciter and the ratio of noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMallet Stiffness: \u003c\/b\u003eI control hardness of the mallet. It becomes the sound that is クリッキー so as to be obstinate\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise Density: \u003c\/b\u003eI control the pitch of the sound of the noise\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise Lowpass\/Highpass Cuttoff\/Q: \u003c\/b\u003eI control a cut-off and the resonance of a low pass and the high-pass filter that a noise requires\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eNoise Attack\/Decay\/Envelope Type: \u003c\/b\u003eI regulate an attack and the D Kay of the envelope of the noise to use as an exciter, a type. The type is available from AR and AHR type.\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eParameter of レゾネーター (Object)\u003c\/h4\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Type: \u003c\/b\u003e I set a type of レゾネーター. I choose it among String, Beam, Marimba, Drumhead, Membrane, Plate.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Decay: \u003c\/b\u003e I set D Kay time of レゾネーター\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Low Cut: \u003c\/b\u003eI set frequency to perform low-frequency cut of レゾネーター\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Position: \u003c\/b\u003eI set it which part of レゾネーター an exciter beats. Constitution of the frequency of レゾネーター in this way changes. The setting that an edge criticizes towards 0, the middle becomes 127\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Tone: \u003c\/b\u003eEvery frequency of レゾネーター changes D Kay of (パーシャル). This supports that material of レゾネーター changes\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Inharmonicity:\u003c\/b\u003e I change frequency included in レゾネーター. Frequency nears a fundamental tone if small, and each several ken of cycles open if a value is big.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Pitch Envelope Amount: \u003c\/b\u003eI can regulate the strength of the envelope which I can hang in the pitch of レゾネーター with -64 (-1 octave) - 63 (octave)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eResonator Pitch Envelope Time: \u003c\/b\u003eI adjust the time of the envelope which I can hang in the pitch of レゾネーター\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePolyphony: \u003c\/b\u003eI am set like モノフォニックシンセ, and 1 sound eyes do not sound when they set it to 1 when 2 sound eyes are triggered when 1 sound eyes sound. I can let it becomes デュオフォニック and pronounce it until two sounds at the same time when I set it to 2. Even in the case of the tone that is totally different from the first sound in the second sound, as for the first sound, an original tone continues changing regardless of the second sound.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eList of special parameters that I can assign by Mod input\u003c\/h4\u003e By the Mod input, I can assign the following parameters other than a parameter of exciter and レゾネーター mentioned above, too. \u003cp\u003e \u003c\/p\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eIt is King super: \u003c\/b\u003eWhile gate ON is input into MOD input, a sound in front does not sound while a new sound sounds when the second exciter is triggered (it becomes the banging such as モノフォニック). The choked sound is available from レゾネーター, noise exciter, both\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003ePreset Step: \u003c\/b\u003eI call was appointed by the voltage of the Mod input, pre-seting it and sound it whenever I receive trigger. In the case of setting, the range of I call, pre-seting it pushes the encoder and appoints pre-seting it in the range of A - B by appointing A and B by indication of Pst A:B. (A to pre-set at 0V, B to pre-set at +-5V, the middle voltage pre-set the meantime)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eRandomize: \u003c\/b\u003e) which is orchid lump is possibility just to push the encoder when I choose (Randomize changing exciter and all the parameters of the object at random when I receive trigger in Mod\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMorph: \u003c\/b\u003eI can change between I appointed, pre-seting it with pre-seting it at the present smoothly by MOD CV when I choose Morph among Mod. Maufe can choose former, pre-seting it by pushing the encoder when I choose Morph.\u003cbr\u003e ※The type of レゾネーター cannot change smoothly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eItem to set from Config button\u003c\/h4\u003e The items which I can set from Config menu are as follows. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eGain: \u003c\/b\u003eI coordinate the gain of an output sound\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eVel: \u003c\/b\u003eI set behavior of the velocity input.\u003cb\u003eAccent\u003c\/b\u003eSetting to attach an accent when a gate is in は Vel, and to pronounce,\u003cb\u003eDynamics\u003c\/b\u003eI control the strength of the exciter by the voltage to は Vel progressively.\u003cb\u003eVolume\u003c\/b\u003eは merely uses Vel input for volume control of the output.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eInit Preset: \u003c\/b\u003eI return a parameter of pre-seting it of the present to initial state\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSend Presets: \u003c\/b\u003eI transmit pre-seting it through USB-MIDI. I connect to the computer by USB at the same time to tie Plonk to the euro rack power supply and I stand and give the software that Laser Mammoth, SysEx, SysEx transfer such as MIDI-OX are possible. The transmission to a computer of pre-seting it is possible if I push the encoder. When I send pre-seting it to Plonk from a computer, I can send pre-seting it using the SysEx transmission from the software of the errand.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cp\u003e\u003ciframe allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"450\" src=\"https:\/\/www.youtube-nocookie.com\/embed\/videoseries?list=PLvZWo9k7KdK5lnj6prSVmU5FcxSyeiacA\" width=\"800\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eFirmware Update\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003eThe procedures of the firmware update are as follows.\u003c\/span\u003e\u003c\/p\u003e\n\u003col\u003e\n\u003cli\u003eI drop the power supply of the module\u003c\/li\u003e\n\u003cli\u003eI connect a USB cable to a computer from the module back.\u003c\/li\u003e\n\u003cli\u003eIntellijelの\u003ca href=\"https:\/\/intellijel.com\/support\/\" target=\"_blank\" rel=\"noopener noreferrer\"\u003ePage\u003c\/a\u003eI open up the updater that downloaded から, and a choice does a module and a version from a drop-down.\u003c\/li\u003e\n\u003cli\u003eI spend the power supply of the module again while pushing the button of the module back\u003c\/li\u003e\n\u003cli\u003eThe retainer of the updater has it\u003cb\u003eUpdate\u003c\/b\u003eA progress bar begins when I push the button and is the update end if a message called \"Update completed successfully\" is displayed last\u003c\/li\u003e\n\u003cli\u003eI work in new firmware if I reboot a modular\u003c\/li\u003e\n\u003c\/ol\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612460048453,"sku":"INTDESPLO0176","price":64900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Plonk.jpg?v=1536166470"},{"product_id":"intellijel-designs-rainmaker","title":"Intellijel Designs Rainmaker","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e In Rainmaker, 16 taps are rhythmical\u003cem class=\"“inExp”\"\u003eStereo D lei\u003c\/em\u003eと\u003cem class=\"“inExp”\"\u003eステレオコムレゾネーター\u003c\/em\u003eIt is an effect module of high-quality sound equipped with the section of の two. It is with an effect to repeat \"tap\" that both sections delay an input sound and output, and to make, but it is in the section that aimed at an effect to be provided by repeating a lei on a day at time having a very short it when the コムレゾネーター followed audio system rate and it mainly. It is converted into 96kHz, a digital signal of 24 bits and is handled at 32 bits inside. Having 128 storages to pre-set, it is setable in all parameters or part at random.\u003cbr\u003e \u003cbr\u003e ※With ステレオコムレゾネイター?\u003cbr\u003e To be increased according to the frequency of the input signal, and to deny the signal through the delay tap as an input signal when I add it up,\u003cem class=\"inExp\"\u003eComb-shaped filter frequency properties\u003c\/em\u003eI can get を. ステレオコムレゾネイター brings about the com filtering effect that very deep resonance worked for by repeating up to 64 such delay taps. コムレゾネイター is the same if I lengthen delay line\u003cem class=\"inExp\"\u003eEcho\u003c\/em\u003eIt becomes the effect. When delay line is short, and feedback is strong, it becomes the sound source that Karplus-Strong type synthesizer cis と is invited to.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\"\u003eInterface\u003c\/h4\u003e Rainmaker is comprised of a button, an OLED display, LED, a normal knob, a rotary encoder, an element such as Jack. Many buttons display it to a display and are used for the choice of an edited parameter. In addition, FX ON, MUTE, the button such as EDIT\/TAP# become the button to change a mode and a state of Rainmaker. Furthermore, there are a tap tempo, CLEAR, the button with a special function such as TRIGGER. There are eight big knob in total and can control an important parameter directly. A small black knob is an attenuator for the CV input to coping Jack.\u003cbr\u003e \u003cbr\u003e The setting of the parameter chooses the parameter that I want to set with a button and makes a change and decision by a turn and the push of the rotary encoder.\u003cbr\u003e \u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eThe explanation of all parts is displayed in mouse over\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eVoltage control\u003c\/h4\u003e I made the parameter of two upper sections voltage control possibility in Rainmaker. Quantity of feedback, pace shift of all taps, filtering (Tone) of the feedback course are voltage control possibility in the D lei section. The size (delay line) of the comb, quantity of feedback are voltage control possibility in コムレゾネーターセクション. Furthermore, there is the modulation input that can assign two of MOD A\/B and can assign different modulation ahead every pre-seting it. It is setable, and various uses can choose the trigger input among reverse of the lei, orchid lump is of the parameter, mute etc of the tap on freeze of the lei input, a day on trigger and a day of built-in noise Berst who is usable as signal input of レゾネーター. \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e It is a demonstration of Cylonix which is a developer of Rainmaker.\u003cbr\u003e \u003cbr\u003e \u003ciframe frameborder=\"no\" height=\"450\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/playlists\/225522335\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e It is the demonstration that I introduced the setting of the D lei section parameter of our store to.\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/GdqaB4wNiGg\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eHOW TO USE\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eThe parameter of the stereo Riz Mick D lei section and method to edit\u003c\/h4\u003e\n\u003cb\u003eParameter setting of the Riz Mick D lei\u003c\/b\u003e\u003cbr\u003e Riz Mick D can set the parameter of the lei with a module left upper blue button and a white button and a rotary encoder. The function of blue button and white button,\u003cem class=\"inExp\"\u003eMode to edit\u003c\/em\u003eか\u003cem class=\"inExp\"\u003eTap number mode\u003c\/em\u003eかで changes. I can change these two modes by pushing the left upper EDIT\/TAP# button. There are many parameters, but there is common setting with all taps that every tap can set it. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eTap number mode\u003c\/b\u003eThen I choose the tap parameter that I want to edit among the white TAP EDIT button group and choose a tap to edit with a blue button and set the parameter every tap individually by turning a rotary encoder.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eMode to edit\u003c\/b\u003eThen I can edit all taps common parameter. I choose the parameter that I want to edit with a blue button distributed every section including \"CLOCK\" and \"FEEDBACK\" and I turn a rotary encoder and set it.\u003cbr\u003e In addition, it is this mode,\u003cem class=\"inExp\"\u003eI edit the parameter every tap all at once\u003c\/em\u003eI can do it: \u003cul\u003e\n\u003cli\u003e- When I choose the parameter according to the tap which I want to set among the white TAP EDIT button group and turn it after pushing one time of rotary encoder, as for every tap, a value same with all taps can set a parameter.\u003c\/li\u003e\n\u003cli\u003e- When I choose the parameter according to the tap which I want to set among the white TAP EDIT button group and turn it after pushing two times of rotary encoders, I slope it between taps, and every tap can set a parameter at a stretch. How to put slants turns a rotary encoder, and, please choose it.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e A parameter and the setting methods of the stereo Riz Mick D lei are as follows.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eThe parameter that is setable every tap\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eThe Riz Mick D lei of 16 taps each tap\u003cem class=\"inExp\"\u003eFilter and グラニュラーピッチシフター of 2Pole\u003c\/em\u003eI have を. As well as it,\u003cem class=\"inExp\"\u003eパンニング and level, mute\u003c\/em\u003eIt is setable every tap of the も individual.\u003c\/li\u003e\n\u003cli\u003eThe filter of the tap has different resonance and cut-off frequency each other, and it is selectable, and a bypass (not filtered) can do a low-path high-pass band pass.\u003c\/li\u003e\n\u003cli\u003eグラニュラーピッチシフト is setable from 15 semitone tops to 16 semitone bottoms.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e \u003cb\u003eThe parameter that is common with all taps: D lei time \u0026amp; groove\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eThe tap has lei time toward different D each,\u003cem class=\"inExp\"\u003eD lei time when tap 1 is the shortest, tap 16 are lei time most on a long day\u003c\/em\u003eになります.\u003c\/li\u003e\n\u003cli\u003eThe D lei time for individual taps is 16 patterns to pre-set not setting it individually\u003cem class=\"inExp\"\u003eGroove\u003c\/em\u003eと is selectable from called). For example, as for two times tap 1, tap 3, it is with triple ... at D lei time of tap 2 if Groove is \"Straight\". The groove of the lei is got on the day when I did swing because the D lei time for tap of the even number joint is late than a case of Straight when Groove becomes \"Swing\". The list of grooves\u003ca href=\"https:\/\/intellijel.com\/wp-content\/uploads\/2016\/05\/rainmaker_manual_0.99.pdf\" target=\"main\"\u003eManual\u003c\/a\u003ePlease refer to を\u003c\/li\u003e\n\u003cli\u003eThe overall D lei time base, \u003cul\u003e\n\u003cli\u003e　　Blue button encoder of the CLOCK section\u003c\/li\u003e\n\u003cli\u003e　　Tap tempo\u003c\/li\u003e\n\u003cli\u003e　　Outside clock\u003c\/li\u003e\n\u003c\/ul\u003e のどれかで setting is possible. Again\u003cem class=\"inExp\"\u003eGRID\u003c\/em\u003eThe parameter changes the lei time to the overall D, too\u003c\/li\u003e\n\u003cli\u003eAs for the overall D lei time, modulation is possible in LFO which can choose eight wave patterns. I set the modulation with a button and the encoder of the TIMEMOD section.\u003c\/li\u003e\n\u003cli\u003eThe range of the D lei time\u003cem class=\"inExp\"\u003eIt is 20 seconds from 0.1 milliseconds\u003c\/em\u003eです.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e \u003cb\u003eThe parameter that is common with all taps: Feedback\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eI can return a signal after the filtering that put 16 taps together whether the feedback of the D lei throws one one of 16 taps (before filtering) up. I set it with the blue \"TAP#\" button of the FEEDBACK section. In addition, with the \"SLIP\" button of the section that how is, I can put off time for feedback.\u003c\/li\u003e\n\u003cli\u003eIt is equipped with a filter (low-path or high-pass) of グラニュラーピッチシフター and 1Pole independent on the feedback course of the D lei. The pace shift sets it with the blue PITCH button of the FEEDBACK section. The filter of the feedback sets it with a blue big knob of \"FEEDBACK TONE\".\u003c\/li\u003e\n\u003cli\u003eI can control the quantity of feedback with exclusive \"DELAY FEEDBACK\" knob. The voltage control is possible, too.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr\u003e \u003cb\u003eOther parameters and setting that are common with all taps\u003c\/b\u003e\n\u003cul\u003e\n\u003cli\u003eThe setting of グラニュラーピッチシフト used for the pace shift every tap\u003cem class=\"inExp\"\u003eGRAIN section\u003c\/em\u003eで is possible. I can choose it among one or two, four grains, and the grain size is adjustable, too.\u003c\/li\u003e\n\u003cli\u003eThe audio system which was input into a D lei\u003cem class=\"inExp\"\u003eFreeze\u003c\/em\u003eIt prevents doing it and from being updated it and can do reverse. I push three times of ROUTING CONFIG buttons of the top right corner, and the freeze is possible by making the control object of the Trigger button signal freeze.\u003c\/li\u003e\n\u003cli\u003e\n\u003cem class=\"inExp\"\u003e\"RAND\"\u003c\/em\u003eWith the button that の is blue, the orchid lump is of various parameters is possible. I choose an orchid lump is point parameter with an encoder after pushing the RAND and come in orchid lump is by pushing it\u003c\/li\u003e\n\u003cli\u003eI can put plural taps in the same D lei time\u003cem class=\"inExp\"\u003e(PILE)\u003c\/em\u003e. The delay time of one pile is the delay time (longest delay time) of the tap with the highest number among the taps included in the pile. If you set different pitches for taps in the pile, it will move with one delay time\u003cem\u003ecode\u003c\/em\u003eYou can also make. Complex filtering delays are also possible.\u003c\/li\u003e\n\u003cli\u003eThe blue PITCH SHIFT knob allows you to pitch shift all taps simultaneously (+\/- 1 octave).\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch4 class=\"clockface-description-title\"\u003eFeatures of the stereo resonant comb filter section\u003c\/h4\u003e\n\u003cul\u003e\n\u003cli\u003eUp to 64 taps can be used to create complex resonances\u003c\/li\u003e\n\u003cli\u003eVarious frequency shaping possible with three different feedback structures\u003c\/li\u003e\n\u003cli\u003eWhen the delay time is short and the feedback is strong\u003cem class=\"inExp\"\u003eKarplus-Strong type synthesis\u003c\/em\u003eAnd triggers the built-in noise burst\u003cem class=\"inExp\"\u003eString-like sound\u003c\/em\u003eCan be issued. Create physically modeled guitar, sitar and clarinet sounds\u003c\/li\u003e\n\u003cli\u003eThe relationship between the delay times of the 64 taps can be specified by 16 preset patterns, which determine the tone of the resonator and the rhythm of the echo when used as an echo.\u003c\/li\u003e\n\u003cli\u003eThe longest tap is fed back to the input.\u003c\/li\u003e\n\u003cli\u003eThe overall delay time (corresponding to the size of the comb) is set with the rotary encoder, external clock, and 1V \/ Oct voltage control. there is no).\u003c\/li\u003e\n\u003cli\u003eOverall delay time can be modulated by an LFO with eight selectable waveforms\u003c\/li\u003e\n\u003cli\u003eTime can be set from 0.1 ms to 20 seconds\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch4 class=\"clockface-description-title\"\u003eCom resonator setting\u003c\/h4\u003e  The parameters of the Com Resonator can be set by selecting with the black button and turning the rotary encoder.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\"\u003eUtility settings\u003c\/h4\u003e  The four buttons in the upper right corner allow you to set various settings, set the meter display, and save and load settings to presets. The setting items for the \"ROUTING CONFIG\" button vary depending on the number of times the button is pressed. In addition to the delay and comb resonator routing settings, trigger event settings and stereo settings can also be made.\u003cbr\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612477382725,"sku":"INTDESRAI0186","price":118900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Rainmaker.jpg?v=1536166486"},{"product_id":"intellijel-designs-rubicon-2","title":"Intellijel Designs Rubicon 2","description":"\u003cdiv class=\"interface-description\"\u003e\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eRubicon2 is a flexible, multi-capable, Intellijel flagship analog orb-and-analog.It has the following characteristics:2. Various functions such as lock switch, wave control, octave switch, etc., which can set the center of Thru Zero FM to 0Hz without changing the pitch, and various functions such as \"Warp\" control, \"octave\" switches, etc. were added, and the range of the range of the sound was further widened.are characterized by the following:\u003cbr\u003e   \u003cul class=\"inExp\"\u003e\n\u003cli\u003eNine wavy output jacks\u003c\/li\u003e\n\u003cli\u003eAccurate tracking, Octabunove, LFO\/VCO switching switch\u003c\/li\u003e\n\u003cli\u003etwo kinds of sub-orcators --\u003c\/li\u003e\n\u003cli\u003eSign wave output is selected from three types of waveforms, including non-sign waves\u003c\/li\u003e\n\u003cli\u003ea pulse-wave circuit that produces new valuations\u003c\/li\u003e\n\u003cli\u003eExponential FM\/LinyFM\u003c\/li\u003e\n\u003cli\u003eThe linear FM will be Thru Zero FM.The LOCK switch is not affected by the SYMMETRY knob, and is capable of TZFM at the center of the center 0Hz without changing the tuning.\u003c\/li\u003e\n\u003cli\u003eTwo types of sinks are available: hard\/soft (flip).\u003c\/li\u003e\n\u003cli\u003epulse-width modulation\u003c\/li\u003e\n\u003cli\u003eFM Index\u003c\/li\u003e\n\u003cli\u003eWarp circuits like waves folders\u003c\/li\u003e\n\u003cli\u003eFront panel trimmers can adjust the base-based frequency\u003c\/li\u003e\n\u003c\/ul\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eINTERFACE\u003c\/h3\u003e\n\u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cscript src=\"js\/jquery.min.js\"\u003e\u003c\/script\u003e\u003cscript src=\"js\/image-map-pro.min.js\"\u003e\u003c\/script\u003e\u003cscript type=\"text\/javascript\"\u003e\/\/ \u003c![CDATA[\n;(function ($, window, document, undefined) {\n            $(document).ready(function() {\n\n$('#image-map-pro-container').imageMapPro({\"id\":2646,\"editor\":{\"selected_shape\":\"rect-7680\",\"tool\":\"select\"},\"general\":{\"name\":\"Rubicon 2\",\"width\":473,\"height\":600,\"naturalWidth\":473,\"naturalHeight\":600},\"image\":{\"url\":\"https:\/\/www.dropbox.com\/s\/kn5vvndqg7vcc57\/rubicon2.jpg?dl=1\"},\"tooltips\":{\"sticky_tooltips\":1,\"fullscreen_tooltips\":\"none\"},\"layers\":{\"layers_list\":[{\"id\":0,\"title\":\"Main Floor\",\"image_url\":\"https:\/\/webcraftplugins.com\/uploads\/image-map-pro\/demo.jpg\",\"image_width\":1280,\"image_height\":776}]},\"spots\":[{\"id\":\"rect-2733\",\"title\":\"symmetry\",\"type\":\"rect\",\"x\":25.386,\"y\":29.236,\"width\":10.699,\"height\":16.378,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eFrequency Range Switch\u003c\/b\u003e\u003cbr\u003e\\n周波数レンジをVCO\/LFOで切り替えます\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-7680\",\"title\":\"octaveswitch\",\"type\":\"rect\",\"x\":2.071,\"y\":8.753,\"width\":20.182,\"height\":14.341,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eOctave Switch\u003c\/b\u003e\u003cbr\u003e\\n周波数をオクターブ単位でずらします\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-613\",\"title\":\"pulsetype\",\"type\":\"rect\",\"x\":76.351,\"y\":60.713,\"width\":20.771,\"height\":10.989,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eTri-State Pulse Type Switch\u003c\/b\u003e\u003cbr\u003e\\nRubiconには通常のパルス波出力以外にスイッチでタイプを切り替えられるパルス波出力(Tri-State Pulse)があります。その出力タイプを変更します。これらは波形のトリガーポイントがお互いに異なる為、異なる波形とのミックス、シンクなどの際に大きな違いをもたらします\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-978\",\"title\":\"pitch Copy\",\"type\":\"rect\",\"x\":77.072,\"y\":6.549,\"width\":19.69,\"height\":18.078,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eExp FM Attenuverter\u003c\/b\u003e\u003cbr\u003e\\nExp FMに対するアッテヌバータ\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-5106\",\"title\":\"index\",\"type\":\"rect\",\"x\":4.884,\"y\":29.802,\"width\":17.173,\"height\":29.138,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eLinear FM Index\u003c\/b\u003e\u003cbr\u003e\\nリニアFMモジュレーションのかかる強さをコントロールするノブと、そのCVコントロールに対するアッテネータです\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-1136\",\"title\":\"index Copy\",\"type\":\"rect\",\"x\":2.366,\"y\":61.279,\"width\":19.331,\"height\":10.706,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eSine Type Selection\u003c\/b\u003e\u003cbr\u003e\\nサイン波出力からはサイン波ではない他の波形も出力可能です。そのタイプを切り替えます\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-2744\",\"title\":\"warp\",\"type\":\"rect\",\"x\":24.308,\"y\":55.608,\"width\":50.626,\"height\":16.377,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eWarp Control\u003c\/b\u003e\u003cbr\u003e\\nWarpではTri-State PulseでXへの入力をワープした波形を生み出します。XへはSub Oscillatorが内部結線されていますが、他のどの波形出力をXへセルフパッチしても、ピッチ感を保ったまま面白いウェーブシェーピング効果が得られます。またSquishスイッチをONにすると、ある範囲から飛び出た波形の部分をフォールディングしてサウンドのキャラクターを変えます\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-8758\",\"title\":\"symmetry Copy\",\"type\":\"rect\",\"x\":37.257,\"y\":25.265,\"width\":24.368,\"height\":20.915,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003ePitch Knob\u003c\/b\u003e\u003cbr\u003e\\nピッチ調整ノブです。大きなピッチ調整はOctaveスイッチ等で可能なので、こちらはFineコントロールに相当します。またPitchノブ上部の小さいトリマーでベースとなる周波数を調整可能です\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-1692\",\"title\":\"symmetry Copy\",\"type\":\"rect\",\"x\":77.545,\"y\":28.668,\"width\":20.052,\"height\":30.84,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003ePulse Width Control\u003c\/b\u003e\u003cbr\u003e\\nパルス幅をコントロールするノブと、CV入力に対するアッテネータです\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-5325\",\"title\":\"symmetry Copy Copy\",\"type\":\"rect\",\"x\":64.595,\"y\":29.519,\"width\":10.699,\"height\":16.378,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eSync Type Selection\u003c\/b\u003e\u003cbr\u003e\\nSync入力を使ったオシレーターシンクのタイプを選択します。通常のオシレーターシンクはHARD、トリガーを受けるたびに波形を反転するソフトシンクはFLIPを選択してください\\n\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-5717\",\"title\":\"cvins\",\"type\":\"rect\",\"x\":0,\"y\":72.622,\"width\":100,\"height\":10.422,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eCV Inputs\u003c\/b\u003e\u003cbr\u003e\\n各パラメータのCV入力\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-4384\",\"title\":\"pitch Copy Copy Copy\",\"type\":\"rect\",\"x\":25.747,\"y\":3.997,\"width\":48.468,\"height\":15.243,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eSymmetry Control\u003c\/b\u003e\u003cbr\u003e\\nThru Zero FMはモジュレーションを受けた周波数がマイナスに行くようなレンジまで達すると通常のFMとの違いが出ます。SymmetryはFMの強さが0の時の周波数をコントロールするノブです(アッテネータつき)。ノブが中心にある時、FMがかかっていない状態で周波数=0になります。\\n\u003cbr\u003e\u003cbr\u003e\\nLockスイッチを上げると、今のSymmetryの状態に関係なくSymmetry=0の状態にし、しかもピッチレンジを保ったまま移行できます\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}},{\"id\":\"rect-5750\",\"title\":\"outputs Copy\",\"type\":\"rect\",\"x\":0,\"y\":83.965,\"width\":100,\"height\":10.422,\"default_style\":{\"border_radius\":10,\"background_opacity\":0.14652516071061442,\"border_width\":2,\"border_color\":\"#000000\",\"border_opacity\":0},\"mouseover_style\":{\"border_radius\":10,\"background_color\":\"#80ff00\",\"background_opacity\":0.567695330856438,\"border_width\":3,\"border_color\":\"#80ff00\",\"border_opacity\":0.9999609352054453,\"fill\":\"#000000\"},\"tooltip_style\":{\"padding\":5,\"background_opacity\":0.6540765977443609,\"position\":\"right\",\"width\":400,\"auto_width\":0},\"tooltip_content\":{\"plain_text\":\"\u003cb\u003eOutputs\u003c\/b\u003e\u003cbr\u003e\\n9種類の波形出力\",\"squares_settings\":{\"containers\":[{\"id\":\"sq-container-403761\",\"settings\":{\"elements\":[{\"settings\":{\"name\":\"Paragraph\",\"iconClass\":\"fa fa-paragraph\"}}]}}]}}}]});\n});\n        })(jQuery, window, document);\n\/\/ ]]\u003e\u003c\/script\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/videoseries?list=PLH8VHSyULOxFH4VTOZzAhvOT2rlWkmp0a\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e","brand":"Intellijel Designs","offers":[{"title":"Default Title","offer_id":13612478496837,"sku":"INTDESRUB20187","price":69900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/rubicon2.jpg?v=1536166488"},{"product_id":"industrial-music-electronics-piston-honda-mk-iii-model-1991-3","title":"Industrial Music Electronics Piston Honda Mk III (Model 1991-3)","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePiston Honda mkIII is a dual wavetable oscillator. Equipped with more modern functions while inheriting the Piston Honda sound tendency up to Mk2.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDual Wavetable Oscillator\u003c\/h4\u003e  The Piston Honda Mk3 now has two oscillators, A and B, which can be controlled independently from pitch to waveform. The waveform of the oscillator is determined by specifying the X, Y, and Z values ​​with sliders in the X \/ Y \/ Z three-dimensional wavetable (8x8x8), which is Piston Honda's trademark. You can select different waveforms for OSC A and B by using the SELECT button. It is possible to set for each axis from the menu whether smooth transitions occur when selecting a waveform with a slider or CV.\u003cbr\u003e \u003cbr\u003e  If you enable Unison mode, each oscillator will have another oscillator and Unison enabled. If you enable the link mode to link the frequencies of A and B, you get unison with 4 oscillators.\u003cbr\u003e \u003cbr\u003e  Like previous versions, Piston Honda can also act as a wave shaper that processes an external input with a wavetable rather than an oscillator. Switch the mode to processor mode with the MODE button and input the signal you want to process to the FM input. In this case, the knob with the higher frequency functions as the input gain adjustment.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eOriginal Wavetables\u003c\/h4\u003e  With Piston Honda Mk3, you can load and play your own wavetable. Open source waveform creation software developed by Synthesis Technology\u003ca href=\"http:\/\/synthtech.com\/waveedit\/\" target=\"main\"\u003eWaveedit\u003c\/a\u003eThe wavetable created by can be loaded as is. Eight 32kByte wav files in which 8x8 waveforms made from 256 16-bit samples are connected are named 1.wav, 2.wav, ... 8.wav. 1 to 8 in the wav file correspond to the Z axis. Put it in the top folder of the micro SD card, start Piston Honda Mk3 and select \"\" Load Waves from SD \"from the option menu to load the waveform.\u003ca href=\"https:\/\/ime-assets.s3.amazonaws.com\/uploads\/firmware\/firmware\/17\/phfactory.zip\" target=\"main\"\u003eHere\u003c\/a\u003eis.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003ePreset and Menu\u003c\/h4\u003e  The Piston Honda Mk3 is equipped with an OLED display, which enables various menu settings and their saving \/ recalling. The menu is divided into an oscillator option menu (A \/ B independent), a global option menu, and a preset option menu. You can access the menu settings from the shortcuts below.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eOSCILLATOR menu: \u003c\/b\u003e  (Hold encoder and push OSC A or B MODE button)\u003cbr\u003e  -Octave shift (-2 to +2)\u003cbr\u003e  -Unison (0 ~ 4, -OCT, + OCT)\u003cbr\u003e  -Presence or absence of morphing for each axis\u003cbr\u003e  -Waveform CV setting\u003cbr\u003e  -Tones (Lo-Fi settings, etc. that approach the sound quality of the previous generation Piston Honda)\u003cbr\u003e \u003cbr\u003e \u003cb\u003eOPTIONS menu:\u003c\/b\u003e(Hold encoder and push OSC Link button)\u003cbr\u003e  -Preset scope (whether to load all parameters by preset or only waveform-related parameters)\u003cbr\u003e  -Ctl (Choose preset CV and attenuator behavior: offset, attenuator, triggered random preset generator, triggered preset advance)\u003cbr\u003e  -Preset mode at startup (whether to activate with preset manager)\u003cbr\u003e  -Frequency knob function (larger knob for coarser frequency adjustment, smaller knob for finer adjustment, or vice versa)\u003cbr\u003e  -Read waveform from Micro SD card\u003cbr\u003e \u003cbr\u003e \u003cb\u003ePRESET menu: \u003c\/b\u003e(Push the PRESET button while pressing the encoder)\u003cbr\u003e  -Randomize current parameters\u003cbr\u003e  -Save current parameters to preset\u003cbr\u003e  -Save all presets\u003cbr\u003e  -Recall preset\u003cbr\u003e  -Initialize all presets\u003cbr\u003e  -Initialize current preset\u003c\/div\u003e\n\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eThe explanation of each part is displayed by mouse over\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eEXTERNAL LINKS\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay\" frameborder=\"no\" height=\"300\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/404789784\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"autoplay\" frameborder=\"no\" height=\"300\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/405275544\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"autoplay\" frameborder=\"no\" height=\"300\" scrolling=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?url=https%3A\/\/api.soundcloud.com\/tracks\/407889372\u0026amp;color=%23ff5500\u0026amp;auto_play=false\u0026amp;hide_related=false\u0026amp;show_comments=true\u0026amp;show_user=true\u0026amp;show_reposts=false\u0026amp;show_teaser=true\u0026amp;visual=true\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4yykwlfu9pA\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/Mg5iT1Uzhm8\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268155523141,"sku":"INDMUSELEPIST0218","price":86900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/piston_honda_3.jpg?v=1538629856"},{"product_id":"industrial-music-electronics-polivoks-modulator-model-r1987","title":"Industrial Music Electronics Polivoks Modulator (Model r1987)","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS and KNOBS\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"\"\u003e\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\u003c!--\n\n\u003cdiv class=\"imgnote\"\u003e画面にカーソルを合わせると各部の役割がポップアップで表示されます。\u003c\/div\u003e\n\n--\u003e  \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Polivoks Modulator is the modulation utility with the noise-LFO sample \u0026amp; hold function.Noise sources use the same Russian transistor as the original to maintain the character of Polivoks.\u003cbr\u003e \u003cbr\u003e The upper knob controls the speed of the LFO, and the corresponding LFO is printed from the bottom triangular, pulse-wave jack.Also, the trigger input of the sample \u0026amp; hold is an internal LFO pulse output when not packing, and the noise is internally wired to the signaling input.Patching has refused these internal lines, and the sample \u0026amp; hold will be available independently of the other features.\u003cbr\u003e  \u003c\/div\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268159455301,"sku":"INDMUSELEPOLI0219","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Polivoks_20Modulator.jpg?v=1538629858"},{"product_id":"industrial-music-electronics-polivoks-vcg-mk-ii-model-r1983","title":"Industrial Music Electronics Polivoks VCG mk II (Model r1983)","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS and KNOBS\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"frequency\"\u003eFrequency Control\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"frequency\"\u003e\n\u003cp\u003eOscillator frequency control. There is also a three-stage octave switch.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"expfm\"\u003eFM (Exponential) Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"expfm\"\u003e\n\u003cp\u003eExponential FM input (with Atte inverter)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"voct\"\u003e1V \/ Oct Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"voct\"\u003e\n\u003cp\u003e1V \/ Oct input\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"pulsewidth\"\u003ePulse Width Knob\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"pulsewidth\"\u003e\n\u003cp\u003ePulse width adjustment knob\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"linearfm\"\u003eFM (Linear) Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"linearfm\"\u003e\n\u003cp\u003eLinear FM input (with attenuator)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"sync\"\u003eSync Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"sync\"\u003e\n\u003cp\u003eOscillator sync input\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"pwm\"\u003ePulse Width Modulation\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"pwm\"\u003e\n\u003cp\u003eCV input for pulse width modulation (with attenuator)\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"outputs\"\u003eOutputs\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"outputs\"\u003e\n\u003cp\u003eThere are three signal outputs: sawtooth wave, triangle wave, and pulse wave.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003cdiv class=\"imgnote\"\u003eWhen you move the cursor over the screen, the role of each part is displayed in a popup.\u003c\/div\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePolivoks VCG is the official clone module of the Polivoks synthesizer oscillator. The sawtooth wave is placed on the oscillator core (Saw Core) and has a vintage sound quality and aggressive modulation characteristics, but the pitch is stable. FM input has two types, linear type and exponential type.\u003cbr\u003e  \u003c\/div\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268164599877,"sku":"INDMUSELEPOLI0222","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Polivoks_20VCG_20MkII.jpg?v=1538629864"},{"product_id":"industrial-music-electronics-sound-of-thunder-model-1973x2","title":"Industrial Music Electronics Sound of Thunder (Model 1973X2)","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS and KNOBS\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"\"\u003e\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\u003c!--\n\n\u003cdiv class=\"imgnote\"\u003e画面にカーソルを合わせると各部の役割がポップアップで表示されます。\u003c\/div\u003e\n\n--\u003e  \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Sound of Thunder、\u003ca href=\"\/en\/shopdetail\/000000000304\"\u003eTyme Sefari MkII\u003c\/a\u003eIt is a powerful 8HP expander that adds various modes of operation and stereo input and output to the AMP.\u003cbr\u003e \u003cbr\u003e All ON\/OFF and state switching of each operation mode is done by a switch or a gate signal of 5V. You can switch the following modes. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eFormat 1\/2: a combination of 2 Switch\/gate signals switches the number of bits and the algorithm for recording and playback.The correspondence between the combination and the format can be found on the panel.\u003c\/li\u003e\n\u003cli\u003ePitch: the bold pitch shift effect is toggled on and off.You can also get a glitchy effect, or combine pitch shifting and feedback to create a crisp step-by-step pitch movement.\u003c\/li\u003e\n\u003cli\u003eStereo Mode:when this is turned ON, the input \/ output of the right channel at the bottom of the Expander is enabled and Tyme Sefari becomes a stereo sampler.Audio storage time is halved when stereo.\u003c\/li\u003e\n\u003cli\u003eBend1-4:this is a switch \/ gate input to cause an error in the internal data, address information, etc., which could only be obtained with circuit bending of the old digital synth.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268165517381,"sku":"INDMUSELESOUN0223","price":22440.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/A_20Sound_20Of_20Thunder_20MKII_20.jpg?v=1538629867"},{"product_id":"industrial-music-electronics-tyme-sefari-mk-ii-model-1973","title":"Industrial Music Electronics Tyme Sefari Mk II (Model 1973)","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS and KNOBS\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"loadsave\"\u003eLoad \/ Save Button\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"loadsave\"\u003e\n\u003cp\u003ePress the Save button to temporarily stop the audio and save the contents of the memory. If the \"WRITE PROTECT\" jumper on the back of the board is ON, you will not be able to save. Press the Load button to recall the contents of the memory. Pressing the Load button while holding down the TAP TEMPO button clears the contents of the memory.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"transportswitch\"\u003eTransport Switches\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"transportswitch\"\u003e\n\u003cp\u003eTransport related switches such as playback and recording. It is \"ON\" when it is up. From the left, DIR is the playback direction, LOOP (mode for setting a loop with the lower slider) on \/ off, recording on \/ off, playback on \/ off. However, REC ON is effective only when playback is ON.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"transportjack\"\u003eTransport Jack\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"transportjack\"\u003e\n\u003cp\u003eThis input jack is used to control transport-related items such as playback and recording with the gate. The same as a switch can be done with an on \/ off gate signal.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"looppos\"\u003eLoop Position Section\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"looppos\"\u003e\n\u003cp\u003eThe upper slider sets the loop start position, and the lower slider sets the loop end position. Both have CV control with Atte inverter. When playback reaches the end of the loop, the side LED lights up and a trigger is output from the output in the \"Tap Tempo\" section.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"input\"\u003eInput\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"input\"\u003e\n\u003cp\u003eSignal input and gain.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"feedback\"\u003eFeedback\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"feedback\"\u003e\n\u003cp\u003eSet the amount of feedback that returns the output to the input again. When not patched to the jack, the current output is fed back to the input and the amount is controlled by the knob. When patched to a jack, that signal is mixed into the input. By processing the output signal with another module and then patching this input, you can process the feedback sound.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"tempo\"\u003eTempo\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"tempo\"\u003e\n\u003cp\u003eWhen the switch is turned on, the tap tempo mode is activated, the loop slider is disabled, and the playback time of the loop is determined by the tap timing. Instead of pressing the tap button, you can also determine the tap by turning on \/ off the gate signal to the input.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"output\"\u003eOutput\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"output\"\u003e\n\u003cp\u003eThere are two output jacks, the upper one outputs a Dry \/ Mix signal with a knob, and the lower one outputs a Wet signal. Either can be used for feedback.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"freq\"\u003eSampling Frequency Control\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"freq\"\u003e\n\u003cp\u003eKnob to control sampling frequency and CV control (with Atte inverter). This also changes the sampling time. The frequency is up to 16kHz, at which time you can record and play samples for up to 4 seconds.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003cdiv class=\"imgnote\"\u003eWhen you move the cursor over the screen, the role of each part is displayed in a popup.\u003c\/div\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eTyme Sefari is an audio buffer module designed for live sampling. By using various controls properly\u003cem\u003eOne-shot sampler\u003c\/em\u003eAnd\u003cem\u003edelay\u003c\/em\u003e、\u003cem\u003ePseudo time stretcher\u003c\/em\u003eCan be used for a wide range of applications Each transport such as loop and direction, recording and playback can be controlled by gate signal and switch. Sampling frequency is up to 16kHz (can be controlled by knob and CV), up to 16bit (\u003ca href=\"\/en\/shopdetail\/000000000309\" target=\"main\"\u003eSound of Thunder\u003c\/a\u003eCan be changed using). At the break in the sample\u003cem\u003eGlitch\u003c\/em\u003eSound may be generated easily, which is also one of the design characteristics of this module.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eTransport Control\u003c\/h4\u003e  Tyme Sefari allows you to perform transport-related operations for recording and playback using toggle switches and gate signals.\u003cbr\u003e \u003cbr\u003e \u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"\/en\/design\/clockface\/image\/TymeSefariTransport.png\"\u003e\u003cimg src=\"\/design\/clockface\/image\/TymeSefariTransport.png\" width=\"400px\"\u003e\u003c\/a\u003e\u003cbr\u003e  Audio buffer transport\u003cbr\u003e \u003cbr\u003e  The playback \/ recording point on the audio buffer (where audio is stored) returns to the first position when it reaches the end of the buffer, and operates in a loop. When the PLAY switch or the corresponding gate signal is ON, the contents of the memory are sent to the output, and the playback position advances. In this mode, the yellow LED is lit. When the REC switch or gate is ON, new audio data is taken from the input and written to memory. The red LED is lit when in this mode. The DIR switch and jack indicate the direction of playback and recording, and can be changed in real time.\u003cbr\u003e \u003cbr\u003e  The SAMPLING FREQUENCY knob and CV control the playback and recording speed. Recording is not performed unless PLAY is turned on. PLAY is the master control for transport operation.\u003cbr\u003e \u003cbr\u003e  When the LOOP switch or gate is ON, the range of playback and recording on the buffer is limited. Use the START and END sliders to determine the recording and playback range. When START is after END, playback and recording\u003cem\u003eReverse direction\u003c\/em\u003eIs done.\u003cem\u003eTAP TEMPO toggle switch\u003c\/em\u003eWhen ON is set, the START \/ END slider is disabled and the loop length is determined by the TAP TEMPO button and gate signal.\u003cbr\u003e \u003cbr\u003e  In any mode, when the end of the loop is reached, the orange LED beside the slider will illuminate and a trigger signal will be output from the TAP TEMPO OUTPUT jack.\u003cbr\u003e \u003cbr\u003e  The four transport controls can be controlled with a switch or gate signal, and the gate input is\u003cem\u003eAudio rate\u003c\/em\u003eBut it reacts.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003ehow to use\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eOne-shot sampler\u003c\/h5\u003e  This is a one-shot mode in which the sample is played by turning off the Play switch and applying a gate to the P gate input. When using in this way, it will automatically return to the starting point. \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003edelay\u003c\/h5\u003e  Raise \"FEEDBACK\" and turn on the LOOP, PLAY, and REC switches (or turn on the gate signal). The position of the LOOP slider determines the length of the delay. If you hear unwanted glitches with the slider settings, use TAP TEMPO for more precise control over the loop position. \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eTHRU-ZERO DRONE\u003c\/h5\u003e  Play a portion of the recording. Put the audio rate square wave into the D (ir) input. This produces a thick chorus-like drone sound. Adjust the Sampling Frequency to control the pitch of the tone. Also adjust the pitch of the square wave. \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003ePseudo time stretch\u003c\/h5\u003e  Turn on the loop and play part of the recording. Move the START slider to the left and the END slider very close so that a very short loop plays. Now enter a slowly falling LFO into the START and END CV inputs with the same amount of attenuation. Please adjust by changing the speed of LFO.\u003c\/div\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268166500421,"sku":"INDMUSELETYME0225","price":57090.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/yme_20Sefari_202.jpg?v=1538629870"},{"product_id":"industrial-music-electronics-zorlon-cannon-mkii-model-1986-2","title":"Industrial Music Electronics Zorlon Cannon MKII (Model 1986-2)","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS and KNOBS\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"extclka\"\u003eCH A External Clock Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"extclka\"\u003e\n\u003cp\u003eA external clock input. When there is an input, the internal clock is released and synchronized with the external clock.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"mixa\"\u003eCH A Mix Output\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"mixa\"\u003e\n\u003cp\u003eThis is a signal output that mixes four outputs belonging to the A clock through an Atte inverter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"atta\"\u003eCH A: Attenuverter\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"atta\"\u003e\n\u003cp\u003eEach output has an attenuator, so you can adjust the amount sent to MIX OUT. By setting to the center, the amount sent to the MIX OUT is 0V, adding clockwise and subtracting counterclockwise.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"inda\"\u003eCH A Individual Output\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"inda\"\u003e\n\u003cp\u003eIndividual output of four LFSRs driven by A clock.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"clka\"\u003eCH A Internal Clock Control\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"clka\"\u003e\n\u003cp\u003eControl of A's internal clock. Can be controlled with CV with knob and Atte inverter. The button switches the clock range, red = low \/ orange = normal \/ green = double. In double mode, it responds to both ON timing (rise) and OFF timing (fall) of the external clock.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"lengthtapled\"\u003eLENGTH \/ TAP LED\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"lengthtapled\"\u003e\n\u003cp\u003eIndicates whether the LENGTH \/ TAP encoder is set to LENGTH or TAP for the selected LFSR.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"lfsrled\"\u003eLFSR LED\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"lfsrled\"\u003e\n\u003cp\u003eDisplays the LENGTH and TAP position of the selected LFSR.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"lengthtapbutton\"\u003eLength \/ Tap Button\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"lengthtapbutton\"\u003e\n\u003cp\u003eSwitches the setting target of the selected LFSR between LENGTH \/ TAP.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"outputselect\"\u003eOutput Select\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"outputselect\"\u003e\n\u003cp\u003eTurn the encoder while pressing the Output Select button to switch the LFSR to be edited for LENGTH \/ TAP settings.\u003cbr\u003e \u003cbr\u003e  Press and hold the encoder for 2 seconds to save the current LENGTH \/ TAP settings. Press the encoder twice quickly to load the settings.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"chb\"\u003eCH B\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"chb\"\u003e\n\u003cp\u003eThe output is bipolar, but otherwise the same as CH A.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"seed\"\u003eSeed Input\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"seed\"\u003e\n\u003cp\u003eSEED input that can reset the SEED indicating the initial value of data by sending a gate. Affects all eight LFSRs.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003cdiv class=\"imgnote\"\u003eWhen you move the cursor over the screen, the role of each part is displayed in a popup.\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eZorlon Cannon is a sound generator \/ gate sequencer using eight linear feedback shift registers (linear feedback shift registers \/ LFSR). LFSR seems to be difficult to name,\u003cem\u003eLENGTH\u003c\/em\u003eWhen\u003cem\u003eTAP\u003c\/em\u003eIt is the biggest feature just to set the two\u003cem\u003ePseudo-random sequence with periodicity\u003c\/em\u003eGeneration or\u003cem\u003eDigital noise\u003c\/em\u003eIt can produce the same sound as the Atari 8 bit computer's POKEY sound chip. Sound settings are displayed in the center bar graph and are controlled by the rotary encoder. By freely manipulating the Zorlon Cannon settings, you can control the musical and mathematical characteristics of the LFSR up to 16 bits. It has the following features. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e-The clock is independent for A and B.\u003c\/li\u003e\n\u003cli\u003e-The upper row is ideal for gate sequencers, and the lower row is optimal for audio.\u003c\/li\u003e\n\u003cli\u003e・ Internal clock generator corresponding to three frequency ranges\u003c!-- と1V\/Octトラッキング --\u003e\n\u003c\/li\u003e\n\u003cli\u003e・ Clean audio and external clock input for synchronization\u003c\/li\u003e\n\u003cli\u003e・ PWM is possible in combination with an external clock (Responds to rise and fall)\u003c\/li\u003e\n\u003cli\u003e・ Possible to generate bipolar signal with mixer with 4-channel inverter\u003c\/li\u003e\n\u003cli\u003e-Each LFSR can be edited for length and tap settings, and the settings can be stored in non-volatile memory. Press and hold the encoder for 2 seconds to save the current LENGTH \/ TAP settings. Press the encoder twice quickly to load the settings.\u003c\/li\u003e\n\u003cli\u003e・ With gate input to reseed shift register in tap sequence state not longest\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e","brand":"Industrial Music Electronics","offers":[{"title":"Default Title","offer_id":15268166926405,"sku":"INDMUSELEZORL0226","price":54890.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Zorlon_20Cannon_20MKII_20.jpg?v=1538629872"},{"product_id":"klavis-technologies-twin-waves","title":"Klavis Technologies Twin Waves","description":"\u003ch3 class=\"clockface-description-title\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv\u003eKlavis Twin Waves has two independently algorithm selectable VCOs (or LFOs) on 8HP\u003cem class=\"inExp\"\u003eUltra-compact dual oscillator\u003c\/em\u003eis. In each oscillator, a variety of algorithms prepared for each VCO \/ LFO can be selected by pushing, rotating, and pushing the rotary encoder. The algorithm is also shown on the display. The rotary encoder is also used to control algorithm-specific parameters.\u003cbr\u003e \u003cbr\u003e  As a VCO, you can quickly create two unique sounds that usually take time and space, such as sync and detune sounds and selectable FM \/ AM options, from basic sine waves and pulse sounds with the smallest patch. You. In LFO\u003cem class=\"inExp\"\u003eClock synchronization\u003c\/em\u003e(Or its Div \/ Mult)\u003cem class=\"inExp\"\u003eRandom waveform\u003c\/em\u003eCan also be output.\u003cbr\u003e \u003cbr\u003e  In terms of operability, Twin Waves has been carefully designed to take advantage of the digital strength to ensure comfortable operability in the smallest space. Because OSC1 and 2 share knob and button controls, the knob position and the actual pitch value may deviate, in which case the upper right LED does not light and the knob passes the actual pitch position Until the pitch changes. When the knob reaches the actual pitch position, the LED will light up, a message will appear on the screen, and the knob will control the pitch. In LFO mode, the Fine pitch knob sets the output LFO\u003cem class=\"inExp\"\u003eAttenuator\u003c\/em\u003eIt is also useful when applying modulation from the OSC2 LFO to the OSC1 VCO.\u003cem class=\"inExp\"\u003eQuantizer\u003c\/em\u003eIs also installed. In the future, the firmware will be updated to make the oscillator even more fulfilling.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eMain features (as of firmware 1.20) \u003c\/b\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003eTwo oscillators can select VCO or LFO independently\u003c\/li\u003e\n\u003cli\u003e1V \/ Oct tracking (VCO) over 10 octaves\u003c\/li\u003e\n\u003cli\u003eSub-octave output (VCO)\u003c\/li\u003e\n\u003cli\u003eLinear FM at audio rate possible (VCO)\u003c\/li\u003e\n\u003cli\u003eHard sync (reset), soft sync (reverse) possible (VCO)\u003c\/li\u003e\n\u003cli\u003eVarious scales can be selected from the Quantizer option (refer to the manual for specific scales) (VCO)\u003c\/li\u003e\n\u003cli\u003eClock synchronization (divide and multiply possible) (LFO)\u003c\/li\u003e\n\u003cli\u003eOutput level control with Fine knob (LFO)\u003c\/li\u003e\n\u003cli\u003eDisplay function by LED dot display\u003c\/li\u003e\n\u003cli\u003eThe settings are saved automatically and will be recalled automatically at the next power-on\u003c\/li\u003e\n\u003cli\u003eFirmware can be loaded with audio\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c!--\n\u003cb\u003e オシレーターアルゴリズム\u003cbr\u003e\n\u0026nbsp; \u003c\/b\u003e \n\u003cul\u003e\n\u003cli\u003e\u003cb\u003eウェーブシェーピング\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eフェーズモジュレーション\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e位相の異なる複数の波のミックス\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eユニゾンされた5オシレーター\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e仮想オシレーターへのシンク\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003e加算合成\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eビットリダクション\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eリングモジュレーション\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cb\u003eフィルターのかかったノイズ\u003c\/b\u003e\u003c\/li\u003e\n\u003cli\u003e\u003c\/li\u003e\n\u003c\/ul\u003e\n--\u003e \u003cb\u003e \u003c\/b\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eAlgorithms\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eVCO Algorithms\u003c\/h4\u003e\n\u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/i9rewdxrkxxm82g\/VCO-Algo.png?raw=1\"\u003e\u003cimg src=\"https:\/\/www.dropbox.com\/s\/i9rewdxrkxxm82g\/VCO-Algo.png?raw=1\" width=\"500px\"\u003e \u003c\/a\u003e\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eLFO Algorithms\u003c\/h4\u003e\n\u003ca class=\"example-image-link\" data-lightbox=\"example-1\" href=\"https:\/\/www.dropbox.com\/s\/co41ef418n5an5d\/LFO-Algo.png?raw=1\"\u003e \u003cimg src=\"https:\/\/www.dropbox.com\/s\/co41ef418n5an5d\/LFO-Algo.png?raw=1\" width=\"500px\"\u003e \u003c\/a\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFirmware Update\u003c\/h3\u003e  In Twin Waves, firmware can be updated by pouring audio into the module. The current version can be confirmed by pressing the OSC2 button and the SYNC button at the same time. The latest firmware is\u003ca href=\"http:\/\/www.klavis.com\/index.php\/all-products\/twin-waves\" target=\"main\"\u003eManufacturer Page\u003c\/a\u003ePlease check below and download. The latest firmware version is 1.20 as of October 2017. The update method is as follows \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePower off Twin Waves\u003c\/li\u003e\n\u003cli\u003ePatch the output of the audio playback device and the FM \/ AM input of Twin Waves\u003c\/li\u003e\n\u003cli\u003ePrepare for audio playback. This is the file that plays the Wav file in the downloaded Zip file.\u003c\/li\u003e\n\u003cli\u003eSet the playback volume to about 2\/3\u003c\/li\u003e\n\u003cli\u003eTurn on Twin Waves while holding down the Osc2 and Sync buttons\u003c\/li\u003e\n\u003cli\u003eThe green and blue LEDs will flash and will wait for update\u003c\/li\u003e\n\u003cli\u003eStart playing audio\u003c\/li\u003e\n\u003cli\u003eWhen the update is successful, the green LED will be on, the blue LED will flash, and the dots on the display will indicate the progress of the update\u003c\/li\u003e\n\u003cli\u003eIf the update is successful, a success message will appear on the display, press the encoder to return to normal mode\u003c\/li\u003e\n\u003cli\u003eIf the sound is too low, the red LED will be on and the two blue LEDs will flash. Adjust the level, press the encoder and the green LED will flash, so please play the file again from the beginning\u003c\/li\u003e\n\u003cli\u003eIf the update failed due to too loud or other reasons, restart the above process from the beginning\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e  It is a demonstration video of our shop. Please enable captions and watch\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/dBSZMq0BYcc\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Klavis","offers":[{"title":"Default Title","offer_id":15273463513157,"sku":"KLATWIWAV0227","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Twin_20waves.jpg?v=1538637666"},{"product_id":"make-noise-dpo","title":"Make Noise DPO","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003e\u003ca href=\"http:\/\/www.makenoisemusic.com\/manuals\/dpomanual-japanese.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eThere is a\u003c\/em\u003e\u003cbr\u003e \u003cbr\u003e The DPO is a dual-full analog oscillator with a large amount of built-in synthesis functions such as FM and waveshaping.While receiving a big influence from such as Buchla259, monster oscillator that also acquired new character in such as the behavior of the core and the like crazy!\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eFM\u003c\/span\u003e\u003cbr\u003e For FM, VCO A and VCO B have FM inputs with different scales, EXP\/LIN, which can be patched here, and if not, VCO A will have FM with VCO B, VCO B will have FM with VCO B.Its strength is controlled by the White attenuator knob of each VCO, and the FM Bus Control controls the\"master\"strength of the FM, which is multiplied by the oscillators, and the CV control can also be performed.The clever FM routing, which is pre-wired in this way, allows you to make complex FM sounds instantly, and even\u003cem\u003eFollow or Lock mode\u003c\/em\u003eIt also features controls that allow you to further refine your FM sound.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eWaveshaper and Mod Bus\u003c\/span\u003e\u003cbr\u003e DPOs are VCO A and VCO B, and wave shaping, such as Shape, Angle, and Fold, is done for VCO B.Also, these shaping methods are internally wired so that mod BUS modulation is applied when not patching each CV input.Mod BUS provides modulation as a sine wave for VCO A if it is not patched to the EXT SRC input. \u003cul class=\"inExp\"\u003e\u003c\/ul\u003e  \u003c\/div\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/4Ay8rYPS-u0\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/4lsEwuYd7Z4\" width=\"560\"\u003e\u003c\/iframe\u003e \u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/7lZ2v_MHGrY\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/li\u003e\n\u003cli\u003eMore detailed explanation.It is also interesting to gate the sound by entering the trigger pulse from about 16 minutes to STRIKE input.\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"\/\/player.vimeo.com\/video\/48416218\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/vimeo.com\/48416218\"\u003eMakeNoise DPO\u003c\/a\u003e from \u003ca href=\"http:\/\/vimeo.com\/jamescigler\"\u003eJames Cigler\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":15273473998917,"sku":"MAKNOIDPO0239","price":109900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/dpo2021.png?v=1610431198"},{"product_id":"make-noise-morphagene","title":"Make Noise Morphagene","description":"*This product may have a special quality, scratches, or scars on the panels using the printed circuit board.Please accept the purchase request. \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e※\u003ca href=\"http:\/\/www.makenoisemusic.com\/content\/manuals\/morphagene-manual-jp.pdf\" target=\"main\"\u003eJapanese manuals\u003c\/a\u003eand so on.\u003cbr\u003e \u003cbr\u003e It is the evolutionary form of a microsound module that uses tape-operational techniques.Organize the tape with scissors, or recombine sound by reproducing the playback speed or direction with the Vari-Speed, or by making the sound granurer process in Gene-Size.Morph can also be a superimposed Gene.It is also possible to interact with surrounding modules using envelope-for-or EOSG-output triggers.\u003cbr\u003e   \u003cul class=\"inExp\"\u003e\n\u003cli\u003eAll parameters related to sound manufacturing are voltage controllable.\u003c\/li\u003e\n\u003cli\u003eInput\/output is a stereo, and the input will have automatic level adjustment.\u003c\/li\u003e\n\u003cli\u003eVirtual tape recordings for recording can be recorded to 2.9 minutes (firmware MG137 or higher).\u003c\/li\u003e\n\u003cli\u003eThere can be a total of 299 sprin markers for each reel.\u003c\/li\u003e\n\u003cli\u003eSD card slot for saving multiple reels\u003c\/li\u003e\n\u003cli\u003eYou can use the sound-layer sound-on sound method.\u003c\/li\u003e\n\u003cli\u003ePlayback and recording can be done independently, like separate machines.\u003c\/li\u003e\n\u003cli\u003eVari-Speed can go over three octaves or more, from a 12-half-sound increase to a 26-half-sound descent.\u003c\/li\u003e\n\u003cli\u003ea 24-bit codec, a 48kHz\/32 bit wav file.\u003c\/li\u003e\n\u003cli\u003eYou can use the SD card to backup the contents of the reel to your computer, etc.\u003c\/li\u003e\n\u003cli\u003eEmpty SD Card\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eHOW TO USE\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eInterface\u003c\/h4\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eA description of each part is displayed with a mouse over.\u003cbr\u003e\u003c\/span\u003e\n\u003c\/div\u003e\n\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eReel and Splice\u003c\/h4\u003e In Morphagene, the sample sound\u003cb\u003eLille\u003c\/b\u003eit is replayed as a sound on a virtual tape called a virtual tape. In the reel,\u003cb\u003eSplice\u003c\/b\u003eYou can create a tape-like area, and a sprise marker that separates the splice can press the Splice button during playback, enter a trigger, or create it in the software (Reaper). The end and end of a loop range or a one-shot replay is determined by the splice. \u003cb\u003eOrganize\u003c\/b\u003eControl, or\u003cb\u003eShift button\u003c\/b\u003eand trigger input allows you to move the splice.If you change your splice when you are in a loop, you can play back to the end of the splice and then move on to the newly selected splice playback.Lille has a maximum of 2.9 minutes (firmware MG137 or higher) and a number of small markers will be 299.\u003cbr\u003e \u003cbr\u003e If the microSD card is not mounted, Morphagene can create only one reel, and the recording is done on the reel.You can also load a new reel by selecting from multiple wav files by using a microSD card.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eSound recording\u003c\/h4\u003e To record the input sound to Morphagene, patch the input to Inputs Jack and press the REC button.Then press the REC button to stop recording. In this recording method, it is recorded on the selected splice and is not overwritten by other splices.The recording, such as Vari-Speed, does not affect the recording. When you're recording a sound to an existing splice,\u003cb\u003eSOS Control\u003c\/b\u003eThis allows you to record an existing audio overlay on a splice. When the SOS is left full, only new input sounds are recorded, and only the current sound is recorded on the new splice when the SOS is full. In Morphagene, it is possible to perform a collage of various images by recording these multiple recordings in such a way.\u003cbr\u003e \u003cbr\u003e Press the SPLICE button while recording on the new splice while pressing the REC button.For example, when SPLICE is turned around to the right, Organize, and so forth, you can create a new splice recording to reflect these operations, as well as recording replay splices or playing back on playback parameters.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eRecording and calling a reel on a microSD card\u003c\/h4\u003e In Morphagene, the wav file in the Fat32 format of a microSD card can be called as a reel.Prepare the audio that you want Morphagene to use as a 32-bit, 48kHz stereowav file, and place it in the root (top) folder of the root (top) folder of mg1.wav, mg2.wav, mg3.wav, ... mg9.wav, mga.wav, mgb.wav, ... mgw.wav. (up to 32 rhees).\u003cbr\u003e Insert and mount the microSD card.If the Shift button is not illuminated, the microSD card is not mounted, and then press the Shift button to mount it.Then press the SPLICE button, and then press the REC button.\u003cb\u003ereel mode\u003c\/b\u003ein the following order:In the reel mode, you can use the Organize knob to select the wav file that is provided in the microSD card as a reel.The window changes color for each wav file that you select, and it will be white last, but you can load this spacetime reel and record it in a new reel.Ensure that CV controls such as REC, Splice, Shift, Organize do not work during the reel mode. Press the SPLICE button again and press the REC button to get out of the reel mode.\u003cbr\u003e \u003cbr\u003e The newly loaded reels and the editing of the splice are reflected in the file in the microSD card.\u003cb\u003eIt is rewritten.\u003c\/b\u003eIf you do not want to make changes to the file itself, disconnect the microSD card (in a less busy condition) immediately after the new reel is called.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eProcessing the sample with each control\u003c\/h4\u003e In addition to cutting the reel with Splice, Morphagene has a number of controls for modulation of reels and playback.Nearly all parameters can be used to control the control of a CV or gate, other than a knob or button, and use them to make a wide range of synthesized sound with sound snippets (microsound).\u003cbr\u003e \u003cbr\u003e \u003cb\u003eVari Speed\u003c\/b\u003eis the replay speed control of the virtual tape.The faster you turn to the right, the higher the speed, the higher the sound.When the knob is on the left side, the replay goes backwards, and the more you turn on the left, the more you hear.When the surrounding LEDs are turned green, they become the original speed of the sample and become the original pitch.When on an octave, it becomes pink at the bottom of the Baby-Blue and 1-octave.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eGene Size\u003c\/b\u003eis the length of the audio that will be replayed on the reel.On the left, all the audio on the current splice is replayed, and if you turn to the right, you get more and more slender (Gene).Because the Gene-Size is controlled by the time unit rather than the number of samples, the playback time of one Gene does not change even if the Vari-Speed is changed.\u003cbr\u003e \u003cbr\u003e When you fine-tune the sample with the Gene Size control, a control is provided to specify the sample\u003cb\u003eSlide\u003c\/b\u003efor theOn the left, the first Gene will be played on the current splice, and the other Gene will be played back to the right.The Slide control on Gene differs from the Organize control of Spreis, and the Slide changes its reproduction position immediately, whereas Organize means that Organize will change the playback splice when it reaches the end of the Sprice playback.\u003cbr\u003e \u003cbr\u003e The modulation of the Slide is very effective in changing the new sound.The modulation of continuous voltages, such as LFO, changes the replay position continuously, and the replayed position changes in the modulation of the sequence, such as the sequencer, in the discontinuity of the replay position.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eMorph\u003c\/b\u003edetermines the timing or overlap of the Gene's pronunciation.In the left-most position, a Gene is pronounced with a small interval of time.In a roughly 8:30 position, Gene is replayed with no overlap or spacing, and more than one Gene overlaps gradually over it, and the degree of overlap is raised as it goes to the right.If you turn right, you can create a pitch effect and stereo effect, so you can create more complex textures.\u003cbr\u003e \u003cbr\u003e \u003cbr\u003e \u003cb\u003eCLOCK\u003c\/b\u003eInput can help you to control some parameters.When the Morph is left by 12 and the size of the Gene is smaller than the whole splice, it proceeds with a Gene that replays every time the clock is received.It is also effective to modulate the Vari-Speed or Gene Size when working with Gene one-by-one.The timing of the recording also is to be quarted in the timing of the clock.\u003cbr\u003e \u003cbr\u003e \u003cb\u003eCV Out\u003c\/b\u003eoutputs the size of the audio output from Morphagene with a CV (envelope follower). It can also be used to modulat morphagene's own parameters, such as Slide. As you turn up morph, the volume changes smoothly, so the CV Out changes calmly.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eVari-Speed Activity Window and Time Stretch\u003c\/h4\u003e The color of the LED window around the Vari-Speed knob indicates the status of the Vari-Speed and Morph controls. When the Vari-Speed knob is on the right side of 12 o'clock (reversed on the left side), the right hand side of the window shows the relationship between the playback pitch and the original pitch, and when it turns green, it becomes the original speed of the sample and becomes the original pitch. Baby-Blue, when on one octave, will be pink when under 1 octave.\u003cbr\u003e \u003cbr\u003e In a window opposite to the window that represents the Vari-Speed state, indicates the state of the Morph control. When the clock does not have input patched, morph shows the overlap of the Gene, and the overlap of The Gene increases by one, and it becomes red to orange at morph position.\u003cbr\u003e \u003cbr\u003e When clock is patched, the clock role changes at morph position. For a while from morph left full, the window is displayed in a red system, and the clock is used as a normal Gene shift. If you turn it any further,\u003cb\u003eTime Stretch\u003c\/b\u003emode, and the window is blue. Turn the Gene-Size knob to the right, enter the clock, and change vari-speed to change the pitch without changing the speed of playback. Speed is controlled by the clock.\u003cbr\u003e \u003cbr\u003e \u003cimg src=\"https:\/\/www.dropbox.com\/s\/2d04unoawhtr0d2\/morph-colorscheme.jpg?raw=1\" width=\"600px\"\u003e\u003cbr\u003e The appearance of the overlap by the Morph knob and the color of the corresponding activity window. If the left is not patched to Clock, and the right is patched to Clock. In this case, turning morph to some extent and the clock is used for time stretching, not gene shift.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eVarious button operations\u003c\/h4\u003e A list of button actions, including splice and audio deletion. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eREC button press: Record to current splice\u003c\/li\u003e\n\u003cli\u003eREC button press-push SPLICE button: create a new splice and record there\u003c\/li\u003e\n\u003cli\u003eREC button press and hold shift: Automatic adjustment of input level\u003c\/li\u003e\n\u003cli\u003eSPLICE button press: Hit the splice marker at the current playback point\u003c\/li\u003e\n\u003cli\u003eSPLICE button press and hold REC button: Enter\/exit reel mode\u003c\/li\u003e\n\u003cli\u003ePress shift button: Mount the SD card, move the splice one step further\u003c\/li\u003e\n\u003cli\u003eShift+REC button press: Remove the selected reel during reel mode. Erase the splice currently playing in normal mode (removes not only the splice marker, but also the audio in the current splice and combines the back and forth)\u003c\/li\u003e\n\u003cli\u003eShift+REC press and hold: Erase all splices (remove splice itself, not just splice markers)\u003c\/li\u003e\n\u003cli\u003eShift+Splice press: Remove splice markers for the splice during playback and combine splices\u003c\/li\u003e\n\u003cli\u003eShift+Splice long press: Remove all splice markers in reels and return them to one splice as a whole\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFIRMWARE UPDATE\u003c\/h3\u003e Update the firmware in the following ways: \u003cul class=\"inExp\"\u003e\n\u003cli\u003eDownload the firmware file to the playback device and prepare for playback. Turn off morphagene.\u003c\/li\u003e\n\u003cli\u003eDo not produce non-firmware sound (notification sound, etc.) from the playback device.\u003c\/li\u003e\n\u003cli\u003eUnplug the microSD card from Morphagene\u003c\/li\u003e\n\u003cli\u003eSet the volume of the playback device to about 80% and patch the device's output to Morphagene's Left Input. If you want to monitor the playback sound, listen to left output.\u003c\/li\u003e\n\u003cli\u003ePress and hold the REC button on Morphagene to turn it on.\u003c\/li\u003e\n\u003cli\u003eWhen powered on, make sure that only the SPLICE activity window is green and release the REC button.\u003c\/li\u003e\n\u003cli\u003eStart playing the firmware file\u003c\/li\u003e\n\u003cli\u003eMorphagene's activity window flashes in a pattern to indicate that data is received. If you are monitoring, you will hear the pitch rising.\u003c\/li\u003e\n\u003cli\u003eWhen the update is over, all morphagene lights and the sound stops.\u003c\/li\u003e\n\u003cli\u003eTurn off morphagene and now press down on the SPLICE button to turn it on. Make sure that only the SPLICE window is started glowing and release the SPLICE button.\u003c\/li\u003e\n\u003cli\u003eTurn the Vari-Speed control knob from left to right, across the entire range. Then press the SPLICE button again, turn it off, and then turn it back on.\u003c\/li\u003e\n\u003cli\u003eMorphagene firmware has been updated to the latest mg137 if the Reel and Splice activity windows are green and fuchsia (pink) color, respectively, at startup\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cdiv class=\"video\"\u003e\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"360\" src=\"https:\/\/www.youtube.com\/embed\/EGkYX0A6Odo?list=PL0jGFC0FWQshZZPZdTUcOJgcrgY4h0jsr\" width=\"100%\"\u003e\u003c\/iframe\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":15273486516293,"sku":"MAKNOIMOR2623","price":97900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/mpg12-1050x1328.jpg?v=1538637701"},{"product_id":"make-noise-sto","title":"Make Noise STO","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e※\u003ca href=\"http:\/\/www.makenoisemusic.com\/content\/manuals\/sto-manual-japanese.pdf\" target=\"main\"\u003eJapanese manual\u003c\/a\u003eThere is.\u003cbr\u003e \u003cbr\u003e  STO is a compact analog oscillator that can generate various sounds using wave shaping and FM.\u003cbr\u003e \u003cbr\u003e  You can't output for sawtooth wave or pulse wave only, but you can create rich sound by controlling shape control with knob and CV, and also using FM etc. The shape gradually changes from a sine wave to a musical sound containing harmonics, but the harmonic content does not expand so that the fundamental frequency becomes less noticeable. In addition, STO has the following unique features, and offers many options for moving the sound.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eExpo input\u003c\/span\u003e\u003cbr\u003e  The Expo input is the second 1V \/ Oct input. If you add another pitch CV here, two pitch CVs will be added so you can shift the pitch. Also, when the oscillator is synced using the SYNC input, the CV to the EXPO input can be shaken to produce a strong tone change without changing the pitch.\u003cbr\u003e \u003cbr\u003e \u003cspan class=\"little-title\"\u003eS-Gate\u003c\/span\u003e\u003cbr\u003e  The moment the S-Gate emits the sub oscillator sound, the waveform is reset. In this way, if the output of another oscillator is input to the S-Gate, only the sub oscillator can be synchronized with the oscillator.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/aRgUbqLI8K8\" width=\"560\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/eJXT807AXWw\" width=\"560\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/3y6iBooCnXE\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e  The frequency of STO is lowered and used like an LFO. L-FO output from sub oscillator that can be turned ON \/ OFF by S-Gate\u003ca href=\"\/en\/shopdetail\/000000000096\"\u003e  DPO \u003c\/a\u003eIt seems that the sound is input to the Exponential FM Input of, and the sound is granular.\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/4b15AuJL61I\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":15273505226821,"sku":"MAKNOISTO0257","price":36900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/sto2021.png?v=1610431379"},{"product_id":"make-noise-telharmonic","title":"Make Noise tELHARMONIC","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e* Japanese manual\u003ca href=\"http:\/\/www.makenoisemusic.com\/content\/manuals\/telharmonicmanual-japanese.pdf\" target=\"main\"\u003eHere\u003c\/a\u003eis.\u003cbr\u003e \u003cbr\u003e  tELHARMONIC is a synthesizer module with multiple voices and multiple algorithms. In the modular world, there are still three techniques for creating tones electronically: Telharmonium-style synthesis, developed in 1897, slightly unusual noise synthesis, and phase modulation synthesis.\u003cbr\u003e \u003cbr\u003e  TELHARMONIC dates back to pre-electronic music in order to take a new approach to dealing with music-theoretic parameters in modern modular synths.\u003cem\u003eTONIC, INTERVAL, DEGREE and D-GATE\u003c\/em\u003eThis allows you to program complex chord progressions, scales, melodies and even play styles by patching. This voltage-controlled music theory allows algorithms to be controlled in a unified way,\u003cem\u003eCENTROID, FLUX and H-LOCK\u003c\/em\u003eBy creating unique timbres for each algorithm, you can create complex timbres around integrated melody structures and patterns.\u003cbr\u003e \u003cbr\u003e  tELHARMONIC has the following features. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eHarmonic output using additive synthesis synthesis of 3 voices inspired by Tadius Cahill's \"Telharmonium\" created in 1897\u003c\/li\u003e\n\u003cli\u003eNoise output inspired by James Tenney's \"Analog # 1 (Noise Study)\" in 1961, the early days of computer music\u003c\/li\u003e\n\u003cli\u003ePhase modulation output for synthesizing sounds with phase modulation installed in digital synths of the 80's\u003c\/li\u003e\n\u003cli\u003e-Each algorithm works uniquely by CENTROID, FLUX and H-LOCK.\u003c\/li\u003e\n\u003cli\u003e-6 octave 1V \/ Oct pitch control\u003c\/li\u003e\n\u003cli\u003e-4 octave quantized pitch control\u003c\/li\u003e\n\u003cli\u003e-Control parameters related to music theory with voltage\u003c\/li\u003e\n\u003cli\u003e-DEGREE modulation can be synchronized to D-Gate input clock or gate.\u003c\/li\u003e\n\u003cli\u003e-Gate Out allows tELHARMONIC to interact with the rest of the system.\u003c\/li\u003e\n\u003cli\u003e-Uses high-spec 24bit, 48kHz DSP hardware and processes with 32bit floating point arithmetic.\u003c\/li\u003e\n\u003cli\u003eIt goes well with Optomix.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eExplanation of each part is displayed by mouse over\u003c\/span\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/fpxkmjikan8\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/TnqqafJMXBU\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/KzthFJC_GAk\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/2g3cmL4stB8\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/_wR81W0uaME\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/C80FdMtP-Vc\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":15273508077637,"sku":"MAKNOITEL0259","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/th2021.png?v=1610431433"},{"product_id":"make-noise-wogglebug","title":"Make Noise Wogglebug","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e※\u003ca href=\"http:\/\/www.makenoisemusic.com\/manuals\/WogglebugManual-japanese.pdf\" target=\"main\"\u003eJapanese Manual (pdf)\u003c\/a\u003eIt is.\u003cbr\u003e \u003cbr\u003e Wogglebug is a random voltage generator licensed from a West Coast-style synthesizer called Wiard and with its own extension of Make Noise. It is a module that is extended under the influence of Buchla 265 \"Source of Uncertainty\", which issues smooth, irregular signals and random, crisp, step-like random signals.\u003cbr\u003e \u003cbr\u003e The entire panel configuration is divided into three sections and is an AUDIO\/CV\/CLOCK section from the top. The core of Wogglebug is the CV section. Cv section of\u003cem\u003e\"ID\" signal\u003c\/em\u003eis a random noise source. On the opposite side of this signal,\u003cem\u003e\"EGO\" signal (external input signal)\u003c\/em\u003ebased on signals mixed with these two signals with ego\/ID balance knobs, and sample and hold clock signals generated from the CLK section, or output the sound of vco controlled by those signals from the AUDIO section.\u003cbr\u003e \u003cbr\u003e Wogglebug. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eOne voltage-controllable clock (clk section)\u003c\/li\u003e\n\u003cli\u003e1 sample and hold (output from CV section, STEPPED OUT)\u003c\/li\u003e\n\u003cli\u003eTwo lag processors (CV section, smooth\/WOGGLE CV)\u003c\/li\u003e\n\u003cli\u003eRandom Gate Burst Generator with random gate signals (clk section, Burst output)\u003c\/li\u003e\n\u003cli\u003eDigital ring modulator with 2 VCO (SMOOTH VCO, WOGGLE VCO) (AUDIO section, Ring-Mod output)\u003c\/li\u003e\n\u003c\/ul\u003e is built-in, and most of them are CV controlled by patching. In addition, each section does not move independently of each other, but by intertwining the movements of each other complexly, it is possible to retrieve multiple random voltages related musically at the same time. For example, moving the Ego\/Id balance control affects all step CVs, smooth CVs, Woggle CVs, SMOOTH VCO, ring modulation VCO ((Ring-Mod VCO), and Woggle VCO.\u003c\/div\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cT756yS5seE\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/XzZOJPlc654\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e\n\n\n","brand":"Make Noise","offers":[{"title":"Default Title","offer_id":15273508929605,"sku":"MAKNOIWOG0261","price":43900.0,"currency_code":"JPY","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Wogglebug_202014.jpg?v=1538637724"},{"product_id":"malekko-heavy-industry-noise","title":"Malekko Heavy Industry Noise","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003e\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e3HP compact noise source module. Analog noise is 3 outputs of white, pink and vlf (very low frequency), and digital noise can be controlled by knob and CV.\u003cbr\u003e  \u003c\/div\u003e","brand":"Malekko Heavy Industry","offers":[{"title":"Default Title","offer_id":15492752638021,"sku":"MALHEAINDNOIS0269","price":18400.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/noise_web.jpg?v=1539148375"},{"product_id":"malekko-heavy-industry-richter-anti-oscillator","title":"Malekko Heavy Industry Richter Anti-Oscillator","description":"\u003cdiv class=\"interface-description\"\u003e\n\n\u003cdiv class=\"clockface-description-contents\" id=\"joystick\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eAnti-Oscillator is a triangle-core analog oscillator with unique wave shaping capabilities. Like standard analog oscillators, it has an index and linear FM input with an attenuator, and there is also an LFO and oscillator frequency range switch.\u003cbr\u003e \u003cbr\u003e Anti-Oscillator is unique to the \"Mayhem\" output and the Init Wave control that controls its waveform. The Mayhem output produces square waves when the Init Wave is turned to the left, but turning the Init Wave knob changes the waveform, producing special shaping from fat PWM tones to organic, metallic tones. Every waveform has a rich overtone, and the reaction with the filter is vivid.\u003cbr\u003e \u003cbr\u003e The Init Wave CV input (the \"Ext\" jack in the lower right) is routed internally when the Tri output signal is not patched, so when you raise the Wave Env knob, the Init Wave is modulated at the audio rate.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"375\" mozallowfullscreen=\"\" src=\"\/\/player.vimeo.com\/video\/8318253\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/vimeo.com\/8318253\"\u003eWiard\/Malekko Anti-Oscillator demo\u003c\/a\u003e From \u003ca href=\"http:\/\/vimeo.com\/user262182\"\u003ePeter Speer\u003c\/a\u003e on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e\n\u003c\/div\u003e","brand":"Malekko Heavy Industry","offers":[{"title":"Default Title","offer_id":15492754178117,"sku":"MALHEAINDRICH0273","price":40900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Richter_20Anti-Oscillator.jpg?v=1539148383"},{"product_id":"malekko-heavy-industry-richter-noise-ring","title":"Malekko heavy industry Richter noise ring","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJACKS \u0026 Knobs\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"joystick\"\u003e\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"joystick\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMusic features\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\u003cem\u003eComment schedule\u003c\/em\u003e\u003cbr\u003e  \u003c\/div\u003e","brand":"Malekko Heavy Industry","offers":[{"title":"Default Title","offer_id":15492754735173,"sku":"MALHEAINDRICH0275","price":40900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Richter_20NoiseRing.jpg?v=1539148385"},{"product_id":"malekko-heavy-industry-richter-oscillator","title":"Malekko Heavy Industry Richter Oscillator","description":"\u003cdiv class=\"interface-description\"\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJacks \u0026amp; Knobs\u003c\/h4\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"joystick\"\u003e\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"joystick\"\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c!-- interface-description --\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eThe Richter Oscillator is an oscillator module with several gimmicks in a high-quality analog oscillator\/LFO. Standard frequency control sit with exponential FM(attenuator) control, and in addition to the standard waveforms such as Sine\/Triangle\/Square\/Saw, the triangular\/square\/saw waveform s\u003cem\u003eModulation phase\u003c\/em\u003eyou can take out the waveform. The phase is controlled by the Phase control knob and the CV with the attenuator on it. It is also useful when used as an LFO.\u003cbr\u003e \u003cbr\u003e Malekko recommended patching examples include patching other oscillatorfrequencies by modulating the frequency of other oscillators with Richter Oscillator, and patching the output of the modulated oscillator in the Phase Mod CV input of The Oscillator Oscillator.\u003cbr\u003e \u003cbr\u003e Also\u003cem\u003eSign wave is very pure\u003c\/em\u003eThe thing is also a characteristic of this oscillator.\u003cbr\u003e \u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eDEMO\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eBasic waveform demo\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/bebICcBv3QQ\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e FM Demo\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/M6UchsYvOIU\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ca href=\"\/en\/shopdetail\/000000000212\"\u003eAnti-Oscillator\u003c\/a\u003eOscillator Phase modulation in (audio rate modulation)\u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/bFYOsLVbCf8\" width=\"560\"\u003e\u003c\/iframe\u003e\n\u003c\/div\u003e","brand":"Malekko Heavy Industry","offers":[{"title":"Default Title","offer_id":15492756766789,"sku":"MALHEAINDRICH0276","price":40900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Richter_20Oscillator_20II.jpg?v=1539148387"},{"product_id":"mannequins-just-friends","title":"Mannequins Just Friends","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eJust Friends is a polyphonic slope generator that can generate six voltage flows at the same time. The output slope can be used as an envelope, LFO, or oscillator by switching the range of time and voltage that operates globally. Each output can receive triggers and gates independently, but the waveform parameters (Ramp and Curve) are common, and the speed of the slope (determined by TIME and INTONE) moves with six related to each other.\u003cbr\u003e \u003cbr\u003e The Sound\/Shape switch changes the time and voltage range that operates. In Sound mode, the voltage is -5V to 5V at 1 second to 24kHz when cv is used, and the voltage is 0 to 8V at 4 seconds to 160Hz for CV use in Shape mode.\u003cbr\u003e \u003cbr\u003e Another switch is the Transient\/Sustain\/Cycle switch that switches the mode of the waveform trigger. For each mode, you might want to use the following: \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cstrong\u003ePolyphonic envelope (in Shape+Transient or Shape+Sustain mode): \u003c\/strong\u003e Transient mode launches the corresponding envelope once with a separate trigger input for each slope. All triggers received during envelope startup are ignored and not retriggered regardless of attack or decay. In Sustain mode, the envelope is sustained at a height of 100% while the input gate is ON, and then off before it is released.\u003cbr\u003e \u003cbr\u003e The trigger input is internally connected to the left-hand input, making it easy to launch multiple envelopes at the same time. It is easy to use for polyphonic patches because the speed of the 6 output can be controlled in common. It can also be used for spectral processors with gain CVs for each band.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003e6 Output LFO (in Shape+Cycle mode): \u003c\/strong\u003e In Cycle mode, the attack→decay envelope is repeatedly an LFO, and the start of the LFO is reset by individual trigger inputs. Smoothly and boldly change the relevance between channels, from fading to clock divide\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eHarmonic oscillator that outputs up to 6th overtone (in Sound+Cycle mode):\u003c\/strong\u003eWhen in Cycle mode and in Sound mode, the waveform is repeated at the audio rate, so it becomes an oscillator. When the Intone is turned to the right full, six outputs become the first, second, and third times, respectively. When Intone is in the middle, all six become the same frequency, and it becomes a detuned unison by turning it a little left and right. Each trigger input is a cycle reset, so it becomes a hard sink input (glitch)\u003c\/li\u003e\n\u003c\/ul\u003e In addition to switching modes, unique features such as Intone, non-triggered nature, internal termination of trigger input, and Intone FM allow for very flexible control in each mode, expanding the possibilities for patching.\u003cbr\u003e \u003cbr\u003e And\u003cem class=\"inExp\"\u003eRun input\u003c\/em\u003epatches add powerful features that vary from mode to mode, and go ahead with the following: Controls parameters specific to additional features on the CV to Run. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eShape\/Transient (Shift: No Retriggertime Control)\u003c\/b\u003e - During envelope rise, the time zone that is not retriggered is only a certain amount of time from the start of the envelope, and Run controls the point at the end of the envelope. (If run is not patched, it will not be retriggered until the end of the envelope, and will support Run=5V.)\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eShape\/Sustain (Strata: Sustain level control)\u003c\/b\u003e Patching Run to make the envelope aDSR type and run controls the sustain level\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eShape\/Cycle (Volley: Control burst count)\u003c\/b\u003e Patching Run causes each output to become a burst generator, and each output cycles as many times as set by Run each time it is triggered.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSound\/Transient (Spill: 2N or more retriggerable time controls) \u003c\/b\u003eEach time the Identity ends the cycle, it triggers another slope. Controls the non-triggerable time zone as well as the Shift control.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSound\/Sustain (Plume: LPG Response Control) \u003c\/b\u003eEach time a trigger is received, each output outputs the oscillator sound at Cycle and the gated sound with a simulated LPG. The characteristics of the sound decay and envelope reaction depend on the run\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSound\/Cycle (Floom: FM modulator pitch control)\u003c\/b\u003e The oscillator for each channel will be able to receive FM from a virtual secondary oscillator (modulator) provided separately. The FM attenuator becomes an index control. Run controls the frequency of the virtual oscillator in the range of 1\/2 to 2 times the carrier oscillator (oscillator for each channel)\u003c\/li\u003e\n\u003c\/ul\u003e  \u003c\/div\u003e\n\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/8vPWmYLE9f8\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Mannequins","offers":[{"title":"Default Title","offer_id":15492765483077,"sku":"MANJUSFRI0285","price":85900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/JUST_20FRIENDS.jpg?v=1539148402"},{"product_id":"mannequins-mangrove","title":"Mannequins Mangrove","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003eMangrove is an analog oscillator that can create a wide range of tones with unique controls. Controls such as \"Formant\", \"Barrel\", and \"Air\" work as a variety of wave shapers in combination. There is also a linear FM input with index control, and when combined with another oscillator, it will also function as a unique analog complex oscillator.\u003cbr\u003e \u003cbr\u003e In addition, Mangrove uses the nature of Formant to enable more specific synthesis. In the \"Utone\" state with barrel in the left position, the formant position causes the subharmonic to be output. In addition, the \"Cosntant Formant\" mode with the switch down does not work with the waveform reset by pitch control and the waveform cycle by Formant, creating a mysterious effect. In these situations, it can behave a little bit, which can help to create a very diverse tone.\u003cbr\u003e  \u003c\/div\u003e\n\u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eMouse over to see a description of each part\u003c\/span\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/My1kADR4BeA\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Mannequins","offers":[{"title":"Default Title","offer_id":15492765614149,"sku":"MANMAN0286","price":39900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/MANGROVE.jpg?v=1539148404"},{"product_id":"mannequins-w","title":"Mannequins W \/","description":"\u003c!-- \u003cdiv class=\"interface-description\"\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"st\"\u003eMomentary Switch\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"st\"\u003e\n\u003cp\u003e上または下にスイッチすることで、Cueポイントの追加や再生Cueポイントの変更、テープの早送りや巻き戻しなどに使用するモメンタリースイッチです。\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"loop_bt\"\u003eLoop Button\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"loop_bt\"\u003e\n\u003cp\u003eループのオンオフや、モメンタリースイッチと組み合わせて様々な機能を発揮するボタンです\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"play_bt\"\u003ePlay Button\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"play_bt\"\u003e\n\u003cp\u003eオーディオの再生や、モメンタリースイッチと組み合わせて様々な機能を発揮するボタンです\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"rec_bt\"\u003eRecord Button\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"rec_bt\"\u003e\n\u003cp\u003e入力オーディオのオーバーダブや録音、モメンタリースイッチスイッチと組み合わせて様々な機能を発揮するボタンです\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"this_jack\"\u003eThis Jack\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"this_jack\"\u003e\n\u003cp\u003eモードによって異なる働きをするゲート・トリガー・CV入力です。Liveモードでは録音のパンチイン・パンチアウト、Navモードでは再生Cueポイントの指定、Cueモードではワンショットの再生用ゲート・トリガー入力となります。\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"that_jack\"\u003eThat Jack\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"that_jack\"\u003e\n\u003cp\u003eモードによって異なる働きをするCV入力です。Liveモードでは録音のされ方が、上書き(-5V)〜オーバーダブ(0V)〜上書き(5V)と移り変わります(マイナス側はオーバーダブのたびにテープに似た音質の劣化も生じさせます)。Navモードではテープの速度をコントロールします。マイナスの電圧で逆再生、プラスで順再生で、テープエコーのワウのような揺らぎや、オーディオレートのパルス波でグラニュラー再生のような効果をもたらします(パルス幅が再生のスピードになります)。Cueモードではワンショットのピッチを1V\/Octでコントロール可能です。\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"in_jack\"\u003ein_jack\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"in_jack\"\u003e\n\u003cp\u003e録音用オーディオ入力\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch5 class=\"clockface-description-title\" id=\"out_jack\"\u003eout_jack\u003c\/h5\u003e\n\u003cdiv class=\"clockface-description-contents\" id=\"out_jack\"\u003e\n\u003cp\u003eオーディオ出力\u003c\/p\u003e\n\u003c\/div\u003e\n\u003ch4 class=\"clockface-description-title\"\u003eJacks \u0026amp; Knobs\u003c\/h4\u003e\n\u003c\/div\u003e\n--\u003e\n\u003c!-- interface-description --\u003e\u003c!--\n\n\u003cem class=\"inExp\"\u003eこちらは予約用ページになります。商品をカートに入れ、通常の購入手続きを行って予約を完了してください。お支払いは入荷時にお願いいたします。3月上旬入荷予定。This page is for pre-orders. Payment should be made when the item is available. ETA: Early Mar\u003c\/em\u003e\n\n--\u003e\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\n\n\u003c!--\n\u003cb\u003e※こちらのモジュールは、出荷時の状態で電源を入れると\"トレーニングモード\"で立ち上がり、英語の指示に従って基本操作を習い、いくつかの課題をクリアしたあとに通常の使用可能なモードになります。トレーニングモードなしで最初から通常モードとして使用したい場合は、オプションで\"トレーニングモードなし\"を選択してご購入ください\u003c\/b\u003e\u003cbr\u003e \u003cbr\u003e \n\n--\u003e  W \/ is a tape-like audio recorder looper sampler with 8 hours of recording time.\u003cbr\u003e \u003cbr\u003e  Recorded audio can be played back at 1x, 2x, half speed, hit cue point for cueing, and can be played back and back while changing speed continuously. Even if the power is turned off, the recorded data and the information of the last playback point are retained. It is also a one-shot sampler that can track pitch of 1V \/ Oct. Also, when combined with the recording function, you can perform multiple recording and playback like sound-on-sound, and even sound patches like a mysterious tape delay.\u003cbr\u003e   \u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eModes\u003c\/h4\u003e  W \/ has three main modes: Live mode, Nav mode, and Cue mode. There is also a Global mode for some other settings. The operation and operation method of each mode are as follows. (The module comes with a small sheet with all button and switch operations). \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eLive mode\u003c\/h5\u003e  If the Play button is pressed once and no modulation is applied, tape playback, reverse playback, and looping are performed at the same magnification. The tape speed can be double speed or half speed. You can also add Cue points, loop between Cue points, record and overdub, etc. If you are not in loop mode, the direction of tape playback will not change, so if you want to listen to what you have recorded, rewind in Nav mode before playing. If you want to play in reverse, press the Play button while pushing the momentary switch down in Nav mode.\u003cbr\u003e \u003cbr\u003e  Recording trigger punch-in and punch-out is possible by triggering this jack. Also, the CV to the That jack determines how the original sound remains during recording, and changes from overwrite (-5V) to overdub (0V) to overwrite (5V). When the voltage to That is negative, every overdub also causes a deterioration in sound quality similar to tape. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePush the momentary switch down to add a cue point to the playback point\u003c\/li\u003e\n\u003cli\u003ePushing the momentary switch up adds a cue point to the playback point and loops\u003c\/li\u003e\n\u003cli\u003ePress the Loop and Record buttons to add a cue point to the playback point and record from there\u003c\/li\u003e\n\u003cli\u003eHold down the Play button and push the momentary switch up to double the playback speed\u003c\/li\u003e\n\u003cli\u003eHold down the Play button and push the momentary switch down to halve the playback speed\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003cli\u003eSwitch the loop state by pushing the Loop button\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle recording on \/ off\u003c\/li\u003e\n\u003cli\u003eHold down the Record button and push the momentary switch down to toggle the overdub On \/ Off state\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eNav mode\u003c\/h5\u003e  Press the Play button once in Live mode, and the tape is stationary when no modulation is applied. In this mode, the tape playback speed can be continuously controlled by the voltage of the That input, and reverse playback is performed with a negative voltage. This input can select the loop point by CV at the time of loop. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePress the Play button to start playback and go to Live mode\u003c\/li\u003e\n\u003cli\u003eIf you push the Play button while pushing the momentary switch down, it will transition to Live mode while playing in reverse\u003c\/li\u003e\n\u003cli\u003ePress the Record button while holding the Loop button to switch to Cue mode\u003c\/li\u003e\n\u003cli\u003eRewind while pushing the momentary switch down (you will hear the rewind sound)\u003c\/li\u003e\n\u003cli\u003eFast-forward while you push the momentary switch up (you will hear the fast-forward sound)\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003cli\u003eSwitch the loop state by pushing the Loop button\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle recording on \/ off\u003c\/li\u003e\n\u003cli\u003eHold down the Record button and push the momentary switch down to toggle the overdub On \/ Off state\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eCue mode\u003c\/h5\u003e  In this mode, audio is played only while the Play button is pressed, and it functions as an audio audition or a one-shot sampler. At this time, This functions as a trigger gate for one-shot playback. One-shot playback is performed until the next cue with a very short trigger, and a longer gate signal is played only while the gate is ON. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePress the Loop button to return to Nav mode\u003c\/li\u003e\n\u003cli\u003eHold down Play, push the momentary switch down, release Play to transition to Live mode with audio playing\u003c\/li\u003e\n\u003cli\u003ePlay sound only while pressing Play button\u003c\/li\u003e\n\u003cli\u003ePress the Loop button to return to Nav mode\u003c\/li\u003e\n\u003cli\u003ePress the Loop and Record buttons to add a cue point at the current tape playback position\u003c\/li\u003e\n\u003cli\u003ePress the Record button to save and delete Cue points\u003c\/li\u003e\n\u003cli\u003eRewind while pushing the momentary switch down (you will hear the rewind sound)\u003c\/li\u003e\n\u003cli\u003eFast-forward while you push the momentary switch up (you will hear the fast-forward sound)\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eGlobal mode\u003c\/h5\u003e\n\u003cul class=\"inExp\"\u003e\n\u003cli\u003ePush the momentary switch up to exit Global mode\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle whether to monitor audio input\u003c\/li\u003e\n\u003cli\u003ePush the momentary switch down to load a new tape\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/cctjW61qvbs\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allow=\"accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/gsHPmaHnWGY\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eHOW TO USE\u003c\/h3\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eModes\u003c\/h4\u003e  W \/ has three main modes: Live mode, Nav mode, and Cue mode. There is also a Global mode for some other settings. The operation and operation method of each mode are as follows. (The module comes with a small sheet with all button and switch operations). \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eLive mode\u003c\/h5\u003e  If the Play button is pressed once and no modulation is applied, tape playback, reverse playback, and looping are performed at the same magnification. The tape speed can be double speed or half speed. You can also add Cue points, loop between Cue points, record and overdub, etc. If you are not in loop mode, the direction of tape playback will not change, so if you want to listen to what you have recorded, rewind in Nav mode before playing. If you want to play in reverse, press the Play button while pushing the momentary switch down in Nav mode.\u003cbr\u003e \u003cbr\u003e  Recording trigger punch-in and punch-out is possible by triggering this jack. Also, the CV to the That jack determines how the original sound remains during recording, and changes from overwrite (-5V) to overdub (0V) to overwrite (5V). When the voltage to That is negative, every overdub also causes a deterioration in sound quality similar to tape. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePush the momentary switch down to add a cue point to the playback point\u003c\/li\u003e\n\u003cli\u003ePushing the momentary switch up adds a cue point to the playback point and loops\u003c\/li\u003e\n\u003cli\u003ePress the Loop and Record buttons to add a cue point to the playback point and record from there\u003c\/li\u003e\n\u003cli\u003eHold down the Play button and push the momentary switch up to double the playback speed\u003c\/li\u003e\n\u003cli\u003eHold down the Play button and push the momentary switch down to halve the playback speed\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003cli\u003eSwitch the loop state by pushing the Loop button\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle recording on \/ off\u003c\/li\u003e\n\u003cli\u003eHold down the Record button and push the momentary switch down to toggle the overdub On \/ Off state\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eNav mode\u003c\/h5\u003e Press the Play button once in Live mode, and the tape is stationary when no modulation is applied. In this mode, the tape playback speed can be continuously controlled by the voltage of the That input, and reverse playback is performed with a negative voltage. This input can select the loop point by CV at the time of loop. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePress the Play button to start playback and go to Live mode\u003c\/li\u003e\n\u003cli\u003eIf you push the Play button while pushing the momentary switch down, it will transition to Live mode while playing in reverse\u003c\/li\u003e\n\u003cli\u003ePress the Record button while holding the Loop button to switch to Cue mode\u003c\/li\u003e\n\u003cli\u003eRewind while pushing the momentary switch down (you will hear the rewind sound)\u003c\/li\u003e\n\u003cli\u003eFast-forward while you push the momentary switch up (you will hear the fast-forward sound)\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003cli\u003eSwitch the loop state by pushing the Loop button\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle recording on \/ off\u003c\/li\u003e\n\u003cli\u003eHold down the Record button and push the momentary switch down to toggle the overdub On \/ Off state\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eCue mode\u003c\/h5\u003e  In this mode, audio is played only while the Play button is pressed, and it functions as an audio audition or a one-shot sampler. At this time, This functions as a trigger gate for one-shot playback. One-shot playback is performed until the next cue with a very short trigger, and a longer gate signal is played only while the gate is ON. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePress the Loop button to return to Nav mode\u003c\/li\u003e\n\u003cli\u003eHold down Play, push the momentary switch down, release Play to transition to Live mode with audio playing\u003c\/li\u003e\n\u003cli\u003ePlay sound only while pressing Play button\u003c\/li\u003e\n\u003cli\u003ePress the Loop button to return to Nav mode\u003c\/li\u003e\n\u003cli\u003ePress the Loop and Record buttons to add a cue point at the current tape playback position\u003c\/li\u003e\n\u003cli\u003ePress the Record button to save and delete Cue points\u003c\/li\u003e\n\u003cli\u003eRewind while pushing the momentary switch down (you will hear the rewind sound)\u003c\/li\u003e\n\u003cli\u003eFast-forward while you push the momentary switch up (you will hear the fast-forward sound)\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch while holding down the Loop button moves the playback point to the next cue point\u003c\/li\u003e\n\u003cli\u003ePressing the momentary switch down while pressing the Loop button moves the playback point to the previous cue point\u003c\/li\u003e\n\u003cli\u003ePress the Record button for 1 second to enter global mode\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eGlobal mode\u003c\/h5\u003e  From Cue mode, press the Record button for 1 second to enter Global mode. The following settings are possible. \u003cul class=\"inExp\"\u003e\n\u003cli\u003ePush the momentary switch up to exit Global mode\u003c\/li\u003e\n\u003cli\u003ePress the Record button to toggle whether to monitor audio input\u003c\/li\u003e\n\u003cli\u003ePress the Loop button, then press the button to select the tape and push the momentary switch down to load that tape\u003c\/li\u003e\n\u003cli\u003ePress Record while pressing the Loop button to delete all cue points (firmware 1.1 or later)\u003c\/li\u003e\n\u003c\/ul\u003e  If you turn on the power while holding down the switch while pressing Record, the white LED of Play will blink. Press the Play button and press the button corresponding to the tape you want to erase, and all audio and cue points of the selected tape will be deleted \u003ch5 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eOther function assignment to This \/ That (firmware 1.2.1 or later)\u003c\/h5\u003e  In firmware 1.2.1 released on 2018.11.17, in addition to bug fixes, the functions of This and That jack in Live mode were added. In addition to the default function settings (This: punch in \/ out of recording \/ That: balance control of overdub), four function pairs have been added, and you can assign This and That to those settings.\u003cbr\u003e \u003cbr\u003e  To change the assignment, enter Record Selection mode by holding Record and patching to This or That. The orange LED indicates the function of THIS, and the white LED indicates the function of THAT. The functions are arranged in the following order from the top of the LED. Since the default is the Dub function, the two LEDs of the third Play from the top are lit. The functions of This and That are changed by buttons and switches corresponding to each function. Also, This is a Transport, and That is a Dub function.If you want to split a pair and use it, hold down the button corresponding to this function (top in this example) and press the button corresponding to That function (in the example, Press (3rd from the top). \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003cb\u003eTransport (select with switch up in select mode):\u003c\/b\u003e  This is the CV input for specifying the playback cue point, and That is the tape speed control CV input. Both are the same as This and That in NAV\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSignal (select by pressing loop button in select mode):\u003c\/b\u003eThis outputs a CV indicating the current playback position in the cue, and That outputs a trigger when the cue point passes.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eDub (select by pressing play button in select mode):\u003c\/b\u003eThis is the default behavior, this is the punch-in \/ out trigger input for recording, and That is the balance control input for overdub\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eCaption (select by pressing record button in select mode):\u003c\/b\u003e  This outputs the CV recording input (the CV can be recorded in parallel with the audio) and That the CV recorded (reflects the tape position and status as well as the audio). If you are monitoring, you will hear the CV entered in This added.\u003c\/li\u003e\n\u003cli\u003e\n\u003cb\u003eSample (selected in selection mode with switch down):\u003c\/b\u003e  This is a trigger input that immediately moves to the most recently passed cue point, and That is a CV input that controls the tape speed exponentially, and is an easy-to-use speed control for overdubbing harmony and sequencing.\u003c\/li\u003e\n\u003c\/ul\u003e   \u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eFIRMWARE UPDATE\u003c\/h3\u003e  W \/ can update firmware by playing audio files. PCs, smartphones and tablets can also be used as playback devices. \u003cul class=\"inExp\"\u003e\n\u003cli\u003e\n\u003ca href=\"https:\/\/www.whimsicalraps.com\/pages\/w-latest-version\"\u003eHere\u003c\/a\u003eDownload the latest firmware from\u003c\/li\u003e\n\u003cli\u003eTurn off the modular synth with W \/ installed and patch the audio output of the audio player in the firmware to the IN input\u003c\/li\u003e\n\u003cli\u003eSet the volume of the playback device to about 3\/4. When playing on a smartphone, etc., make sure that all sounds other than firmware, such as notification sounds, are not emitted\u003c\/li\u003e\n\u003cli\u003eTurn on the modular synth while holding down the record button. White record LED flashes slowly\u003c\/li\u003e\n\u003cli\u003eStart playing the firmware file. If all goes well, the white LED will go up and down, and sometimes the orange LED will glow.\u003c\/li\u003e\n\u003cli\u003eW \/ will restart automatically when finished\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Mannequins","offers":[{"title":"Default Title","offer_id":15492766793797,"sku":"MANW\/0289","price":46900.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/w.jpg?v=1539148409"},{"product_id":"mutable-instruments-elements","title":"Mutable Instruments Elements","description":"\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e  Elements is a synthesizer voice module based on the \"Modal Synthesis\" technique. Modal synthesis is a synthesis technique that is a bit different from the so-called physical modeling synthesis technique. Physical modeling techniques are very good at organic sound generation. Elements also has a wealth of modulation options, so you can add even more organic sound with CVs.\u003cbr\u003e \u003cbr\u003e  Elements has an Exciter section on the left, which adjusts the first attack sound, such as bowing (BOW), hitting (STRIKE), or blowing (BLOW). These attack sounds (possible external input sounds) are then sent to the right 64-band resonator, which can simulate resonant structures such as planes and tubes. The pitch is also controlled in this section. The reverb for adding ambience is also adjustable. \u003cdiv class=\"image-map-wrapper\"\u003e  \u003cdiv id=\"image-map-pro-container\"\u003e\u003c\/div\u003e\n\u003cspan class=\"image-map-note\"\u003eExplanation of each part is displayed by mouse over\u003c\/span\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/zN1QqpgAmVU\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"\/\/www.youtube.com\/embed\/3xtIgsGEm1k\" width=\"560\"\u003e\u003c\/iframe\u003e\u003cbr\u003e \u003cbr\u003e \u003ciframe allowfullscreen=\"\" frameborder=\"0\" height=\"281\" mozallowfullscreen=\"\" src=\"\/\/player.vimeo.com\/video\/115044249\" webkitallowfullscreen=\"\" width=\"500\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003ca href=\"http:\/\/vimeo.com\/115044249\"\u003eMutable Instruments Elements-Incidences \/ Resonances Patch\u003c\/a\u003e  from \u003ca href=\"http:\/\/vimeo.com\/richarddevine\"\u003eRichard Devine\u003c\/a\u003e  on \u003ca href=\"https:\/\/vimeo.com\"\u003eVimeo\u003c\/a\u003e.\u003c\/p\u003e","brand":"Mutable Instruments","offers":[{"title":"Default Title","offer_id":15496293744709,"sku":"MUTINSELE0293","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/Elements.jpg?v=1539266395"},{"product_id":"mutable-instruments-plaits","title":"Mutable Instruments Plaits","description":"\n\u003ch3 class=\"clockface-description-title\" style=\"text-align: left;\"\u003eMUSICAL FEATURES\u003c\/h3\u003e\n\u003cdiv style=\"text-align: left;\"\u003ePlaits is a digital oscillator synthesizer voice module that can use many models (algorithms). The design of Mutable's old oscillator, Braids, is not inherited, and both hardware and software have been redesigned from scratch. Braids is the same as Braids in that it covers various synthesizing techniques with many algorithms, but the screen, menu system, hidden settings, etc. have been eliminated. Although the number of selectable models has been reduced, the flexibility of parameters in the algorithm model has been increased, so that one model can sufficiently cover one synthesis technology. Similar sounds scattered between models in Braids can be switched in Plaits by continuous changes in parameters without changing the model.\u003cbr\u003e \u003cbr\u003e  Plaits has a built-in digital low-pass gate, so you can use it as a percussive synthesizer voice just by inputting a trigger without preparing a VCA or envelope module.\u003cbr\u003e \u003cbr\u003e  It also evolves in audio quality, alias processing, CV processing resolution, etc., and produces richer and cleaner sound.\u003cbr\u003e \u003cbr\u003e  The following eight algorithms have a sense of pitch. \u003cul class=\"inExp\"\u003e\n\u003cli\u003eStandard waveform pairs that change continuously\u003c\/li\u003e\n\u003cli\u003eWaveform of triangle wave with variable slope through wave shaper or wave folder\u003c\/li\u003e\n\u003cli\u003e2-operator FM with continuously variable feedback path\u003c\/li\u003e\n\u003cli\u003eTwo independently controllable formants\u003c\/li\u003e\n\u003cli\u003eHarmonic oscillator that can control 24 harmonic components\u003c\/li\u003e\n\u003cli\u003eWavetable oscillator with four 8x8 table banks (both continuous and discontinuous change possible)\u003c\/li\u003e\n\u003cli\u003eChord generator (can control inversion as well as tone)\u003c\/li\u003e\n\u003cli\u003eAlgorithm collection of human chatter\u003c\/li\u003e\n\u003c\/ul\u003e  There are eight noise and dissonance algorithms that are easy to use for percussion: \u003cul class=\"inExp\"\u003e\n\u003cli\u003eSawtooth \/ sine waves that are subjected to granular processing. Grain density, size and frequency randomization can be controlled.\u003c\/li\u003e\n\u003cli\u003eClock noise passed through a resonant filter\u003c\/li\u003e\n\u003cli\u003eParticle noise passed through the resonator\u003c\/li\u003e\n\u003cli\u003eExtended Karplus-Strong model (a model in which a noise burst is input in the red mode of Rings)\u003c\/li\u003e\n\u003cli\u003eModal Resonator (a model in which mallets or noise bursts are input to the Rings green mode)\u003c\/li\u003e\n\u003cli\u003eAnalog kick emulation (two flavors)\u003c\/li\u003e\n\u003cli\u003eAnalog snare emulation (two flavors)\u003c\/li\u003e\n\u003cli\u003eAnalog hi-hat emulation (two flavors)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch4 class=\"clockface-description-title\" style=\"text-align: left;\"\u003ehow to use\u003c\/h4\u003e  Use the two buttons to select a model. The left button selects a model with a pitch, and the right button selects a noise \/ dissonance model. It has two types of outputs, Main and Aux.\u003cbr\u003e \u003cbr\u003e  The main frequency control knob covers 8 octaves (can be set to about 1 octave by setting). Each model has three timbre parameters: Harmonics, Timbre and Morph. Timber, Morph, and FM CV controls have Athenuvata. CV control is also possible for model selection. Main 1V \/ Oct can be input from -3V to + 7V.\u003cbr\u003e \u003cbr\u003e  When patched to the trigger input, the oscillator passes through the built-in digital low-pass gate (LPG) and opens the gate with the trigger signal. Also used to trigger drums. The Level control is a CV input that can further control the volume of the oscillator and the size of the sound that passes through LPG.\u003cbr\u003e \u003cbr\u003e  Some parameters can be adjusted by turning the knob while pressing the button. Adjust the LPG characteristics (morphing from VCFA type to VCA type) by turning the Timbre knob while pressing the left button. LPG decay is adjusted by turning the Morph knob while holding down the same button. Because it is an LPG-type VCA, a unique lingering sound will remain even if the decay is shortened. The LPG envelope is internally connected to the CV input of various parameters. If you want to disable those modulations, set the Attenuverter in the middle position.\u003cbr\u003e \u003cbr\u003e  By turning the Harmonics knob while pressing the right button, you can switch the range and octave of the Frequency knob. In a setting where one of the eight LEDs is lit, the center is switched from C0 to C7 according to the lit LED, and the Frequency knob moves only ± 7 semitones around it. When all LEDs are lit, the Frequency knob sweeps 8 octaves as default.\u003cbr\u003e  \u003c\/div\u003e\n\u003ch3 class=\"clockface-description-title\"\u003eDEMO\u003c\/h3\u003e\n\u003ciframe allow=\"autoplay; encrypted-media\" allowfullscreen=\"\" frameborder=\"0\" height=\"315\" src=\"https:\/\/www.youtube.com\/embed\/ZmoU3SEIMpE\" width=\"560\"\u003e\u003c\/iframe\u003e","brand":"Mutable Instruments","offers":[{"title":"Regular(v1.1)","offer_id":43610830405857,"sku":"MUTINSPLA0298","price":0.0,"currency_code":"JPY","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0021\/3965\/2165\/products\/plaits.jpg?v=1539156283"}],"url":"https:\/\/clockfacemodular.com\/en\/collections\/sound-source.oembed?page=9","provider":"Clockface Modular","version":"1.0","type":"link"}